The Atlantic Monthly/Volume 2/Number 2/The Denslow Palace

 

THE DENSLOW PALACE.

It is the privilege of authors and artists to see and to describe; to "see clearly and describe vividly" gives the pass on all state occasions. It is the "cap of darkness" and the talaria, and wafts them whither they will. The doors of boudoirs and senate-chambers open quickly, and close after them,—excluding the talentless and staring rabble. I, who am one of the humblest of the seers,—a universal admirer of all things beautiful and great,—from the commonwealths of Plato and Solon, severally, expulsed, as poet without music or politic, and a follower of the great,—I, from my dormitory, or nest, of twelve feet square, can, at an hour's notice, or less, enter palaces, and bear away, unchecked and unquestioned, those imagines of Des Cartes which emanate or are thrown off from all forms,—and this, not in imagination, but in the flesh.

Whether it was the "tone of society" which pervaded my "Florentine letters," or my noted description of the boudoir of Egeria Mentale, I could not just now determine; but these, and other humble efforts of mine, made me known in palaces as a painter of beauty and magnificence; and I have been in demand, to do for wealth what wealth cannot do for itself,—namely, make it live a little, or, at least, spread as far, in fame, as the rings of a stone-plash on a great pond.

I enjoy friendships and regards which would satisfy the most fastidious. Are not the Denslows enormously rich? Is not Dalton a sovereign of elegance? It was I who gave the fame of these qualities to the world, in true colors, not flattered. And they know it, and love me. Honoria Denslow is the most beautiful and truly charming woman of society. It was I who first said it; and she is my friend, and loves me. I defy poverty; the wealth of all the senses is mine, without effort. I desire not to be one of those who mingle as principals and sufferers; for they are less causes than effects. As the Florentine in the Inferno saw the souls of unfortunate lovers borne upon a whirlwind, so have I seen all things fair and precious,—outpourings of wealth,—all the talents,—all the offerings of duty and devotion,—angelic graces of person and of soul,—borne and swept violently around on the circular gale. Wealth is only an enlargement of the material boundary, and leaves the spirit free to dash to and fro, and exhaust itself in vain efforts.—But I am phizing—oddly enough,—when I should describe.

An exquisite little note from Honoria, sent at the last moment, asking me to be present that evening at a "select" party, which was to open the "new house,"—the little palace of the Denslows,—lay beside me on the table. It was within thirty minutes of nine o'clock, the hour I had fixed for going. A howling winter out of doors, a clear fire glowing in my little grate. My arm-chair, a magnificent present from Honoria, shaming the wooden fixtures of the poor room, invited to meditation, and perhaps the composition of some delicate periods. They formed slowly. Time, it is said, devours all things; but imagination, in turn, devours time,—and, indeed, swallowed my half-hour at a gulp. The neighboring church-clock tolled nine. I was belated, and hurried away.

It was a réunion of only three hundred invitations, selected by my friend Dalton, the intimate and adviser of Honoria. So happy were their combinations, scarce a dozen were absent or declined.

At eleven, the guests began to assemble. Introductions were almost needless. Each person was a recognized member of "society." One-half of the number were women,—many of them young, beautiful, accomplished,—heiresses, "charming widows," poetesses of real celebrity, and, rarer still, of good repute,—wives of millionnaires, flashing in satin and diamonds. The men, on their side, were of all professions and arts, and of every grade of celebrity, from senator to merchant,—each distinguished by some personal attribute or talent; and in all was the gift, so rare, of manners and conversation. It was a company of undoubted gentlemen, as truly entitled to respect and admiration as if they stood about a throne. They were the untitled nobility of Nature, wealth, and genius.

As I stood looking, with placid admiration, from a recess, upon a brilliant tableau of beautiful women and celebrated men that had accidentally arranged itself before me, Dalton touched my arm.

"I have seen," said he, "aristocratic and republican réunions of the purest mode in Paris, the court and the banker's circle of London, conversazioni at Rome and Florence. Every face in this room is intelligent, and nearly all either beautiful, remarkable, or commanding. Observe those five women standing with Denslow and Adonaïs,—grandeur, sweetness, grace, form, purity; each has an attribute. It is a rare assemblage of superior human beings. The world cannot surpass it. And, by the by, the rooms are superb."

They were, indeed, magnificent: two grand suites, on either side a central hall of Gothic structure, in white marble, with light, aërial staircases and gilded balconies. Each suite was a separate miracle: the height, the breadth, the columnal divisions; the wonderful delicacy of the arches, upon which rested ceilings frescoed with incomparable art. In one compartment the arches and caryatides were of black marble; in another, of snowy Parian; in a third, of wood, exquisitely carved, and joined like one piece, as if it were a natural growth; vines rising at the bases of the walls, and spreading under the roof. There was no forced consistency. Forms suitable only for the support of heavy masses of masonry, or for the solemn effects of church interiors, were not here introduced. From straight window-cornices of dark wood, slenderly gilt, but richly carved, fell cataracts of gleaming satin, softened in effect with laces of rare appreciation.

The frescoes and panel-work were a study by themselves, uniting the classic and modern styles in allegorical subjects. The paintings, selected by the taste of Dalton, to overpower the darkness of the rooms by intensity of color, were incorporated with the walls. There were but few mirrors. At the end of each suite, one, of fabulous size, without frame, made to appear, by a cunning arrangement of dark draperies, like a transparent portion of the wall itself, extended the magnificence of the apartments.

Not a flame nor a jet was anywhere visible. Tinted vases, pendent, or resting upon pedestals, distributed harmonies and thoughts of light rather than light itself; and yet all was visible, effulgent. The columns which separated the apartments seemed to be composed of masses of richly-colored flames, compelled, by some ingenious alchemy, to assume the form andoffice of columns.

In New York, par excellence the city of private gorgeousness and petite magnificence, nothing had yet been seen equal to the rooms of the glorious Denslow Palace. Even Dalton, the most capricious and critical of men, whose nice vision had absorbed the elegancies of European taste, pronounced them superb. The upholstery and ornamentation were composed under the direction of celebrated artists. Palmer was consulted on the marbles. Page (at Rome) advised the cartoons for the frescoes, and gave laws for the colors and disposition of the draperies. The paintings, panelled in the walls, were modern, triumphs of the art and genius of the New World.

