More than thirty years ago those plantation songs made their appearance which were so extraordinarily popular for a while; and if ‘Coal-black Rose,’ ‘Zip Coon’ and ‘Ole Virginny nebber tire’ have been succeeded by spurious imitations, manufactured to suit the somewhat sentimental taste of our community, the fact that these were called ‘Negro melodies’ was itself a tribute to the musical genius of the race.
“The public had well-nigh forgotten these genuine slave songs, and with them the creative power from which they sprung, when a fresh interest was excited through the educational mission to the Port Royal Islands in 1861.”[1]
Still the world listened only half credulously until the Fisk Jubilee Singers sang the slave songs “so deeply into the world’s heart that it can never wholly forget them again.” The story of the Fisk Jubilee singers is romantic. In abandoned barracks at Nashville hundreds of colored children were being taught and the dream of a Negro University had risen in the minds of the white teachers. But even the lavish contribution for missionary work, which followed the war, had by 1870 begun to fall off. It happened that the treasurer of Fisk, George L. White, loved music.
- ↑ W. F. Allen and others, Slave Songs of the United States, New York, 1867.
