Sibylline Leaves (Coleridge)/Fire, Famine & Slaughter
Fire, Famine, and Slaughter.
A WAR-ECLOGUE.
WITH
AN APOLOGETIC PREFACE.
ME DOLOR INCAUTUM[errata 1], ME LUBRICA DUXERIT ÆTAS,
ME TUMOR IMPULERIT, ME DEVIUS EGERIT ARDOR:
TE TAMEN HAUD DECUIT PARIBUS CONCURRERE TELIS.
EN ADSUM; VENIAM[errata 2], CONFESSUS CRIMINA, POSCO.
THERE IS ONE THAT SLIPPETH IN HIS SPEECH, BUT NOT
FROM HIS HEART; AND WHO IS HE THAT HATH NOT OFFENDED
WITH HIS TONGUE?
AT the house of a gentleman, who by the principles and corresponding virtues of a sincere Christian consecrates a cultivated genius and the favorable accidents of birth, opulence, and splendid connexions, it was my good fortune to meet, in a dinner-party, with more men of celebrity in science or polite literature, than are commonly found collected round the same table. In the course of conversation, one of the party reminded an illustrious Poet, then present, of some verses which he had recited that morning, and which had appeared in a newspaper under the name of a War-Eclogue, in which Fire, Famine, and Slaughter, were introduced as the speakers. The gentleman so addressed replied, that he was rather surprised that none of us should have noticed or heard of the Poem, as it had been, at the time, a good deal talked of in Scotland. It may be easily supposed, that my feelings were at this moment not of the most comfortable kind. Of all present, one only knew, or suspected me to be the author; a man who would have established himself in the first rank of England's living Poets, if the Genius of our country had not decreed that he should rather be the first in the first rank of its Philosophers and scientific Benefactors, It appeared the general wish to hear the lines. As my friend chose to remain silent, I chose to follow his example, and Mr. ***** recited the Poem. This he could do with the better grace, being known to have ever been not only a firm and active Anti-Jacobin and Anti-Gallican, but likewise a zealous admirer of Mr. Pitt, both as a good man and a great Statesman. As a Poet exclusively, he had been amused with the Eclogue; as a Poet, he recited it; and in a spirit, which made it evident, that he would have read and repeated it with the same pleasure, had his own name been attached to the imaginary object or agent.
After the recitation, our amiable host observed, that in his opinion Mr. ***** had over-rated the merits of the poetry; but had they been tenfold greater, they could not have compensated for that malignity of heart, which could alone have prompted sentiments so atrocious. I perceived that my illustrious friend became greatly distressed on my account; but fortunately I was able to preserve fortitude and presence of mind enough to take up the subject without exciting even a suspicion, how nearly and painfully it interested me.
What follows, is substantially the same as I then replied, but dilated and in language less colloquial. It was not my intention, I said, to justify the publication, whatever its author's feelings might have been at the time of composing it. That they are calculated to call forth so severe a reprobation from a good man, is not the worst feature of such poems. Their moral deformity is aggravated in proportion to the pleasure which they are capable of affording to vindictive, turbulent, and unprincipled readers. Could it be supposed, though for a moment, that the author seriously wished what he had thus wildly imagined, even the attempt to palliate an inhumanity so monstrous would be an insult to the hearers. But it seemed to me worthy of consideration, whether the mood of mind, and the general state of sensations, in which a Poet produces such vivid and fantastic images, is likely to co-exist, or is even compatible with, that gloomy and deliberate ferocity which a serious wish to realize them would pre-suppose. It had been often observed, and all my experience tended to confirm the observation, that prospects of pain and evil to others, and in general, all deep feelings of revenge, are commonly expressed in a few words, ironically tame, and mild. The mind under so direful and fiend-like an influence, seems to take a morbid pleasure in contrasting the intensity of its wishes and feelings, with the slightness or levity of the expressions by which they are hinted; and indeed feelings so intense and solitary, if they were not precluded (as in almost all cases they would be) by a constitutional activity of fancy and association, and by the specific joyousness combined with it, would assuredly themselves preclude such activity. Passion, in its own quality, is the antagonist of action; though in an ordinary and natural degree the former alternates with the latter, and thereby revives and strengthens it. But the more intense and insane the passion is, the fewer and the more fixed are the correspondent forms and notions. A rooted hatred, an inveterate thirst of revenge, is a sort of madness, and still eddies round its favourite object, and exercises as it were a perpetual tautology of mind in thoughts and words, which admit of no adequate substitutes. Like a fish in a globe of glass, it moves restlessly round and round the scanty circumference, which it can not leave without losing its vital element.