Until the hour for dancing, prolonged melodies of themes modulated in the happiest moments of the great composers floated in the perfumed air from a company of unseen musicians, while the guests moved through the vast apartments, charmed or exalted by their splendor, or conversed in groups, every voice subdued and intelligent.

At midnight began the modish music of the dance, and groups of beautiful girls moved like the atoms of Chladni on the vibrating crystal, with their partners, to the sound of harps and violins, in pleasing figures or inebriating spirals.

When supper was served, the ivory fronts of a cabinet of gems divided itself in the centre,—the two halves revolving upon silver hinges,—and discovered a hall of great height and dimensions, walled with crimson damask, supporting pictures of all the masters of modern art. The dome-like roof of this hall was of marble variously colored, and the floor tessellated and mosaicked in grotesque and graceful figures of Vesuvian lavas and painted porcelain.

The tables, couches, chairs, and vis-a-vis in this hall were of plain pattern and neutral dead colors, not to overpower or fade the pictures on the walls, or the gold and Parian service of the cedar tables.

But the chief beauty of this unequalled supper-room was an immense bronze candelabrum, which rose in the centre from a column of black marble. It was the figure of an Italian elm, slender and of thin foliage, embraced, almost enveloped, in a vine, which reached out and supported itself in hanging from all the branches; the twigs bearing fruit, not of grapes, but of a hundred little spheres of crimson, violet, and golden light, whose combination produced a soft atmosphere of no certain color.

Neither Honoria, Dalton, nor myself remained long in the gallery. We retired with a select few, and were served in an antechamber, separated from the grand reception-room by an arch, through which, by putting aside a silk curtain, Honoria could see, at a distance, any that entered, as they passed in from the hall.

My own position was such that I could look over her shoulder and see as she saw. Vis-a-vis with her, and consequently with myself, was Adonaïs, a celebrated author, and person of the beau monde. On his left, Dalton, always mysteriously elegant and dangerously witty. Denslow and Jeffrey Lethal, the critic, completed our circle. The conversation was easy, animated, personal.

"You are fortunate in having a woman of taste to manage your entertainments," said Lethal, in answer to a remark of Denslow's,—"but in bringing these people together she has made a sad blunder."

"And what may that be?" inquired Dalton, mildly.

"Your guests are too well behaved, too fine, and on their guard; there are no butts, no palpable fools or vulgarians; and, worse, there are many distinguished, but no one great man,—no social or intellectual sovereign of the occasion."

Honoria looked inquiringly at Lethal. "Pray, Mr. Lethal, tell me who he is? I thought there was no such person in America," she added, with a look of reproachful inquiry at Dalton and myself, as if we should have found this sovereign and suggested him.

"You are right, my dear queen; Lethal is joking," responded Dalton; "we are a democracy, and have only a queen of"——

"Water ices," interrupted Lethal; "but, as for the king you seek, as democracies finally come to that,"——

"Good Heavens!" exclaimed Honoria, raising the curtain, "it must be he that is coming in."

Honoria frowned slightly, rose, and advanced to meet a new-comer, who had entered unannounced, and was advancing alone. Dalton followed to support her. I observed their movements,—Lethal and Adonaïs using my face as a mirror of what was passing beyond the curtain.

The masses of level light from the columns on the left seemed to envelope the stranger, who came toward us from the entrance, as if he had divined the presence of Honoria in the alcove.

He was about the middle height, Napoleonic in form and bearing, with features of marble paleness, firm, and sharply defined. His hair and magnificent Asiatic beard were jetty black, curling, and naturally disposed. Under his dark and solid brows gleamed large eyes of abysmal blackness and intensity.

"Is it Lord N———?" whispered Lethal, moved from his habitual coldness by the astonishment which he read in my face.

"Senator D———, perhaps," suggested Denslow, whose ideas, like his person, aspired to the senatorial.

"Dumas," hinted Adonaïs, an admirer of French literature. "I heard he was expected."

"No," I answered, "but certainly in appearance the most noticeable man living. Let us go out and be introduced."

"Perhaps," said Lethal, "it is the d———."

All rose instantly at the idea, and we went forward, urged by irresistible curiosity.

As we drew near the stranger, who was conversing with Honoria and Dalton, a shudder went through me. It was a thrill of the universal Boswell; I seemed to feel the presence of "the most aristocratic man of the age."

Honoria introduced me. "My Lord Duke, allow me to present my friend, Mr. De Vere; Mr. De Vere, the Duke of Rosecouleur."

Was I, then, face to face with, nay, touching the hand of a highness,—and that highness the monarch of the ton? And is this a ducal hand, white as the albescent down of the eider-duck, which presses mine with a tender touch, so haughty and so delicately graduated to my standing as "friend" of the exquisite Honoria? It was too much; I could have wept; my senses rather failed.

Dalton fell short of himself; for, though his head stooped to none, unless conventionally, the sudden and unaccountable presence of the Duke of Rosecouleur annoyed and perplexed him. His own sovereignty was threatened.

Lethal stiffened himself to the ordeal of an introduction; the affair seemed to exasperate him. Denslow alone, of the men, was in his element. Pompous and soft, he "cottoned" to the grandeur with the instinct of a born satellite, and his eyes grew brighter, his body more shining and rotund, his back more concave. His bon-vivant tones, jolly and conventional, sounded a pure barytone to the clear soprano of Honoria, in the harmony of an obsequious welcome.

The Duke of Rosecouleur glanced around him approvingly upon the apartments. I believed that he had never seen anything more beautiful than the petite palace of Honoria, or more ravishing than herself. He said little, in a low voice, and always to one person at a time. His answers and remarks were simple and well-turned.

Dalton allowed the others to move on, and by a slight sign drew me to him.

"It is unexpected," he said, in a thoughtful manner, looking me full in the eyes.

