Faun was smilingly placing a flute to his lips. His face was partly concealed by the branches, but his shining belly glistened amid the leafage.
"That Faun seems animated," remarked Marcus Lollius. "One could imagine that a gentle breathing was causing his bosom to heave."
"He is true to life, Marcus," said Gallic "One expects to hear rustic melodies flow from his flute. A Greek slave carved him out of the marble, in imitation of an ancient model. The Greeks formerly excelled in the making of these fanciful statues. Several of their efforts in this style are justly renowned. There is no gainsaying it: they have found the means of giving august traits to the gods and of expressing in both marble and bronze the majesty of the masters of the world. Who but admires the Olympian Zeus? And yet, who would care to be Phidias!"
"No Roman would assuredly care to be Phidias," exclaimed Lollius, who was spending the fortune he had inherited from his ancestry in ornamenting his villa at Pausilypum with the masterpieces of Phidias and Myron brought over from Greece and Asia.
Lucius Cassius was of the same opinion. He argued with some warmth that the hands of a free man were not made to wield the sculptor's chisel or the painter's brush, and that no Roman citizen would condescend to the degrading work of casting
