New Orleans, California. Alaska and various parts of the United States and Canada. She was appointed second associate principal of Mt. Holyoke eminary in 1872, and first associate in 1883. A college charter having been obtained for that institution in 1888, she was made professor of theism and Christian evidences, and instructor of ancient literature. In scientific studies she shared the enthusiasm and the wide reading of Lydia W. Shattuck, the botanist, and became herself an earnest student and teacher of geology. She is identified with her alma mater in its religious character and work. For the use of her classes she printed in 1877 a volume of "Notes on Ancient Literature." She has given lectures to classes and to ladies' literary societies on a variety of topics. Her more public activities have been in the way of papers and addresses before the different associations of Holyoke alumna? and in connection with women's missionary meetings. Since 1876 she has been vice-president of the Hampshire County Branch of the Woman's Board of Missions. In 1888 the degree of Master of Arts was conferred upon her by Burlington University, Vermont.
EDWARDS, Mrs. Emma Atwood, educator, born in East Pittston, Maine, 6th November, 1838. Her father, Rev. Charles Baker, a Methodist itinerant, was the chief promoter of education in the Maine Conference in that time, and fully alive to the importance of mental and moral training. Mrs. Edwards was graduated from the academy in Newbury, Vt, in i860. She engaged at once in teaching, and, while preceptress in Amenia Seminary, she became acquainted with her future husband. Rev. James T. Edwards, D.D., LL.D., who was at that time one of the professors in the seminary.
EMMA ATWOOD EDWARDS.
Immediately after their marriage, in 1862, she became associated with him in teaching in East Greenwich Academy, Rhode Island, over which for six years he presided as principal. In 1S70 Professor Edwards became principal of Chamberlain Institute, Randolph, N. Y., and Mrs. Edwards has been since that time associated with him as preceptress. Holding herself to the highest ideals of attainment possible, she is able to hold those under her charge to similar ideals, and thus confer upon them the greatest of benefits. Several thousand students have felt the molding influence of her elevated character.
EGGLESTON, Miss Allegra, artist, born in Stillwater, Minn., 19th November, 1860. She is the
ALLEGRA EGGLESTON.
second daughter of Edward Eggleston, the author, who came of a well-known Virginia family, with strains of Irish and Scotch in his descent. She inherited superior mental gifts from her father, combined with artistic qualities in her mother's family, which was of English origin. A delicate and high-strung child, she early showed a talent for drawing and modeling. One of her first works of art was an idol carved out of a piece of semi-decayed wood, when she was only six years of age. She drew constantly and modeled occasionally in clay, but she had no teaching until she was received into classes in Cooper Institute in October. 1875. She was under age, being not yet fifteen, but was accepted on account of remarkable promise. She did creditable work there for two years, after which she entered the studio of Wyatt Eaton, where she made rapid progress in painting from life. In 1879 she went to Europe in company with her father and family. While abroad she took two weeks' lessons under a Swiss wood-carver and astonished him by successfully carving the most difficult pieces as soon as she had learned the use of her tools. After her return home she occupied herself with wood-carving, painting also some portraits, which were exhibited in the annual exhibitions of the Society of American Artists. In 1882 she carved panels for a memorial mantel-piece in the editorial rooms of the "Century Magazine," on one of which was cut a