"You knew the Duke of Rosecouleur in Europe?"

"At Paris, yes,—and in Italy he was a travel friend; but we heard lately that he had retired upon his estates in England; and certainly, he is the last person we looked for here."

"Unannounced."

"That is a part of the singularity."

"His name was not in the published list of arrivals; but he may have left England incognito. Is a mistake possible?"

"No! there is but one such man in Europe;—a handsomer or a richer does not live."

"An eye of wonderful depth."

"Hands exquisite."

"Feet, ditto."

"And his dress and manner."

"Unapproachable!"

"Not a shadow of pretence;—the essence of good-breeding founded upon extensive knowledge, and a thorough sense of position and its advantages;—in fact, the Napoleon of the parlor."

"But, Dalton," said I, nervously, "no one attends him."

"No,—I thought so at first; but do you see that Mephistophelean figure, in black, who follows the Duke a few paces behind, and is introduced to no one?"

"Yes. A singular creature, truly!—how thin he is!"

"That shadow that follows his Highness is, in fact, the famous valet, Rêve de Noir,—the prince of servants. The Duke goes nowhere without this man as a shadow. He asserts that Rêve de Noir has no soul; and I believe him. The face is that of a demon. It is a separate creation, equally wonderful with the master, but not human. He was condensed out of the atmosphere of the great world."

As we were speaking, we observed a crowd of distinguished persons gathered about and following his Highness, as he moved. He spoke now to one; now to another. Honoria, fascinated, her beauty every instant becoming more radiant, just leaned, with the lightest pressure, upon the Duke's arm. They were promenading through the rooms. The music, soft and low, continued, but the groups of dancers broke up, the loiterers in the gallery came in, and as the sun draws his fifty, perhaps his hundreds of planets, circling around and near him, this noble luminary centred in himself the attention of all. If they could not speak with him, they could at least speak of him. If they could not touch his hand, they could pass before him and give one glance at his eyes. The less aristocratic were even satisfied for the moment with watching the singular being, Rêve de Noir,—who caught no one's eye, seemed to see no one but his master,—and yet was not here nor there, nor in any place,—never in the way, a thing of air, and not tangible, but only black.

At a signal, he would advance and present to his master a perfume, a laced handkerchief, a rose of rubies, a diamond clasp; of many with whom he spoke the liberal Duke begged the acceptance of some little token, as an earnest of his esteem. After interchanging a few words with Jeffrey Lethal,—who dared not utter a sarcasm, though he chafed visibly under the restraint,—the Duke's tasteful generosity suggested a seal ring, with an intaglio head of Swift cut in opal, the mineral emblem of wit, which dulls in the sunlight of fortune, and recovers its fiery points in the shade of adversity;—Rêve de Noir, with a movement so slight, 'twas like the flitting of a bat, placed the seal in the hand of the Duke, who, with a charming and irresistible grace, compelled Lethal to receive it.

To Denslow, Honoria, Dalton, and myself he offered nothing.—Strange?—Not at all. Was he not the guest, and had not I been presented to him by Honoria as her "friend?"—a word of pregnant meaning to a Duke of Rosecouleur!

To Adonaïs he gave a lock of hair of the great novelist, Dumas, in a locket of yellow tourmaline,—a stone usually black. Lethal smiled at this. He felt relieved.

"The Duke," thought he, "must be a humorist."

From my coarse way of describing this, you would suppose that it was a farcical exhibition of vulgar extravagance, and the Duke a madman or an impostor; but the effect was different. It was done with grace, and, in the midst of so much else, it attracted only that side regard, at intervals, which is sure to surprise and excite awe.

Honoria had almost ceased to converse with us. It was painful to her to talk with any person. She followed the Duke with her eyes. When, by some delicate allusion or attention, he let her perceive that she was in his thoughts, a mantling color overspread her features, and then gave way to paleness, and a manner which attracted universal remark. It was then Honoria abdicated that throne of conventional purity which hitherto she had held undisputed. Women who were plain in her presence outshone Honoria, by meeting this ducal apparition, that called itself Rosecouleur,--and which might have been, for aught they knew, a fume of the Infernal, shaped to deceive us all,--with calm and haughty propriety.

The sensation did not subside. The music of the waltz invited a renewal of that intoxicating whirl which isolates friends and lovers, in whispering and sighing pairs, in the midst of a great assemblage. All the world looked on, when Honoria Denslow placed her hand upon the shoulder of the Duke of Rosecouleur, and the noble and beautiful forms began silently and smoothly turning, with a dream-like motion. Soon she lifted her lovely eyes and steadied their rays upon his. She leaned wholly upon his arm, and the gloved hands completed the magnetic circle. At the close of the first waltz, she rested a moment, leaning upon his shoulder, and his hand still held hers,--a liberty often assumed and permitted, but not to the nobles and the monarchs of society. She fell farther, and her ideal beauty faded into a sensuous.

Honoria was lost. Dalton saw it. We retired together to a room apart. He was dispirited; called for and drank rapidly a bottle of Champagne;--it was insufficient.

"De Vere," said he, "affairs go badly."

"Explain."

"This cursed thing that people call a duke--it kills me."

"I saw."

"Of course you did;--the world saw; the servants saw. Honoria has fallen to-night. I shall transfer my allegiance."

"And Denslow?"

"A born sycophant;--he thinks it natural that his wife should love a duke, and a duke love his wife."

"So would you, if you were any other than you are."

"Faugh! it is human nature."

"Not so; would you not as soon strangle this Rosecouleur for making love to your wife in public, as you would another man?"

"Rather."

"Pooh! I give you up. If you had simply said, 'Yes,' it would have satisfied me."

Dalton seemed perplexed. He called a servant and sent him with an order for Nalson, the usher, to come instantly to him.

Nalson appeared, with his white gloves and mahogany face.

"Nalson, you were a servant of the Duke in England?"

"Yes, Sir."

"Is the person now in the rooms the Duke of Rosecouleur?"

"I have not seen him, Sir."

"Go immediately, study the man well,--do you hear?--and come to me. Let no one know your purpose."