There is a second character of such imaginary representations as spring from a real and earnest desire of evil to another, which we often see in real life, and might even anticipate from the nature of the mind. The images, I mean, that a vindictive man places before his imagination, will most often be taken from the realities of life: they will be images of pain and suffering which he has himself seen inflicted on other men, and which he can fancy himself as inflicting on the object of his hatred. I will suppose that we had heard at different times two common sailors, each speaking of some one who had wronged or offended him; that the first with apparent violence had devoted every part of his adversary's body and soul to all the horrid phantoms and fantastic places that ever Quevedo dreamt of, and this in a rapid flow of those outrè and wildly combined execrations, which too often with our lower classes serve for escape-valves to carry off the excess of their passions, as so much superfluous steam that would endanger the vessel if it were retained. The other, on the contrary, with that sort of calmness of tone which is to the ear what the paleness of anger is to the eye, shall simply say, "If I chance to be made boatswain, as I hope I soon shall, and can but once get that fellow under my hand (and I shall be upon the watch for him), I'll tickle his pretty skin! I won't hurt him! oh no! I'll only cut the ——— ——— to the liver!" I dare appeal to all present, which of the two they would regard as the least deceptive symptom of deliberate malignity? nay, whether it would surprize them to see the first fellow, an hour or two afterward, cordially shaking hands with the very man, the fractional parts of whose body and soul he had been so charitably disposing of; or even perhaps risking his life for him. What language Shakespear considered characteristic of malignant disposition, we see in the speech of the good-natured[errata 3] Gratiano, who spoke "an infinite deal of nothing more than any man in all Venice;" the skipping spirit, whose thoughts and words reciprocally ran away with each other;
" ——— O be thou damn'd, inexorable dog!
And for thy life let justice be accused!"
and the wild fancies that follow, contrasted with Shylock's tranquil "I stand here for Law."
Or, to take a case more analogous to the present subject, should we hold it either fair or charitable to believe it to have been Dante's serious wish, that all the persons mentioned by him, (many recently departed, and some even alive at the time,) should actually suffer the fantastic and horrible punishments, to which he has sentenced them in his hell and purgatory? Or what shall we say of the passages in which Bishop Jeremy Taylor anticipates the state of those who, vicious themselves, have been the cause of vice and misery to their fellow-creatures. Could we endure for a moment to think that a spirit, like Bishop Taylor's, burning with Christian love; that a man constitutionally overflowing with pleasurable kindliness; who scarcely even in a casual illustration introduces the image of woman, child, or bird, but he embalms the thought with so rich a tenderness, as makes the very words seem beauties and fragments of poetry from a Euripides or Simonides;—can we endure to think, that a man so natured and so disciplined, did at the time of composing this horrible picture, attach a sober feeling of reality to the phrases? or that he would have described in the same tone of justification, in the same luxuriant flow of phrases, the tortures about to be inflicted on a living individual by a verdict of the Star-Chamber? or the still more atrocious sentences executed on the Scotch anti-prelatists and schismatics, at the command, and in some instances under the very eye of the Duke of Lauderdale, and of that wretched bigot who afterwards dishonored and forfeited the throne of Great Britain? Or do we not rather feel and understand, that these violent words were mere bubbles, flashes and electrical apparitions, from the magic cauldron of a fervid and ebuliant fancy, constantly fuelled by an unexampled opulence of language? Were I now to have read by myself for the first time the Poem