Weena grew tired and wanted to return to the house of grey stone. But I pointed out the distant pinnacles of the Palace of Green Porcelain to her, and contrived to make her understand that we were seeking a refuge there from her Fear. You know that great pause that comes upon things before the dusk? Even the breeze stops in the trees. To me there is always an air of expectation about that evening stillness. The sky was clear, remote, and empty save for a few horizontal bars far down in the sunset. Well, that night the expectation took the colour of my fears. In that darkling calm my senses seemed preternaturally sharpened. I fancied I could even feel the hollowness of the ground beneath my feet; could, indeed, almost see through it the Morlocks in their ant-hill going hither and thither and waiting for the dark. In my excitement I fancied that they would receive my invasion of their burrows as a declaration of war. And why had they taken my Time Machine?
"So we went on in the quiet, and the twilight deepened into night. The clear blue of the distance faded, and one star after another came out. The ground grew dim and the trees black. Weena's fears and her fatigue grew upon her. I took her in my arms and talked to her and caressed her. Then, as the darkness grew deeper, she put her arms round my neck, and, closing her eyes, tightly pressed her face against my shoulder. So we went down a long slope into a valley, and there in the dimness I almost walked into a little river. This I waded, and went up the opposite side of the valley, past a number of sleeping houses, and by a statue—a Faun, or some
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