Nalson disappeared.

I was alarmed. If "the Duke" should prove to be an impostor, we were indeed ruined.

In five minutes,--an hour, it seemed,--Nalson stood before us.

"Is it he?" said Dalton, looking fixedly upon the face of the usher.

No reply.

"Speak the truth; you need not be afraid."

"I cannot tell, Sir."

"Nonsense! go and look again."

"It is of no use, Mr. Dalton; you, who are as well acquainted with the personal appearance of his Highness as I am, you have been deceived,--if I have."

"Nalson, do you believe that this person is an impostor?" said Dalton, pointing at myself.

"Who? Mr. De Vere, Sir?"

"If, then, you know at sight that this gentleman is my friend Mr. De Vere, why do you hesitate about the other?"

"But the imitation is perfect. And there is Rêve de Noir."

"Yes, did Rêve de Noir recognize you?"

"I have not caught his eye. You know, Sir, that this Rêve is not, and never was, like other men; he is a devil. One knows, and one does not know him."

"Were you at the door when the Duke entered?"

"I think not; at least--I cannot tell. When I first saw him, he was in the room, speaking with Madam Denslow."

"Nalson, you have done wrong; no one should have entered unannounced. Send the doorkeeper to me."

The doorkeeper came; a gigantic negro, magnificently attired.

"Jupiter, you were at the door when the Duke of Rosecouleur entered?"

"Yes, Sir."

"Did the Duke and his man come in a carriage?"

"Yes, Sir,--a hack."

"You may go. They are not devils," said Dalton, musingly, "or they would not have come in a carriage."

"You seem to have studied the spiritual mode of locomotion," said I.

Dalton frowned. "This is serious, De Vere."

"What mean you?"

"I mean that Denslow is a bankrupt."

"Explain yourself."

"You know what an influence he carries in political circles. The G----rs, the S----es, and their kind, have more talent, but Denslow enjoys the secret of popularity."

"Well, I know it."

"In the middle counties, where he owns vast estates, and has been liberal to debtors and tenants, he carries great favor; both parties respect him for his ignorance and pomposity, which they mistake for simplicity and power, as usual. The estates are mortgaged three deep, and will not hold out a year. The shares of the Millionnaire's Hotel and the Poor Man's Bank in the B----y are worthless. Denslow's railroad schemes have absorbed the capital of those concerns."

"But he had three millions."

"Nominally. This palace has actually sunk his income."

"Madness!"

"Wisdom, if you will listen."

"I am all attention."

"The use of money is to create and hold power. Denslow was certain of the popular and county votes; he needed only the aristocratic support, and the A---- people would have made him Senator."

"Fool, why was he not satisfied with his money?"

"Do you call the farmer fool, because he is not satisfied with the soil, but wishes to grow wheat thereon? Money is the soil of power. For much less than a million one may gratify the senses; great fortunes are not for sensual luxuries, but for those of the soul. To the facts, then. The advent of this mysterious duke,--whom I doubt,--hailed by Denslow and Honoria as a piece of wonderful good-fortune, has already shaken him and ruined the _prestige_ of his wife. They are mad and blind."

"Tell me, in plain prose, the _how_ and the _why_."

"De Vere, you are dull. There are three hundred people in the rooms of the Denslow Palace; these people are the 'aristocracy.' They control the sentiments of the 'better class.' Opinion, like dress, descends from them. They no longer respect Denslow, and their women have seen the weakness of Honoria."

"Yes, but Denslow still has 'the people.'"

"That is not enough. I have calculated the chances, and mustered all our available force. We shall have no support among the 'better class,' since we are disgraced with the 'millionnaires.'"

At this moment Denslow came in.

"Ah! Dalton,--like you! I have been looking for you to show the pictures. Devil a thing I know about them. The Duke wondered at your absence."

"Where is Honoria?"

"Ill, ill,--fainted. The house is new; smell of new wood and mortar; deused disagreeable in Honoria. If it had not been for the Duke, she would have fallen. That's a monstrous clever fellow, that Rosecouleur. Admires Honoria vastly. Come,--the pictures."

"Mr. John Vanbrugen Denslow, you are an ass!"

The large, smooth, florid millionnaire, dreaming only of senatorial honors, the shouts of the multitude, and the adoration of a party press, cowered like a dog under the lash of the "man of society."

"Rather rough,--ha, De Vere? What have _I_ done? Am I an ass because I know nothing of pictures? Come, Dalton, you are harsh with your old friend."

"Denslow, I have told you a thousand times never to concede position."

"Yes, but this is a duke, man,--a prince!"

"This from you? By Jove, De Vere, I wish you and I could live a hundred years, to see a republican aristocrat. We are still mere provincials," added Dalton, with a sigh.

Denslow perspired with mortification.

"You use me badly,--I tell you, Dalton, this Rosecouleur is a devil. Condescend to him! be haughty and--what do you call it?--urbane to him! I defy _you_ to do it, with all your impudence. Why, his valet, that shadow that glides after him, is too much for me. Try him yourself, man."

"Who, the valet?"

"No, the master,--though I might have said the valet."

"Did I yield in Paris?"

"No, but you were of the embassy, and--and--_no one really knew us_, you know."

Dalton pressed his lips hard together.

"Come," said he, "De Vere, let us try a fall with this Titan of the carpet."

Denslow hastened back to the Duke. I followed Dalton; but as for me, bah! I am a cipher.

The room in which we were adjoined Honoria's boudoir, from which a secret passage led down by a spiral to a panel behind hangings; raising these, one could enter the drawing-room unobserved. Dalton paused midway in the secret passage, and through a loop or narrow window concealed by architectural ornaments, and which overlooked the great drawing-rooms, made a reconnaissance of the field.

Nights of Venice! what a scene was there! The vine-branch chandeliers, crystal-fruited, which depended from the slender ribs of the ceiling, cast a rosy dawn of light, deepening the green and crimson of draperies and carpets, making an air like sunrise in the bowers of a forest. Form and order were everywhere visible, though unobtrusive. Arch beyond arch, to fourth apartments, lessening in dimension, with increase of wealth;-- groups of beautiful women, on either hand, seated or half reclined; the pure or rich hues of their robes blending imperceptibly, or in gorgeous contrasts, with the soft outlines and colors of their supports; a banquet for the eyes and the mind; the perfect work of art and culture;--gliding about and among these, or, with others, springing and revolving in that monarch of all measures, which blends luxury and purity, until it is either the one or the other, moved the men.

"That is my work," exclaimed Dalton, unconsciously.

"Not _all_, I think."

"I mean the combinations,--the effect. But see! Honoria will again accept the Duke's invitation. He is coming to her. Let us prevent it."

He slipped away; and I, remaining at my post of observation, saw him, an instant later, passing quickly a cross the floor among the dancers, toward Honoria. The Duke of Rosecouleur arrived at the same instant before her. She smiled sorrowfully upon Dalton, and held out her hand in a languid manner toward the Duke, and again they floated away upon the eddies of the music. I followed them with eyes fixed in admiration. It was a vision of the orgies of Olympus,--Zeus and Aphrodite circling to a theme of Chronos.

Had Honoria tasted of the Indian drug, the weed of paradise? Her eyes, fixed upon the Duke's, shone like molten sapphires. A tress of chestnut hair, escaping from the diamond coronet, sprang lovingly forward and twined itself over her white shoulder and still fairer bosom. Tints like flitting clouds, Titianic, the mystery and despair of art, disclosed to the intelligent eye the feeling that mastered her spirit and her sense. Admirable beauty! Unrivalled, unhappy! The Phidian idol of gold and ivory, into which a demon had entered, overthrown, and the worshippers gazing on it with a scorn unmixed with pity!

The sullen animal rage of battle is nothing to the livor, the burning hatred of the drawing-room. Dalton, defeated, cast a glance of deadly hostility on the Duke. Nor was it lost. While the waltz continued, for ten minutes, he stood motionless. Fearing some untoward event, I came down and took my place near him.

The Duke led Honoria to a sofa. But for his arm she would again have fallen. Dalton had recovered his courage and natural haughtiness. The tone of his voice, rich, tender, and delicately expressive, did not change.

"Honoria, you sent for _me_; and the Duke wishes to see the pictures. The air of the gallery will relieve your faintness."

He offered his arm, which she, rising mechanically, accepted. A deep blush crimsoned her features, at the allusion to her weakness. Several of the guests moved after us, as we passed into the gallery. The Duke's shadow, Rêve de Noir, following last, closed the ivory doors. We passed through the gallery,--where pyramids of sunny fruits, in baskets of fine porcelain, stood relieved by gold and silver services for wine and coffee, disposed on the tables,--and thence entered another and smaller room, devoid of ornament, but the crimson tapestried walls were covered with works or copies of the great masters of Italy.

Opposite the entrance there was a picture of a woman seated on a throne, behind which stood a demon whispering in her ear and pointing to a handsome youth in the circle of the courtiers. The design and color were in the style of Correggio. Denslow stood close behind me. In advance were Honoria, Dalton, and the Duke, whose conversation was addressed alternately to her and Dalton. The lights of the gallery burst forth in their full refulgence as we approached the picture.

The glorious harmony of its colors,--the force of the shadows, which seemed to be converging in the rays of a single unseen source of light,-- the unity of sentiment, which drew all the groups together, in the idea;-- I had seen all this before, but with the eyes of supercilious criticism. Now the picture smote us with awe.

"I have the original of this excellent work," said the Duke, "in my house at A----, but your copy is nearly as good."

The remark, intended for Honoria, reached the pride of her companion, who blandly replied,--

"Your Highness's exquisite judgment is for once at fault. The piece is original. It was purchased from a well-known collection in Italy, where there are none others of the school."

Honoria was gazing upon the picture, as I was, in silent astonishment.

"If this," said she, "is a copy, what must have been the genuine work? Did you never before notice the likeness between the queen, in that picture, and myself?" she asked, addressing Dalton.

The remark excited general attention. Every one murmured, "The likeness is perfect."

"And the demon behind the queen," said Denslow, insipidly, "resembles your Highness's valet."

There was another exclamation. No sooner was it observed, than the likeness to Rêve de Noir seemed to be even more perfect.

The Duke made a sign.

Rêve de Noir placed himself near the canvas. His profile was the counterpart of that in the painting. He seemed to have stepped out of it.

"It was I," said the Duke, in a gentle voice, and with a smile which just disclosed the ivory line under the black moustache, "who caused this picture to be copied and altered. The beauty of the Hon. Mrs. Denslow, whom it was my highest pleasure to know, seemed to me to surpass that of the queen of my original. I first, with great secrecy, unknown to your wife," continued the Duke, turning to Denslow, "procured a portrait from the life by memory, which was afterwards transferred to this canvas. The resemblance to my attendant is, I confess, remarkable and inexplicable."

"But will you tell us by what accident this copy happened to be in Italy?" asked Dalton.

"You will remember," replied the Duke, coldly, "that at Paris, noticing your expressions of admiration for the picture, which you had seen in my English gallery, I gave you a history of its purchase at Bologna by myself. I sent my artist to Bologna, with orders to place the copy in the gallery and to introduce the portrait of the lady; it was a freak of fancy; I meant it for a surprise; as I felt sure, that, if you saw the picture, you would secure it.

"It seems to me," replied Dalton, "that the _onus_ of proof rests with your Highness."

The Duke made a signal to Rêve de Noir, who again stepped up to the canvas, and, with a short knife or stiletto, removed a small portion of the outer layer of paint, disclosing a very ancient ground of some other and inferior work, over which the copy seemed to have been painted. The proof was unanswerable.

"Good copies," remarked the Duke, "are often better than originals."

He offered his arm to Honoria, and they walked through the gallery,--he entertaining her, and those near him, with comments upon other works. The crowd followed them, as they moved on or returned, as a cloud of gnats follow up and down, and to and fro, a branch tossing in the wind.

