ELMBRIDGE HUNDRED
��length. In front it reaches to a little below the fork, leaving visible two rows of the metal rosette studs of the aketoun. At the back, however, it falls to the bend of the leg, and the skirts are split at the side like a dalmatic. There is no girdle, but the sword-belt passing round the hips draws the cyclas together. The sword is of fair size with a long corded grip and an oval pommel and plain quillons with rounded ends. The belt is richly ornamented, but quite simply attached to the scabbard, which has an ornamental metal tip and is somewhat less diminished from haft to point than is the case in the earlier brass. On the head is a fluted oval bascinet reaching to below the ears and with a foiled point or socket at the top. The aventail of banded mail is riveted to the bascinet and covers the neck and shoulders, partly covering the circular pauldrons. Rerebraces of plate are worn strapped over the mail, which shows inside the arm. The elbow cops appear to be articulated on the rere- brace and are reinforced by circular plates tied .on with points. No gauntlets are shown. The legs are clad in mail chausses, over which are strapped plate defences. The knee cops are large ridged and have engrailed borders. The thigh defences are not visible. The insteps are protected by articulated sollerets of five plates, and short prick spurs are worn with rosette bosses. A small heater-shaped shield of a rather acute form rests on the left arm, but has no belt. The hands are joined in prayer and the feet rest on a lion. Over the head is an ogee cinquefoiled canopy, each foil of which is subcusped to form a cinquefoil. This is slightly damaged. The shield is charged with a very broad cheveron.
In the chancel is also a plain marble slab with a small brass shield and the indents of three others and of an inscription in separate brass letters. The last is so worn as to be indecipherable. The one re- maining shield bears a cheveron with a label of four points. At the north-west of the chancel floor is a slab to ' Sir John Ackland, of Ackland, in the county of Devon, Barronett,' who died in 1 647. Two brasses are fixed to the jambs of the east arch of the chancel arcade. That on the east jamb is of a lady wearing a long head veil, a pleated wimple, a full ungirt robe with moderate sleeves, and an ample cloak with loose cords to fasten it, which hangs down behind the hands, which are joined in prayer. At her feet and on her ample skirts are the figures to a smaller scale of her four sons and four daughters. At the foot is the following inscription : ' Hie jacet dfia Anna Norbury nup' ux' Henrici Norbury milit' II Ac filia Willi Croyser qu'dam dni hui' loci que obiit xn die || oc- tobr' anno dni m CCCC O LX O IIII cui' ai'e ppciet' deu' ame.' The second brass is of a ' chrysom ' child. The swaddling clothes, which are brought over the head in a kind of hood, are bound with crossing bands, and over the forehead the clothes are marked with a cross. Below is an inscription in black letter smalls with capitals : ' Pray for the soule of Elyn bray dowter of s' Edmond || bray Knyght and Jane hys wyfe whiche elyn dyed ye xvi [| day of Maij A M V c xvi.' On the south side of the chapel is a brass to Frances (Bray), 1592, wife of Thomas Lyfield, with a long genealogical inscription. With this are the figures of Frances, her husband, and their daughter Jane, the wife of Thomas Vincent.
On the south wall of the chancel is a brass plate with the following inscription : ' Hie jacet Johes
��STOKE D'ABERNON
Prowd Rector isti' ccclie 1 et quat' || Rector ecclie de esthorsley qui obiit nono die Octobr' || A Dm MCCCCLXXXVH" Cujus ai? ppciet' d' amen.
On the east wall of the chapel is a brass plate with the following inscription :
Thys Chauntrie foundyt by Syr John Norbury
The First Prest was Sir John Pinnoke truly :
Under thys stone lieth buryed His Body
Of whose soule Jesu have mercy.
He departed out of this world and from us he is
gone
In the yeare of oure Lord fifteen twenty and one The fyrst day of the Month of August In the Marcie of J'hu Christ He puttys all his
trust. Amen.
On the east wall is a small mural monument to Sir John Norbury put up in 1633, as the inscription explains, to replace ' the ould monument by injury of time demolisht.' He is represented in early lyth- century armour kneeling at a desk within a semi- circular arch which is surmounted by a broken pediment of classical design. Under the east window of the chapel is the monument of Sarah (Paulet), 1608, wife of Sir Francis Vincent. There is a life- size effigy lying on the left side with the cheek resting on the left hand. The costume consists of a tight fitting bodice with a pointed stomacher, and elabor- ately quilted sleeves, a heavily pleated skirt over a farthingale, a deep ruff", and a wide hood. On the plinth below are the kneeling figures of five sons and two daughters. The tomb has a high semicircular canopy the soffit of which is panelled. Above the effigy is an elaborate inscription on a slate slab. Three shields are shown, the first having the quatre- foils of Vincent, the second the three swords of Paulet, the third being Vincent impaling Paulet. Between the two windows on the north of the chapel is a second monument, of slightly later date, to Sir Thomas Vincent, 1613, and his wife, Lady Jane (Lyfield) 1619. Sir Thomas is wearing complete armour consisting of a globose breast-plate, a back-plate, a moderate gorget, articulated pauldrons, rerebraces and vambraces, large winged elbow cops, very wide articulated taces over stuffed trunks, articulated jambs, knee cops, vamplate, and articulated sollerets. Over the gorget a fair sized ruff is worn, and the wrists are ruffed. He lies on his right side, and wears a pointed beard. His wife, placed a little below him, is in a recumbent attitude with the hands joined. She wears a close-fitting bodice with a pointed stomacher and moderate sleeves turned back at the cuff, a full skirt with a farthingale, a small hood, a moderate ruff and an ample cloak or mantle. The monument is very similar in design to the last described, but is ornamented with the scrollwork peculiar to the period. The Vincent arms appear on a shield crown- ing the arch. On the back of the tomb are the arms of Vincent and Lyfield, Or a cheveron thereon between three demi-lions gules with three trefoils or on the cheveron. In the churchyard are two ancient grave slabs. The first of these is of plain oblong form and mid- 14th-century date with a mar- ginal inscription in square-sunk Lombardic capitals as follows: ' Johanna Femme de Sire Johan Dabernon chivaler gist icy dieu de sa alme eit merci.' The second is coffin-shaped and ornamented with a cross
��461
�� �
