Page:The librarian's copyright companion, by James S. Heller, Paul Hellyer, Benjamin J. Keele, 2012.djvu/21

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Chapter One. General Principles
5

Copyrightable Works

1.3. Section 102
Copyrightable Works
  • Literary works
  • Musical works
  • Dramatic works
  • Pantomimes and choreographic works
  • Pictorial, graphic, and sculptural works
  • Motion pictures and other audiovisual works
  • Sound recordings
  • Architectural works

If the work is original, and fixed in any tangible medium of expression

But not ideas, procedures, processes, systems, concepts …

Copyright protection is very broad. The Copyright Act provides that a wide array of works may be copyrighted, as long as they are “original” and “fixed in any tangible medium of expression.”[1] “Original” means that the work was independently created by the author (not copied from another source) and has at least a minimal level of creativity.[2] Only the parts of a work that are original are subject to copyright protection.[3]

There must also be an expression for copyright to attach. This is often called the idea/expression dichotomy: Only the expression of an idea is protected by copyright, not the idea by itself.[4] For example, you cannot copyright the idea of a romance between a northern gunrunner and a southern belle in the post-Civil War South, but Margaret Mitchell could copyright the expression of that idea in her novel Gone With The Wind.


  1. 17 U.S.C. § 102(a) (2006).
  2. Feist Publ’ns v. Rural Tel. Serv., 499 U.S. 340, 345 (1991) (“The requisite level of creativity is extremely low; even a slight amount will suffice.”).
  3. Id. at 348.
  4. 17 U.S.C. § 102(b) (2006); SunTrust Bank v. Houghton Mifflin Co., 268 F.3d 1257, 1263–64 (11th Cir. 2001); Ho v. Taflove, 648 F.3d 489, 497–98 (7th Cir. 2011).