The Mirror of the Sea

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THE MIRROR
 
OF THE SEA
 
BY
JOSEPH CONRAD
The Mirror of the Sea.PNG
GARDEN CITY
DOUBLEDAY, PAGE

&
NEW YORK
COMPANY
1924

TO


MRS. KATHERINE SANDERSON


WHOSE WARM WELCOME AND GRACIOUS
HOSPITALITY EXTENDED TO THE FRIEND
OF HER SON CHEERED THE FIRST
DARK DAYS OF MY PARTING
WITH THE SEA


THESE PAGES ARE AFFECTIONATELY INSCRIBED

AUTHOR'S NOTE


Less perhaps than any other book written by me, or anybody else, does this volume require a preface. Yet since all the others including even the "Personal Record," which is but a fragment of biography, are to have their Author's Notes I cannot possibly leave this one without, lest a false impression of indifference or weariness should be created. I can see only too well that it is not going to be an easy task. Necessity—the mother of invention—being even unthinkable in this case, I do not know what to invent in the way of discourse; and necessity being also the greatest possible incentive to exertion I don't even know how to begin to exert myself. Here, too, the natural inclination comes in. I have been all my life averse from exertion.

Under these discouraging circumstances I am, however, bound to proceed from a sense of duty. This Note is a thing promised. In less than a mlnute's time, by a few incautious words I entered into a bond which has lain on my heart heavily ever since.

For, this book is a very intimate revelation; and what that is revealing can a few more pages add to some three hundred others of most sincere diselosures? I have attempted here to lay bare with the unreserve of a last hour's confession the terms of my relation with the sea, which beginning mysteriously, like any great passion the inscrutable Gods send to mortals, went on unreasoning and invincible, surviving the test of disillusion, defying the disenchantment that lurks in every day of a strenuous life; went on full of love's delight and love's anguish, facing them in open-eyed exultation, without bitterness and without repining, from the first hour to the last.

Subjugated but never unmanned I surrendered my being to that passion which, various and great like life itself, had also its periods of wonderful serenity which even a fickle mistress can give sometimes on her soothed breast, full of wiles, full of fury, and yet capable of an enchanting sweetness. And if anybody suggests that this must be the lyric illusion of an old, romantic heart, I can answer that for twenty years I had lived like a hermit with my passion! Beyond the line of the sea horizon the world for me did not exist as assuredly as it does not exist for the mystics who take refuge on the tops of high mountains. I am speaking now of that innermost life, containing the best and the worst that can happen to us in the temperamental depths of our being, where a man indeed must live alone but need not give up all hope of holding converse with his kind.

This perhaps is enough for me to say on this particular occasion about these, my parting words, about this, my last mood in my great passion for the sea. I call it great because it was great to me. Others may call it a foolish infatuation. Those words have been applied to every love story. But whatever it may be the fact remains that it was something too great for words.

This is what I always felt vaguely; and therefore the following pages rest like a true confession on matters of fact which to a friendly and charitable person may convey the inner truth of almost a lifetime. From sixteen to thirty-six cannot be called an age, yet it is a pretty long stretch of that sort of experience which teaches a man slowly to see and feel. It is for me a distinct period; and when I emerged from it into another air, as it were, and said to myself: "Now I must speak of these things or remain unknown to the end of my days," it was with the ineradicable hope, that accompanies one through solitude as well as through a crowd, of ultimately, some day, at some moment, making myself understood.

And I have been! I have been understood as completely as it is possible to be understood in this, our world, which seems to be mostly composed of riddles. There have been things said about this book which have moved me profoundly; the more profoundly because they were uttered by men whose occupation was avowedly to understand, and analyze, and expound—in a word, by literary critics. They spoke out according to their conscience, and some of them said things that made me feel both glad and sorry of ever having entered upon my confession. Dimly or clearly, they perceived the character of my intention and ended by judging me worthy to have made the attempt. They saw it was of a revealing character, but in some cases they thought that the revelation was not complete.

One of them said: "In reading these chapters one is always hoping for the revelation; but the personality is never quite revealed. We can only say that this thing happened to Mr. Conrad, that he knew such a man and that thus life passed him leaving those memories. They are the records of the events of his life, not in every instance striking or decisive events but rather those haphazard events which for no definite reason impress themselves upon the mind and recur in memory long afterward as symbols of one knows not what sacred ritual taking place behind the veil."

To this I can only say that this book written in perfect sincerity holds back nothing—unless the mere bodily presence of the writer. Within these pages make a full confession not of my sins but of my emotions. It is the best tribute my piety can offer to the ultimate shapers of my character, convictions, and, in a sense, destiny—to the imperishable sea, to the ships that are no more, and to the simple men who have had their day.

J.C.

1919.

CONTENTS

page
I. Landfalls and Departures 3
IV. Emblems of Hope 13
VII. The Fine Art 23
X. Cobwebs and Gossamer 35
XIII. The Weight of the Burden 45
XVI. Overdue and Missing 56
XX. The Grip of the Land 66
XXII. The Character of the Foe 70
XXV. Rulers of East and West 79
XXX. The Faithful River 100
XXXIII. In Captivity 115
XXXV. Initiation 128
XXXVII. The Nursery of the Craft 148
XL. The "Tremolino" 155
XLVI. The Heroic Age 183


This work is in the public domain in the United States because it was published before January 1, 1923.


The author died in 1924, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.