Page:The Works of Lord Byron (ed. Coleridge, Prothero) - Volume 3.djvu/363

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canto i.]
LARA.
331
XI.
He turned within his solitary hall,
And his high shadow shot along the wall:
There were the painted forms of other times,[decimal 1]
'Twas all they left of virtues or of crimes,
Save vague tradition; and the gloomy vaults
That hid their dust, their foibles, and their faults;
And half a column of the pompous page,
That speeds the specious tale from age to age;
Where History's pen its praise or blame supplies,
And lies like Truth, and still most truly lies. 190
He wandering mused, and as the moonbeam shone
Through the dim lattice, o'er the floor of stone,
And the high fretted roof, and saints, that there
O'er Gothic windows knelt in pictured prayer,[lower-roman 1]
Reflected in fantastic figures grew,
Like life, but not like mortal life, to view;
His bristling locks of sable, brow of gloom,
And the wide waving of his shaken plume,
Glanced like a spectre's attributes—and gave
His aspect all that terror gives the grave.[lower-roman 2] 200

XII.
'Twas midnight—all was slumber; the lone light
Dimmed in the lamp, as loth to break the night.
Hark! there be murmurs heard in Lara's hall—
A sound—a voice—a shriek—a fearful call!
A long, loud shriek—and silence—did they hear
That frantic echo burst the sleeping ear?

  1. ——knelt in painted prayer.—[MS.]
  2. His aspect all that best becomes the grave.—[MS.]
  1. ["He used, at first, though offered a bed at Annesley, to return every night to Newstead, to sleep; alleging as a reason that he was afraid of the family pictures of the Chaworths."—Life, p. 27.]