with the lapse of time, must have afforded opportunities for many variations of the narrative; so that, despairing of literal and absolute truth, I have not scrupled to make such further changes as seemed conducive to the reader's profit and delight.
At one of the entertainments given at the Province House, during the latter part of the siege of Boston, there passed a scene which has never yet been satisfactorily explained. The officers of the British army, and the loyal gentry of the province, most of whom were collected within the beleagured town, had been invited to a masqued ball; for it was the policy of Sir William Howe to hide the distress and danger of the period, and the desperate aspect of the siege, under an ostentation of festivity. The spectacle of this evening, if the oldest members of the provincial court circle might be believed, was the most gay and gorgeous affair that had occurred in the annals of the government. The brilliantly lighted apartments were thronged with figures that seemed to have stepped from the dark canvas of historic portraits, or to have flitted forth from the magic pages of romance, or at least to have flown hither from one of the London theatres, without a change of garments. Steeled knights of the Conquest, bearded statesmen of Queen Elizabeth, and high-ruffled ladies of her court, were mingled with characters of comedy, such as a particolored Merry Andrew, jingling his cap and bells; a Falstaffe, almost as provocative of laughter as his prototype; and a Don Quixote, with a bean-pole for a lance, and a pot-lid for a shield.