in question, my conclusion, I fully believe, would be, that the writer must have been some man of warm feelings and active fancy; that he had painted to himself the circumstances that accompany war in so many vivid and yet fantastic forms, as proved that neither the images nor the feelings were the result of observation, or in any way derived from realities. I should judge, that they were the product of his own seething imagination, and therefore impregnated with that pleasurable exultation which is experienced in all energetic exertion of intellectual power; that in the same mood he had generalized the causes of the war, and then personified the abstract and christened it by the name which he had been accustomed to hear most often associated with its management and measures. I should guess that the minister was in the author's mind at the moment of composition, as completely απαθὴς, ἀναιμὁσαρκος, as Anacreon's grasshopper, and that he had as little notion of a real person of flesh and blood,
as Milton had in the grim and terrible phantoms (half person, half allegory) which he has placed at the gates of Hell. I concluded by observing, that the Poem was not calculated to excite passion in any mind, or to make any impression except on poetic readers; and that from the culpable levity, betrayed by[errata 4] the grotesque union of epigrammatic wit with allegoric personification, in the allusion to the most fearful of thoughts, I should conjecture that the "rantin Bardie," instead of really believing, much less wishing, the fate spoken of in the last line, in application to any human individual, would shrink from passing the verdict even on the Devil himself, and exclaim with poor Burns,
Oh! wad ye tak a thought an' men!
Ye aiblins might—I dinna ken—
Still hae a stake—
I'm wae to think upon yon den,
Ev'n for your sake!
I need not say that these thoughts, which are here dilated, were in such a company only rapidly suggested. Our kind host smiled, and with a courteous compliment observed, that the defence was too good for the cause. My voice faultered a little, for I was somewhat agitated; though not so much on my own account as for the uneasiness that so kind and friendly a man would feel from the thought that he had been the occasion of distressing me. At length I brought out these words: "I must now confess. Sir! that I am the author of that Poem. It was written some years ago. I do not attempt to justify my past self, young as I then was; but as little as I would now write a similar poem, so far was I even then from imagining, that the lines would be taken as more or less than a sport of fancy. At all events, if I know my own heart, there was never a moment in my existence in which I should have been more ready, had Mr. Pitt's person been in hazard, to interpose my own body, and defend his life at the risque of my own."
I have prefaced the Poem with this anecdote, because to have printed it without any remark might well have been understood as implying an unconditional approbation on my part, and this after many years consideration. But if it be asked why I re-published it at all? I answer, that the Poem had been attributed at different times to different other persons; and what I had dared beget, I thought it neither manly nor honorable not to dare father. From the same motives I should have published perfect copies of two Poems, the one entitled The Devil's Thoughts, and the other The Two Round Spaces on the Tomb-Stone, but that the three[errata 5] first stanzas of the former, which were worth all the rest of the poem, and the best stanza of the remainder, were written by a friend of deserved celebrity; and because there are passages in both, which might have given offence to the religious feelings of certain readers. I myself indeed see no reason why vulgar superstitions, and absurd conceptions that deform the pure faith of a Christian, should possess a greater immunity from ridicule than stories of witches, or the fables of Greece and Rome. But there are those who deem it profaneness and irreverence to call an ape an ape, if it but wear a monk's cowl on its head; and I would rather reason with this weakness than offend it.
