marble, or primitive limestone (for it is not highly crystalline), is not only more easy of access, but a more durable stone. Of this, consequently, almost all the buildings on the lake shore are built; and, therefore, were their material unconcealed, would be of a dark, monotonous, and melancholy grey tint, equally uninteresting to the eye, and depressing to the mind. To prevent this result, they are covered with different compositions, sometimes white, more frequently cream-coloured, and of varying depth; the mouldings and pilasters being frequently of deeper tones than the walls. The inside of the grottoes, however, when not cut in the rock itself, are left uncovered, thus forming a strong contrast with the whiteness outside; giving great depth, and permitting weeds and flowers to root themselves on the roughnesses, and rock streams to distil through the fissures of the dark stones; while all parts of the building to which the eye is drawn, by their form or details (except the capitals of the pilasters, such as the urns, the statues, the steps, or balustrades, are executed in very fine white marble, generally from the quarries of Carrara, which supply quantities of fragments of the finest quality, which, nevertheless, owing to their want of size, or to the presence of conspicuous veins, are unavailable for the higher purposes of sculpture.
Now, the first question is, is this very pale colour desirable? It is to be hoped so, or else the whole of Italy must be pronounced full of impropriety. The first circumstance in its favour is one which, though connected
