The Black Man (Brown)/Edwin M. Bannister
EDWIN M. BANNISTER.
Edwin M. Bannister was born in the town of St. Andrew, New Brunswick, and lost his father when only six years old. He attended the grammar school in his native place, and received a better education than persons generally in his position. From early childhood he seems to have had a fancy for painting, which showed itself in the school room and at home. He often drew portraits of his school-fellows, and the master not unfrequently found himself upon the slate, where Edwin's success was so manifest that the likeness would call forth merriment from the boys, and create laughter at the expense of the teacher. At the death of his mother, when still in his minority, he was put out to live with the Hon. Harris Hatch, a wealthy lawyer, the proprietor of a fine farm some little distance in the country. In his new home Edwin did not lose sight of his drawing propensities, and though the family had nothing in the way of models except two faded portraits, kept more as relics than for their intrinsic value, he nevertheless practised upon them, and often made the copy look more life-like than the original. On the barn doors, fences, and every place where drawings could be made, the two ancient faces were to be seen pictured. When the family were away on the Sabbath at church, the young artist would take possession of the old Bible, and copy its crude engravings, then replace it upon the dusty shelf, feeling an inward gratification, that, instead of satisfying the inclination, only gave him fresh zeal to hunt for new models. By the great variety of drawings which he had made on paper, and the correct sketches taken, young Bannister gained considerable reputation in the lawyer's family, as well as in the neighborhood. Often, after the household had retired at night, the dim glimmer from the lean tallow candle was seen through the attic chamber window. It was there that the genius of the embryo artist was struggling for development. Nearly every wall in the dwelling had designs or faces pencilled upon it, and many were the complaints that the women made against the lad. At last he turned his steps towards Boston, with the hope that he might get a situation with a painter, never dreaming that his color would be a barrier to the accomplishment of such an object. Weeks were spent by the friendless, homeless, and penniless young man, and every artist had seen his face and heard his wish to become a painter. But visiting these establishments brought nothing to sustain nature, and Mr. Bannister took up the business of a hair-dresser, merely as a means of getting bread, but determined to leave it as soon as an opening presented itself with an artist. The canvas, the paint, the easel, and the pallet were brought in, and the hair-dressing saloon was turned into a studio.
There is a great diversity of opinion with regard to genius, many mistaking talent for genius. Talent is strength and subtilty of mind; genius is mental inspiration and delicacy of feeling. Talent possesses vigor and acuteness of penetration, but is surpassed by the vivid intellectual conceptions of genius. The former is skilful and bold, the latter aspiring and gentle. But talent excels in practical sagacity; and hence those striking contrasts so often witnessed in the world—the triumph of talent through its adroit and active energies, and the adversities of genius in the midst of its boundless but unattainable aspirations.
Mr. Bannister possesses genius, which is now showing itself in his studio in Boston; for he has long since thrown aside the scissors and the comb, and transfers the face to the canvas, instead of taking the hair from the head. His portraits are correct representations of the originals, and he is daily gaining admirers of his talent and taste. He has painted several pictures from his own designs, which exhibit his genius. "Wall Street at Home," represents the old gent, seated in his easy chair, boots off and slippers on, and intently reading the last news. The carpet with its variegated colors, the hat upon the table, the cloak thrown carelessly across a chair, and the pictures hanging on the walls, are all brought out with their lights and shades. A beautiful landscape, representing summer, with the blue mountains in the distance, the heated sky, and the foliage to match, is another of his pieces. It is indeed commendable in Mr. Bannister, that he has thus far overcome the many obstacles thrown in his way by his color, and made himself an honor to his race.
Mr. Bannister is spare-made, slim, with an interesting cast of countenance, quick in his walk, and easy in his manners. He is a lover of poetry and the classics, and is always hunting up some new model for his gifted pencil and brush. He has a picture representing "Cleopatra waiting to receive Marc Antony," which I regret that I did not see. I am informed, however, that it is a beautifully-executed picture. Mr. Bannister has a good education, is often called upon to act as secretary to public meetings, and is not by any means a bad speaker, when on the platform. Still young, enterprising, and spirited, we shall be mistaken if Edwin M. Bannister does not yet create a sensation in our country as an artist.