ing, she lets herself fall back in her lounging-chair; at that moment she feels a kind of perverse satisfaction in doing what Ludvig disapproved of.
The force of habit is strong, and she soon falls into her day-dreams again. She fancies she has dismissed all her admirers, and now stands alone in the world. She invests herself with astonishing talents; no longer wastes her energies in making bonnets and taking in sewing. She has had first-rate masters for every accomplishment under heaven, and every possible branch of education, from moral philosophy down to—hair-dressing. She dances like Vestris—sings like Catalani— and plays like Moschelles. With youth, beauty, and shining talents, she is received into the highest society, and the mystery which hangs over her early days but adds a piquancy to the charm of her numerous fascinations; for the great world, so monotonous in itself, loves the excitement of curiosity. She soon becomes the cynosure of fashion, adored by all the gentlemen—envied by all the ladies. Still she is not satisfied with mere drawing-room admiration. She will go upon the stage. She comes out in an opera of Scribe, composed by Auber, and arranged by Heiberg. The theatre rings with applause; bouquets are showered at her feet; the bright stars of Copenhagen—Madame H., and Mademoiselle W.—have, at length, found a rival, and to this rival a large salary is offered by the manager of the theatre. She has scarcely finished reading his highly complimentaiy letter when another is brought to her. In haste she opens it, and, casting her eye on the signature, she sees "Sigismond Frederick, Count of R." She starts with surprise; the young, the rich, the distinguished count, assuring her that he cannot live without her, offers her his heart, his fortune, and his hand! But, just then, amidst the glow of her gratified vanity and ambition, a small voice whispers the name of—Ludvig. He has been rough and rude to her; he left her in anger; he deserves no remembrance from her; yet—her heart yearns towards him—she feels that she can forgive and forget; that she can repay good for evil, and can sacrifice everything for him she loves.
Poor Lisette passes into a state of great excitement between the phantasms of her imagination and the real feelings of her soul; she actually rises to answer the visionary letter, and she writes as follows:
"Noble Count,—I should be very ungrateful if I did not highly value the honour which you have conferred upon me, in condescending to make me the offer which I had not the slightest claim to expect. I will not repay your goodness by any want of candour, and am, therefore, obliged to confess to you that that heart for which you ask is no longer free; and that love with which you would honour me I am unable to return as it deserves. From my earliest youth I have been attached to a poor artist ; he was my first love, and will be my last I will venture to indulge the hope that you will receive this open admission as a proof of my sincere regard and high esteem for you, which forbid me to accept the happy fortune that destiny, doubtless, reserves for one more worthy of it than myself."
Lisette was mightily pleased with this billet, which she considered a chef d'œuvre of the romantico-literary style. She had conned it over several times, and was about to fold and seal it, when the striking of a neighbouring clock awoke her to the realities of life, reminded her that she had some work to finish, and at once demolished all her castles in the air.
