ardent respect and love for Africa, the motherland. Gradually too, under some spiritualizing reaction, the brands and wounds of social persecution are becoming the proud stigmata of spiritual immunity and moral victory. Already enough progress has been made in this direction so that it is no longer true that the Negro mind is too engulfed in its own social dilemmas for control of the necessary perspective of art, or too depressed to attain the full horizons of self and social criticism. Indeed, by the evidence and promise of the cultured few, we are at last spiritually free, and offer through art an emancipating vision to America. But it is a presumption to speak further for those who in the selections of their work in the succeeding sections speak so adequately for themselves.