The passage from Jeremy Taylor to which I referred, is found in his second Sermon on Christ's Advent to Judgement; which is likewise the second in his year's course of sermons. Among many remarkable passages of the same character in those discourses, I have selected this as the most so. "But when this Lion of the tribe of Judah shall appear, then Justice shall strike and Mercy shall not hold her hands; she shall strike sore strokes, and Pity shall not break the blow. As there are treasures of good things, so hath God a treasure of wrath and fury, and scourges and scorpions; and then shall be produced the shame of Lust and the malice of Envy, and the groans of the oppressed and the persecutions of the saints, and the cares of Covetousness and the troubles of Ambition, and the insolencies of traitors and the violences of rebels, and the rage of anger and the uneasiness of impatience, and the restlessness of unlawful desires; and by this time the monsters and diseases will be numerous and intolerable, when God's heavy hand shall press the sanies and the intolerableness, the obliquity and the unreasonableness, the amazement and the disorder, the smart and the sorrow, the guilt and the punishment, out from all our sins, and pour them into one chalice, and mingle them with an infinite wrath, and make the wicked drink off all the vengeance, and force it down their unwilling throats with the violence of devils and accursed spirits."
That this Tartarean drench displays the imagination rather than the discretion of the compounder; that, in short, this passage and others of the same kind are in a bad taste, few will deny at the present day. It would doubtless have more behoved the good bishop not to be wise beyond what is written, on a subject in which Eternity is opposed to Time, and a death threatened, not the negative, but the positive Opposite of Life; a subject, therefore, which must of necessity be indescribable to the human understanding in our present state. But I can neither find nor believe, that it ever occurred to any reader to ground on such passages a charge against Bishop Taylor's humanity, or goodness of heart. I was not a little surprized therefore to find, in the Pursuits of Literature and other works, so horrible a sentence passed on Milton's moral character, for a passage in his prose-writings, as nearly parallel to this of Taylor's as two passages can well be conceived to be. All his merits, as a poet, forsooth—all the glory of having written the Paradise Lost, are light in the scale, nay, kick the beam, compared with the atrocious malignity of heart expressed in the offensive paragraph. I remembered, in general, that Milton had concluded one of his works on Reformation, written in the fervour of his youthful imagination, in a high poetic strain, that wanted metre only to become a lyrical poem. I remembered that in the former part he had formed to himself a perfect ideal of human virtue, a character of heroic, disinterested zeal and devotion for Truth, Religion, and public Liberty, in Act and in Suffering, in the day of Triumph and in the hour of Martyrdom. Such spirits, as more excellent than others, he describes as having a more excellent reward, and as distinguished by a transcendent glory: and this reward and this glory he displays and particularizes with an energy and brilliance that announced the Paradise Lost as plainly, as ever the bright purple clouds in the east announced the coming of the Sun. Milton then passes to the gloomy contrast, to such men as from motives of selfish ambition and the lust of personal aggrandizement should, against their own light, persecute truth and the true religion, and wilfully abuse the powers and gifts entrusted to them, to bring vice;, blindness, misery and slavery, on their native country, on the very country that had trusted, enriched and honored them. Such beings, after that speedy and appropriate removal from their sphere of mischief which all good and humane men must of course desire, will, he takes for granted by parity of reason, meet with a punishment, an ignominy, and a retaliation, as much severer than other wicked men, as their guilt and its consequences were more enormous. His description of this imaginary punishment presents more distinct pictures to the fancy than the extract from Jeremy Taylor; but the thoughts in the latter are incomparably more exaggerated and horrific. All this I knew; but I neither remembered, nor by reference and careful re-perusal could discover, any other meaning, either in Milton or Taylor, but that good men will be rewarded, and the impenitent wicked punished, in proportion to their dispositions and intentional acts in this life; and that if the punishment of the least wicked be fearful beyond conception, all words and descriptions must be so far true, that they must fall short of the punishment that awaits the transcendently wicked. Had Milton stated either his ideal of virtue, or of depravity, as an individual or individuals actually existing? Certainly not! Is his representation worded historically, or only hypothetically? Assuredly the latter? Does he express it as his own wish, that after death they should suffer these tortures? or as a general consequence, deduced from reason and revelation, that such will be their fate? Again, the latter only! His wish is expressly confined to a