"Beaten at every point," I said, mentally, looking on the pale features of the defeated Dalton.

"Yes," he replied, seeing the remark in my face; "but there is yet time. I am satisfied this is the man with whom we travelled; none other could have devised such a plan, or carried it out. He must have fallen in love with Honoria at that time; and simply to see her is the object of his visit to America. He is a connoisseur in pictures as in women; but he must not be allowed to ruin us by his arrogant assumptions."

"Excepting his manner and extraordinary personal advantages, I find nothing in him to awe or astonish."

"His wealth is incalculable; he is used to victories; and that manner which you affect to slight,--that is everything. 'Tis power, success, victory. This man of millions, this prince, does not talk; he has but little use for words. It is manner, and not words, that achieves social and amatory conquests."

"Bah! You are like the politicians, who mistake accidents for principles. But even you are talking, while this pernicious foreigner is acting. See! they have left the gallery, and the crowd of fools is following them. You cannot stem such a tide of folly."

"I deny that they are fools. Why does that sallow wretch, Lethal, follow them? Or that enamelled person, Adonaïs? They are at a serpent-charming, and Honoria is the bird-of-paradise. They watch with delight, and sketch as they observe, the struggles of the poor bird. The others are indifferent or curious, envious or amused. It is only Denslow who is capped and antlered, and the shafts aimed at his foolish brow glance and wound us."

We were left alone in the gallery. Dalton paced back and forth, in his slow, erect, and graceful manner; there was no hurry or agitation.

"How quickly," said he, as his moist eyes met mine, "how like a dream, this glorious vision, this beautiful work, will fade and be forgotten! Nevertheless, I made it," he added, musingly. "It was I who moulded and expanded the sluggish millions."

"You will still be what you are, Dalton,--an artist, more than a man of society. You work with a soft and perishable material."

"A distinction without a difference. Every _man_ is a politician, but only every artist is a gentleman."

"Denslow, then, is ruined."

"Yes and no;--there is nothing in him to ruin. It is I who am the sufferer."

"And Honoria?"

"It was I who formed her manners, and guided her perceptions of the beautiful. It was I who married her to a mass of money, De Vere."

"Did you never love Honoria?"

He laughed.

"Loved? Yes; as Praxiteles may have loved the clay he moulded,--for its smoothness and ductility under the hand."

"The day has not come for such men as you, Dalton."

"Come, and gone, and coming. It has come in dream-land. Let us follow your fools."

The larger gallery was crowded. The pyramids of glowing fruit had disappeared; there was a confused murmur of pairs and parties, chatting and taking wine. The master of the house, his wife, and guest were nowhere to be seen. Lethal and Adonaïs stood apart, conversing. As we approached them unobserved, Dalton checked me. "Hear what these people are saying," said he.

"My opinion is," said Lethal, holding out his crooked forefinger like a claw, "that this _soi-disant_ duke--what the deuse is his name?"

"Rosecouleur," interposed Adonaïs, in a tone of society.

"Right,--Couleur de Rose is an impostor,--an impostor, a sharper. Everything tends that way. What an utter sell it would be!"

"You were with us at the picture scene?" murmured Adonaïs.

"Yes. Dalton looked wretchedly cut up, when that devil of a valet, who must be an accomplice, scraped the new paint off. The picture must have been got up in New York by Dalton and the Denslows."

"Perhaps the Duke, too, was got up in New York, on the same principle," suggested Adonaïs. "Such things are possible. Society is intrinsically rotten, you know, and Dalton"----

"Is a fellow of considerable talent," sneered Lethal,--"but has enemies, who may have planned a duke."

Adonaïs coughed in his cravat, and hinted,--"How would it do to call him 'Barnum Dalton'?"

Adonaïs appeared shocked at himself, and swallowed a minim of wine to cleanse his vocal apparatus from the stain of so coarse an illustration.

"Do you hear those creatures?" whispered Dalton. "They are arranging scandalous paragraphs for the 'Illustration.'"

A moment after, he was gone. I spoke to Lethal and Adonaïs.

"Gentlemen, you are in error about the picture and the Duke; they are as they now appear;--the one, an excellent copy, purchased as an original,-- no uncommon mistake; the other, a genuine highness. How does he strike you?"

Lethal cast his eyes around to see who listened.

"The person," said he, "who is announced here to-night as an English duke seemed to me, of all men I could select, least like one."

"Pray, what is your ideal of an English duke, Mr. Lethal?" asked Ad onaïs, with the air of a connoisseur, sure of himself, but hating to offend.

"A plain, solid person, well dressed, but simple; mutton-chop whiskers; and the manners of a--a----"

"Bear!" said a soft female voice.

"Precisely,--the manners of a bear; a kind of gentlemanly bear, perhaps,-- but still, ursine and heavy; while this person, who seems to have walked out of ----- or a novel, affects me, by his ways and appearance, like a-- a--h'm"----

"Gambler!" said the same female voice, in a conclusive tone.

There was a general soft laugh. Everybody was pleased. All admired, hated, and envied the Duke. It was settled beyond a doubt that he was an impostor,--and that the Denslows were either grossly taken in, or were "selling" their friends. In either case, it was shocking and delightful.

"The fun of the thing," continued Lethal, raising his voice a little, "is, that the painter who got up the old picture must have been as much an admirer of the Hon. Mrs. Denslow as--his--Highness; for, in touching in the queen, he has unconsciously made it a portrait."

The blow was final. I moved away, grieved and mortified to the soul, cursing the intrusion of the mysterious personage whose insolent superiority had overthrown the hopes of my friends.

At the door of the gallery I met G----, the painter, just returned from London. I drew him with me into the inner gallery, to make a thorough examination of the picture. I called his attention to the wonderful resemblance of the queen to Honoria. He did not see it; we looked together, and I began to think that it might have been a delusion. I told the Duke's story of the picture to G----. He examined the canvas, tested the layers of color, and pronounced the work genuine and of immense value. We looked again and again at the queen's head, viewing it in every light. The resemblance to Honoria had disappeared; nor was the demon any longer a figure of the Duke's valet.

