and knocked up against a ladder. This we climbed and reached a loft in which we took shelter. You entered at that moment.…
"You know the rest: how you discovered the two hanging skeletons; how your attention was drawn to us by an imprudent movement of Florence; your attack, to which I replied by brandishing the first weapon with which chance provided me; lastly, our flight through the window in the roof, under the fire of your revolver. We were free. But in the evening, in the train, Florence fainted. While bringing her to I perceived that one of your bullets had wounded her in the shoulder. The wound was slight and did not hurt her, but it was enough to increase the extreme tension of her nerves. When you saw us—at Le Mans station wasn't it?—she was asleep, with her head on my shoulder."
Don Luis had not once interrupted the latter part of this narrative, which was told in a more and more agitated voice and quickened by an accent of profound truth. Thanks to a superhuman effort of attention, he noted Sauverand's least words and actions in his mind. And as these words were uttered and these actions performed, he received the impression of another woman who rose up beside the real Florence, a woman unspotted and innocent of all the shame which he had attributed to her on the strength of events.
Nevertheless, he did not yet give in. How could Florence possibly be innocent? No, no, the evidence of his eyes, which had seen, and the evidence of his reason, which had judged, both rebelled against any such contention.
He would not admit that Florence could suddenly be