speedy stop being put by Providence to their power of inflicting misery on others! But did he name or refer to any persons, living or dead? No! But the calumniators of Milton daresay (for what will calumny not dare say?) that he had Laud and Stafford in his mind, while writing of remorseless persecution, and the enslavement of a free country, from motives of selfish ambition. Now, what if a stern anti-prelatist should daresay, that in speaking of the insolencies of traitors and the violences of rebels. Bishop Taylor must have individualized in his mind, Hamden, Hollis, Pym, Fairfax, Ireton, and Milton? And what if he should take the liberty of concluding, that in the after-description the Bishop was feeding and feasting his party-hatred, and with those individuals before the eyes of his imagination enjoying, trait by trait, horror after horror, the picture of their intolerable agonies? Yet this Bigot would have an equal right thus to criminate the one good and great man, as these men have to criminate the other, Milton has said, and I doubt not but that Taylor with equal truth could have said it, "that in his whole life he never spake against a man even that his skin should be grazed." He asserted this when one of his opponents (either Bishop Hall, or his nephew) had called upon the women and children in the streets to take up stones and stone him (Milton). It is known that Milton repeatedly used his interest to protect the royalists; but even at a time when all lies would have been meritorious against him, no charge was made, no story pretended, that he had ever directly or indirectly engaged or assisted in their persecution. Oh! methinks there are other and far better feelings, which should be acquired by the perusal of our great elder writers. When I have before me on the same table, the works of Hammond and Baxter; when I reflect with what joy and dearness their blessed spirits are now loving each other: it seems a mournful thing that their names should be perverted to an occasion of bitterness among us, who are enjoying that happy mean which the human too-much on both sides was perhaps necessary to produce. "The tangle of delusions which stifled and distorted the growing tree of our well-being have been torn away; the parasite-weeds that fed on its very roots have been plucked up with a salutary violence. To us there remain only quiet duties, the constant care, the gradual improvement, the cautious unhazardous labours of the industrious though contented gardener—to prune, to strengthen, to engraft, and one by one to remove from its leaves and fresh shoots the slug and the caterpillar. But far be it from us to undervalue with light and senseless detraction the conscientious hardihood of our predecessors, or even to condemn in them that vehemence, to which the blessings it won for us leave us now neither temptation nor pretext. We ante-date the feelings, in order to criminate the authors, of our present Liberty, Light and Toleration." (The Friend, p. 54.)
If ever two great men might seem, during their whole lives, to have moved in direct opposition, though neither of them has at any time introduced the name of the other, Milton and Jeremy Taylor were they. The former commenced his career by attacking the Church-Liturgy and all set forms of prayer. The latter, but far more successfully, by defending both. Milton's next work was then against the Prelacy and the then existing Church-Government—Taylor's, in vindication and support of them. Milton became more and more a stern republican, or rather an advocate for that religious and moral aristocracy which, in his day, was called republicanism, and which, even more than royalism itself, is the direct antipode of modern jacobinism. Taylor, as more and more sceptical concerning the fitness of men in general for power, became more and more attached to the prerogatives of monarchy. From Calvinism, with a still decreasing respect for Fathers, Councils, and for Church-Antiquity in general, Milton seems to have ended in an indifference, if not a dislike, to all forms of ecclesiastic government, and to have retreated wholly into the inward and spiritual church-communion of his own spirit with the Light, that lighteth every man that cometh into the world. Taylor, with a growing reverence for authority, an increasing sense of the insufficiency of the Scriptures without the aids of tradition and the consent of authorized interpreters, advanced as far in his approaches (not indeed to Popery, but) to Catholicism, as a conscientious minister of the English Church could well venture. Milton would be, and would utter the same, to all, on all occasions: he would tell the truth, the whole truth, and nothing but the truth. Taylor would become all things to all men, if by any means he might benefit any; hence he availed himself, in his popular writings, of opinions and representations which stand often in striking contrast with the doubts and convictions expressed in his more philosophical works. He appears, indeed, not too severely to have blamed that management of truth (istam fatsitatem dispensativam) authorized and exemplified by almost all the fathers: Integrum omnino Doctoribus et cœtus Christiani Antistitibus esse, ut dolos versent, falsa veris intermisceant et imprimis religionis hostes fallant, dummodo veritatis commodis et utilitati inserviant.