"One would think," said G----, laughing, "that you had been mesmerized. If you have been so deceived in a picture, may you not be equally cheated in a man? I am loath to offend; but, indeed, the person whom you call Rosecouleur cannot be the Duke of that title, whom I saw in England. I had leave to copy a picture in his gallery. He was often present. His manners were mild and unassuming,--not at all like those of this man, to whom, I acknowledge, the personal resemblance is surprising. I am afraid our good friends, the Denslows, and Mr. Dalton,--whom I esteem for their patronage of art,--have been taken in by an adventurer."

"But the valet, Rêve de Noir?"

"The Duke had a valet of that name who attended him, and who may, for aught I know, have resembled this one; but probability is against concurrent resemblances. There is also an original of the picture in the Duke's gallery; in fact, the artist, as was not unusual in those days, painted two pictures of the same subject. Both, then, are genuine."

Returning my cordial thanks to the good painter for his timely explanation, I hastened to find Dalton. Drawing him from the midst of a group whom he was entertaining, I communicated G----'s account of the two pictures, and his suspicions in regard to the Duke.

His perplexity was great. "Worse and worse, De Vere! To be ruined by a common adventurer is more disgraceful even than the other misfortune. Besides, our guests are leaving us. At least a hundred of them have gone away with the first impression, and the whole city will have it. The journal reporters have been here. Denslow's principal creditors were among the guests to-night; they went away soon, just after the affair with the picture; to-morrow will be our dark day. If it had not been for this demon of a duke and his familiar, whoever they are, all would have gone well. Now we are distrusted, and they will crush us. Let us fall facing the enemy. Within an hour I will have the truth about the Duke. Did I ever tell you what a price Denslow paid for that picture?"

"No, I do not wish to hear."

"You are right. Come with me."

The novel disrespect excited by the scandal of Honoria and the picture seemed to have inspired the two hundred people who remained with a cheerful ease. Eating, drinking excessively of Denslow's costly wines, dancing to music which grew livelier and more boisterous as the musicians imbibed more of the inspiriting juice, and, catching scraps of the scandal, threw out significant airs, the company of young persons, deserted by their scandalized seniors, had converted the magnificent suite of drawing-rooms into a carnival theatre. Parties of three and four were junketing in corners; laughing servants rushed to and fro as in a _café_; the lounges were occupied by reclining beauties or languid fops overpowered with wine, about whom lovely young women, flushed with Champagne and mischief, were coquetting and frolicking.

"I warrant you, these people know it is our last night," said Dalton; "and see what a use they make of us! Denslow's rich wines poured away like water; everything soiled, smeared, and overturned; our entertainment, at first stately and gracious as a queen's drawing-room, ending, with the loss of _prestige_, in the riot of a _bal masqué_. So fades ambition! But to this duke."

Denslow, who had passed into the polite stage of inebriation, evident to close observers, had arranged a little exclusive circle, which included three women of fashionable reputation, his wife, the Duke, Jeffrey Lethal, and Adonaïs. Rêve de Noir officiated as attendant. The _fauteuils_ and couches were disposed around a pearl table, on which were liquors, coffee, wines, and a few delicacies for Honoria, who had not supped. They were in the purple recess adjoining the third drawing-room. Adonaïs talked with the Duke about Italy; Lethal criticized; while Honoria, in the full splendor of her beauty, outshining and overpowering, dropped here and there a few musical words, like service-notes, to harmonize.

There is no beauty like the newly-enamored. Dalton seemed to forget himself, as he contemplated her, for a moment. Spaces had been left for us; the valet placed chairs.

"Dalton," cried Lethal, "you are in time to decide a question of deep interest;--your friend, De Vere, will assist you. His Highness has given preference to the women of America over those of Italy. Adonaïs, the exquisite and mild, settles his neck-tie against the Duke, and objects in that bland but firm manner which is his. I am the Duke's bottle-holder; Denslow and wife accept that function for the chivalrous Adonaïs."

"I am of the Duke's party," replied Dalton, in his most agreeable manner. "To be in the daily converse and view of the most beautiful women in America, as I have been for years, is a privilege in the cultivation of a pure taste. I saw nothing in Italy, except on canvas, comparable with what I see at this moment. The Duke is right; but in commending his judgment, I attribute to him also sagacity. Beauty is like language; its use is to conceal. One may, under rose-colored commendations, a fine manner, and a flowing style, conceal, as Nature does with personal advantages in men, the gross tastes and vulgar cunning of a charlatan."

Dalton, in saying this, with a manner free from suspicion or excitement, fixed his eyes upon the Duke's.

"You seem to have no faith in either men or women," responded the rich barytone voice of his Highness, the dark upper lip disclosing, as before, the row of square, sharp, ivory teeth.

"Little, very little," responded Dalton, with a sigh. "Your Highness will understand me,--or if not now, presently."

Lethal trod upon Adonaïs's foot; I saw him do it. Adonaïs exchanged glances with a brilliant hawk-faced lady who sat opposite. The lady smiled and touched her companion. Honoria, who saw everything, opened her magnificent eyes to their full extent. Denslow was oblivious.

"In fact," continued Dalton, perceiving the electric flash he had excited, "skepticism is a disease of my intellect. Perhaps the most noticeable and palpable fact of the moment is the presence and identity of the Duke who is opposite to me; and yet, doubting as I sometimes do my own existence, is it not natural, that, philosophically speaking, the presence and identity of your Highness are at moments a subject of philosophical doubt?"

"In cases of this kind," replied the Duke, "we rest upon circumstantial evidence."

So saying, he drew from his finger a ring and handed it to Dalton, who went to the light and examined it closely, and passed it to me. It was a minute cameo, no larger than a grain of wheat, in a ring of plain gold; a rare and beautiful work of microscopic art.

