only Blake has seen the splendour, to them too, do we do reverence.
But this Angel the Vicar shot is, we say, no such angel at all, but the Angel of Italian art, polychromatic and gay. He comes from the land of beautiful dreams and not from any holier place. At best he is a popish creature. Bear patiently, therefore, with his scattered remiges, and be not hasty with your charge of irreverence before the story is read.
§ 10
The Curate's wife and her two daughters and Mrs. Jehoram were still playing tennis on the lawn behind the Vicar's study, playing keenly and talking in gasps about paper patterns for blouses. But the Vicar forgot and came in that way.
They saw the Vicar's hat above the rhododendrons, and a bare curly head beside him. "I must ask him about Susan Wiggin," said the Curate's wife. She was about to serve, and stood with a racket in one hand and a ball between the fingers of the other. "He really ought to have gone to see her—being the Vicar. Not George. I—Ah!"
For the two figures suddenly turned the corner and were visible. The Vicar, arm in arm with———
You see, it came on the Curate's wife suddenly. The Angel's face being towards her she saw nothing of the wings. Only a face of unearthly beauty in a halo of chestnut hair, and a graceful figure clothed in a saffron garment that barely reached the knees. The thought of those knees flashed upon the Vicar at
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