The same antithesis might be carried on with the elements of their several intellectual powers. Milton, austere, condensed, imaginative, supporting his truth by direct enunciation of lofty moral sentiment and by distinct visual representations, and in the same spirit overwhelming what he deemed falsehood by moral denunciation and a succession of pictures appalling or repulsive. In his prose, so many metaphors, so many allegorical miniatures. Taylor, eminently discursive, accumulative, and (to use one of his own words) agglomerative; still more rich in images than Milton himself, but images of Fancy, and presented to the common and passive eye, rather than to the eye of the imagination. Whether supporting or assailing, he makes his way either by argument or by appeals to the affections, unsurpassed even by the Schoolmen in subtlety, agility and logical wit, and unrivalled by the most rhetorical of the fathers in the copiousness and vividness of his expressions and illustrations. Here words that convey feelings, and words that flash images, and words of abstract notion, flow together, and at once whirl and rush onward like a stream, at once rapid and full of eddies; and yet still, interfused here and there, we see a tongue or islet of smooth water, with some picture in it of earth or sky, landscape or living group of quiet beauty.
Differing, then, so widely, and almost contrariantly, wherein did these great men agree? wherein did they resemble each other? In Genius, in Learning, in unfeigned Piety, in blameless Purity of Life, and in benevolent aspirations and purposes for the moral and temporal improvement of their fellow-creatures! Both of them wrote a Latin Accidence, to render education more easy and less painful to children; both of them composed hymns and psalms proportioned to the capacity of common congregations; both, nearly at the same time, set the glorious example of publicly recommending and supporting general Toleration, and the Liberty both of the Pulpit and the Press! In the writings of neither shall we find a single sentence, like those meek deliverances to God's mercy, with which Laud accompanied his votes for the mutilations and loathsome dungeoning of Leighton and others!—no where such a pious prayer as we find in Bishop Hall's memoranda of his own Life, concerning the subtle and witty Atheist that so grievously perplexed and gravelled him at Sir Robert Drury's, till he prayed to the Lord to remove him, and behold! his prayers were heard; for shortly afterward this philistine-combatant went to London, and there perished of the plague in great misery! In short, no where shall we find the least approach, in the lives and writings of John Milton or Jeremy Taylor, to that guarded gentleness, to that sighing reluctance, with which the holy Brethren of the Inquisition deliver over a condemned heretic to the civil magistrate, recommending him to mercy, and hoping that the magistrate will treat the erring brother with all possible mildness!—the magistrate, who too well knows what would be his own fate, if he dared offend them by acting on their recommendation.
The opportunity of diverting the reader from myself to characters more worthy of his attention, has led me far beyond my first intention; but it is not unimportant to expose the false zeal which has occasioned these attacks on our elder patriots. It has been too much the fashion, first to personify the Church of England, and then to speak of different individuals, who in different ages have been rulers in that church, as if in some strange way they constituted its personal identity. Why should a clergyman of the present day feel interested in the defence of Laud or Sheldon? Surely it is sufficient for the warmest partizan of our establishment, that he can assert with truth,—when our Church persecuted, it was on mistaken principles held in common by all Christendom; and at all events, far less culpable were the Bishops, who was this intolerance in[errata 6] maintaining the existing laws, than the persecuting spirit afterwards shewn by their successful opponents, who had no such excuse, and who should have been taught mercy by their own sufferings, and wisdom by the utter failure of the experiment in their own case. We can say, that our Church, apostolical in its faith, primitive in its ceremonies, unequalled in its liturgical forms; that our Church, which has kindled and displayed more bright and burning lights of Genius and Learning, than all other protestant churches since the reformation, was (with the single exception of the times of Laud and Sheldon) least intolerant, when all Christians unhappily deemed a species of intolerance their religious duty; that Bishops of our church were among the first that contended against this error; and finally, that since the reformation, when tolerance became a fashion, the Church of England, in a tolerating age, has shewn herself eminently tolerant, and far more so, both in Spirit and in Fact, than many of her most bitter opponents, who profess to deem toleration itself an insult on the rights of mankind! As to myself, who not only know the Church-Establishment to be tolerant, but who see in it the greatest, if not the sole safe bulwark of Toleration, I feel no necessity of defending or palliating oppressions under the two Charleses, in order to exclaim with a full and fervent heart, esto perpetua!