"I seem to remember presenting the Duke of Rosecouleur with a similar ring, in Italy," said Dalton, resuming his seat; "but the coincidence does not resolve my philosophic doubt, excited by the affair of the picture. We all supposed that we saw a portrait of the Hon. Mrs. Denslow in yon picture; and we seemed to discover, under the management of your valet, that Denslow's picture, a genuine duplicate of the original by the author, was a modern copy. Since your Highness quitted the gallery, those delusions have ceased. The picture appears now to be genuine. The likeness to Mrs. Denslow has vanished."

An exclamation of surprise from all present, except the Duke, followed this announcement.

"And so," continued Dalton, "it may be with this ring, which now seems to be the one I gave the Duke at Rome, but to-morrow may be different."

As he spoke, Dalton gave back the ring to the Duke, who received it with his usual grace.

"Who knows," said Lethal, with a deceptive innocence of manner, "whether aristocracy itself be not founded in mesmerical deceptions?"

"I think, Lethal," observed Adonaïs, "you push the matter. It would be impossible, for instance, even for his Highness, to make Honoria Denslow appear ugly."

We all looked at Honoria, to whom the Duke leaned over and said,--

"Would you be willing for a moment to lose that exquisite beauty?"

"For my sake, Honoria," said Dalton, "refuse him."

The request, so simply made, was rewarded by a ravishing smile.

"Edward, do you know that you have not spoken a kind word to me to-night, until now?"

Their eyes met, and I saw that Dalton trembled with a deep emotion. "I will save you yet," he murmured.

A tall, black hound, of the slender breed, rose up near Honoria, and, placing his fore-paws upon the edge of the pearl table, turned and licked her face and eyes.

It was the vision of a moment. The dog sprang upon the sofa by the Duke's side, growling and snapping.

"Rêve de Noir," cried Lethal and Adonaïs, "drive the dog away!"

The valet had disappeared.

"I have no fear of him, gentlemen," said the Duke, patting the head of the hound; "he is a faithful servant, and has a faculty of reading thoughts. Go bring my servant, Demon," said the Duke.

The hound sprang away with a great bound, and in an instant Rêve de Noir was standing behind us. The dog did not appear again.

Honoria looked bewildered. "Of what dog were you speaking, Edward?"

"The hound that licked your face."

"You are joking. I saw no hound."

"See, gentlemen," exclaimed Lethal, "his Highness shows us tricks. He is a wizard."

The three women gave little shrieks,--half pleasure, half terror.

Denslow, who had fallen back in his chair asleep, awoke and rubbed his eyes.

"What is all this, Honoria?"

"That his Highness is a wizard," she said, with a forced laugh, glancing at Dalton.

"Will his Highness do us the honor to lay aside the mask, and appear in his true colors?" said Dalton, returning Honoria's glance with an encouraging look.

"Gentlemen," said the Duke, haughtily, "I am your guest, and by hospitality protected from insult."

"Insult, most noble Duke!" exclaimed Lethal, with a sneer,--"impossible, under the roof of our friend, the Honorable Walter Denslow, in the small hours of the night, and in the presence of the finest women in the world. Dalton, pray, reassure his Highness!"

"Edward! Edward!" murmured Honoria, "have a care,--even if it be as you think."

Dalton remained bland and collected.

"Pardon, my Lord, the effect of a little wine, and of those wonderful fantasies you have shown us. Your dog, your servant, and yourself interest us equally; the picture, the ring,--all are wonderful. In supposing that you had assumed a mask, and one so noble, I was led into an error by these miracles, expecting no less than a translation of yourself into the person of some famous wonder-worker. It is, you know, a day of miracles, and even kings have their salaried seers, and take counsel of the spiritual world. More!--let us have more!"

The circle were amazed; the spirit of superstitious curiosity seized upon them.

"Rêve de Noir," said the Duke, "a carafe, and less light."

The candelabra became dim. The Duke took the carafe of water from the valet, and, standing up, poured it upon the air; it broke into flames, which mounted and floated away, singly or in little crowds. Still the Duke poured, and dashing up the water with his hand, by and by the ceiling was illuminated with a thousand miniature tongues of violet-colored fire. We clapped our hands, and applauded,--"Beautiful I marvellous! wonderful, Duke!--your Highness is the only magician,"--when, on a sudden, the flames disappeared and the lights rose again.

"The world is weary of skepticism," remarked Lethal; "there is no chemistry for that. It is the true magic, doubtless,--recovered from antiquity by his Highness. Are the wonders exhausted?"

The Duke smiled again. He stretched out his hand toward Honoria, and she slept. It was the work of an instant.

"I have seen that before," said Dalton.

"Not as we see it," responded his Highness. "Rêve de Noir, less light!" The room was dark in a moment. Over the head of Honoria appeared a cloud, at first black, and soon in this a nucleus of light, which expanded and shaped itself into an image and took the form of the sleeper, nude and spiritual, a belt of rosy mist enveloping and concealing all but a head and bust of ravishing beauty. The vision gazed with languid and beseeching eyes upon Dalton, and a sigh seemed to heave the bosom. In scarce a breathing-time, it was gone. Honoria waked, unconscious of what had passed.

Deep terror and amazement fell upon us all.

"I have seen enough," said Dalton, rising slowly, and drawing a small riding-whip, "to know now that this person is no duke, but either a charlatan or a devil. In either case, since he has intruded here, to desecrate and degrade, I find it proper to apply a magic more material."

At the word, all rose exclaiming,--"For God's sake, Dalton!" He pressed forward and laid his hand upon the Duke. A cry burst from Rêve de Noir which rent our very souls; and a flash followed, unspeakably bright, which revealed the demoniacal features of the Duke, who sat motionless, regarding Dalton's uplifted arm. A darkness followed, profound and palpable. I listened in terror. There was no sou we transformed? Silence, darkness, still. I closed my eyes, and opened them again. A pale, cold light became slowly perceptible, stealing through a crevice, and revealing the walls and ceiling of my narrow room. The dream still oppressed me. I went to the window, and let in reality with the morning light. Yet, for days after, the images of the real Honoria and Dalton, my friends, remained separated from the creatures of the vision; and the Denslow Palace of dreamland, the pictures, the revelry, and the magic of the Demon Duke haunted my memory, and kept with them all their visionary splendors and regrets.