pared to receive applications from errand-boys, that, thank heaven, she hadn't sunk so low as that—so low as to sell her darling into slavery for three shillings a week—he felt that she only gave more florid expression to his own sentiment. Of course, if Hyacinth did not begin by carrying parcels he could not hope to be promoted, through the more refined nimbleness of tying them up, to a position as accountant or bookkeeper; but both the fiddler and his friend—Miss Pynsent, indeed, only in the last resort—resigned themselves to the forfeiture of this prospect. Mr. Vetch saw clearly that a charming handicraft was a finer thing than a vulgar 'business,' and one day, after his acquaintance with Eustache Poupin had gone a considerable length, he inquired of the Frenchman whether there would be a chance of the lad's obtaining a footing, under his own wing, in Mr. Crookenden's workshop. There could be no better place for him to acquire a knowledge of the most delightful of the mechanical arts; and to be received into such an establishment, and at the instance of such an artist, would be a real start in life. M. Poupin meditated, and that evening confided his meditations to the companion who reduplicated all his thoughts and understood him better even than he understood himself. The pair had no children, and had felt the defect; moreover, they had heard from Mr. Vetch the dolorous tale of the boy's entrance into life. He was one of the disinherited, one of the expropriated, one of the exceptionally interesting; and moreover he was one of themselves, a child, as it were, of France, an offshoot of the sacred race. It is not the most authenticated point in this veracious history, but there is strong reason to believe that tears were shed that night, in Lisson Grove, over poor