Fire, Famine, and Slaughter
A WAR-ECLOGUE.
The Scene, a desolated Tract in la Vendee. Famine is
discovered lying on the ground; to her enter Fire
and Slaughter.
Famine.
Slaughter (to Fire.)
Fire.
Spirits hear what spirits tell:
'Twill make an holiday in Hell.
No! no! no!
Myself, I nam'd him once below,
And all the souls, that damned be,
Leapt up at once in anarchy,
Clapp'd their hands and danced for glee.
They no longer heeded me;
But laugh'd to hear Hell's burning rafters
Unwillingly re-echo laughters!
No! no! no!
Spirits hear what spirits tell:
'Twill make an holiday in Hell!
Famine.
In a dark hint, soft and slow.
Slaughter.
And who sent you?
Both.
Slaughter.
And I have drank the blood since then
Of thrice three hundred thousand men.
Both.
Slaughter.
Letters four do form his name.
He let me loose, and cried, Halloo!
To him alone the praise is due.
Famine.
Their wives and their children faint for bread.
I stood in a swampy field of battle;
With bones and skulls I made a rattle,
To frighten the wolf and carrion-crow
And the homeless dog—but they would not go.
So off I flew: for how could I bear
To see them gorge their dainty fare?
I heard a groan and a peevish squall,
And through the chink of a cottage-wall—
Can you guess what I saw there?
Both.
Famine.
I had starv'd the one and was starving the other!
Both.
Famine.
Letters four do form his name.
He let me loose, and cried, Halloo!
To him alone the praise is due.
Fire.
Hedge and corn-fields all on flame,
I triumph'd o'er the setting Sun!
And all the while the work was done,
On as I strode with my huge strides,
I flung back my head and I held my sides,
It was so rare a piece of fun
To see the swelter'd cattle run
With uncouth gallop through the night,
Scared by the red and noisy light!
By the the light of his own blazing cot
Was many a naked Rebel shot:
The house-stream met the flame and hiss'd,
While crash! fell in the roof, I wist,
On some of those old bed-rid nurses,
That deal in discontent and curses.
Both.
Fire.
Letters four do form his name.
He let me loose, and cried. Halloo!
To him alone the praise is due.
All
How shall we yield him honour due?
Famine.
I'll gnaw, I'll gnaw the multitude,
Till the cup of rage o'erbrim:
They shall seize him and his brood—
Slaughter.
Fire.
And is this all that you can do
For him, who did so much for you?
Ninety months he, by my troth!
Hath richly cater'd for you both;
And in an hour would you repay
An eight years' work?—Away! away!
I alone am faithful! I
Cling to him everlastingly.
Errata
- ↑ Original: INCANTUM was amended to INCAUTUM: detail
- ↑ Original: RENIAM was amended to VENIAM: detail
- ↑ Original: good-natural was amended to good-natured: detail
- ↑ Original: betrayed in was amended to betrayed by: detail
- ↑ Original: four was amended to three: detail
- ↑ Original: were was amended to was this intolerance in: detail