Winnie-the-Pooh (1961)

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For other versions of this work, see Winnie-the-Pooh.
Winnie-the-Pooh (1961)
by Alan Alexander Milne
3862885Winnie-the-Pooh1961Alan Alexander Milne

Winnie-

Winnie-the-Pooh standing

The-Pooh

A. A. Milne




Winnie-the-Pooh

Books for Boys and Girls

by A. A. Milne

with Decorations by Ernest H. Shepard

WINNIE-THE-POOH

THE HOUSE AT POOH CORNER

WHEN WE WERE VERY YOUNG

NOW WE ARE SIX

THE WORLD OF POOH

THE WORLD OF CHRISTOPHER ROBIN

THE CHRISTOPHER ROBIN STORY BOOK


Song-Books from the Poems of a. a. milne

with Music by h. fraser-simon

THE POOH SONG BOOK

FOURTEEN SONGS FROM WHEN WE WERE VERY YOUNG

Winnie-the-Pooh standing on a tree branch with before a door that leads to a room dug in the trunk

A. A. Milne

Winnie-the-Pooh

with decorations by

Ernest H. Shepard

Christopher Robin and Winnie-the-Pooh seated back-to-back

E. P. Dutton

Publishers : New York

Winnie-the-Pooh
Copyright, 1926, by E. P. Dutton
Copyright Renewal, 1954, by A. A. Milne
All rights reserved.

Reprinted September 1961
in this completely new format
designed by Warren Chappell

Printed in the United States of America.

SBN 0-525-43035-0

To Her

Hand in hand we come
Christopher Robin and I
To lay this book in your lap.
Say you're surprised?
Say you like it?
Say it's just what you wanted?
Because it's yours—
because we love you.

Winnie-the-Pooh looking down at a bath mat

Introduction

If you happen to have read another book about Christopher Robin, you may remember that he once had a swan (or the swan had Christopher Robin, I don't know which) and that he used to call this swan Pooh. That was a long time ago, and when we said good-bye, we took the name with us, as we didn't think the swan would want it any more. Well, when Edward Bear said that he would like an exciting name all to himself, Christopher Robin said at once, without stopping to think, that he was Winnie-the-Pooh. And he was. So, as I have explained the Pooh part, I will now explain the rest of it.

You can't be in London for long without going to the Zoo. There are some people who begin the Zoo at the beginning, called WAYIN, and walk as quickly as they can past every cage until they get to the one called WAYOUT, but the nicest people go straight to the animal they love the most, and stay there. So when Christopher Robin goes to the Zoo, he goes to where the Polar Bears are, and he whispers something to the third keeper from the left, and doors are unlocked, and we wander through dark passages and up steep stairs, until at last we come to the special cage, and the cage is opened, and out trots something brown and furry, and with a happy cry of "Oh, Bear!" Christopher Robin rushes into its arms. Now this bear's name is Winnie, which shows what a good name for bears it is, but the funny thing is that we can't remember whether Winnie is called after Pooh, or Pooh after Winnie. We did know once, but we have forgotten. . . .

I had written as far as this when Piglet looked up and said in his squeaky voice, "What about Me?" "My dear Piglet," I said, "the whole book is about you." "So it is about Pooh," he squeaked. You see what it is. He is jealous because he thinks Pooh is having a Grand Introduction all to himself. Pooh is the favourite, of course, there's no denying it, but Piglet comes in for a good many things which Pooh misses; because you can't take Pooh to school without everybody knowing it, but Piglet is so small that he slips into a pocket, where it is very comforting to feel him when you are not quite sure whether twice seven is twelve or twenty-two. Sometimes he slips out and has a good look in the ink-pot, and in this way he has got more education than Pooh, but Pooh doesn't mind. Some have brains, and some haven't, he says, and there it is.

And now all the others are saying, "What about Us?" So perhaps the best thing to do is to stop writing Introductions and get on with the book.

This work is in the public domain in the United States because it was published in 1926, before the cutoff of January 1, 1929.


The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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