Pepys, who saw it on the 8th Dec., 1666, commends it highly. "To the King's House, and there," his entry runs, "did see a good part of the English Monsieur, which is a mighty pretty play, very witty and pleasant. And the women do very well; but above all, little Nelly; that I am mightily pleased with the play, and much with the house, the women doing better than I expected; and very fair women." Nor was his admiration abated when he saw it many months afterwards, 7th April, 1668, at the same house.
Nell's success on the stage was such that she was soon called to represent prominent parts in the stock plays of her company. What these parts were, is, I believe, with very few exceptions, altogether unknown. One part, however, has reached us—that of Enanthe, or Celia, in the Humorous Lieutenant of Beaumont and Fletcher, a play that was long a favourite with the public—continuing to be frequently acted, and always with applause, throughout the reign of Charles II. The wit and fine poetry of the part of Celia are known to the readers of our English drama, nor is it difficult to conceive how effectively language like the following must have come from the lips of Nell Gwyn. She is in poor attire amid a mob, when she sees the King's son:—
