particular application to Mr. Paraday's new book, obtained for it the hospitality of another journal, where, I must admit, Mr. Pinhorn was so far justified that it attracted not the least attention.
I was frankly, at the end of three days, a very prejudiced critic, so that one morning when, in the garden, Neil Paraday had offered to read me something I quite held my breath as I listened. It was the written scheme of another book—something he had put aside long ago, before his illness, and lately taken out again to reconsider. He had been turning it round when I came down upon him, and it had grown magnificently under this second hand. Loose, liberal, confident, it might have passed for a great gossiping, eloquent letter—the overflow into talk of an artist's amorous plan. The subject I thought singularly rich, quite the strongest he had yet treated; and this familiar statement of it, full too of fine maturities, was really, in summarised splendour, a mine of gold, a precious, independent work. I remember rather profanely wondering whether the ultimate production could possibly be so happy. His reading of the epistle, at any rate, made me feel as if I were, for the advantage of posterity, in close correspondence with him—were the distinguished person to whom it had been affectionately addressed. It was high distinction simply to be told such things. The idea he now communicated had all the freshness, the flushed fairness of the conception untouched and untried: it was Venus rising from the sea, before the airs had blown upon her. I had never been so throbbingly present at such an unveiling. But when he had tossed the last bright word after