Pastorals Epistles Odes (1748)/Preface

by Ambrose Philips

For works with similar titles, see Pastoral Poems.

 

PASTORAL

POEMS

 

Nostra nec erubuit sylvas habitare Thalia.
Virg. Ecl. 6. 

 

 

PREFACE.

 

T is somewhat strange to conceive, in an age so addicted ta the Muses, how Pastoral Poetry comes to be be never so much as thought upon; considering, especially, that it is of the greatest antiquity, and hath ever been accounted the foremost, amongst the smaller poems, in dignity. Virgil and Spenser made use of it as a prelude to Epic Poetry: but, I fear, the innocency of the subject makes it so little inviting.

There is no kind of Poem, if happily executed, but gives delight; and herein may the Pastoral boast after a peculiar manner: for, as in Painting, so in Poetry, the Country affords not only the most delightful scenes and prospects, but likewise the most pleasing images of life.

Gassendus (I remember) observes that Peireskius was a great lover of musick, especially the melody of birds: because their simple strains have less of passion and violence, but more of a sedate and quiet harmony, and therefore, do they rather befriend contemplation. In like manner, the Pastoral Song gives a sweet and gentle composure to the mind; whereas the Epic and Tragic Poems, by the vehemency of their emotions, raise the spirits into a ferment.

To view a fair stately palace strikes us indeed with admiration, and swells the soul with notions of grandeur! but when I see a little country dwelling, advantageously situated amidst a beautiful variety of hills, meadows, fields, woods, and rivulets, I feel an unspeakable sort of satisfaction, and cannot forbear wishing my kinder fortune would place me in such a sweet retirement.

Theocritus, Virgil, and Spenser, are the only Poets who seem to have hit upon the true nature of Pastoral Compositions: so that it will be sufficient praise for me, if I have not altogether failed in my attempt.

 

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