Army Headquarters
| Army Headquarters (1886) by |
| From "Departmental Ditties" (1886) See notes on Army Headquarters at the Kipling Society. |
Old is the song that I sing—
Old as my unpaid bills—
Old as the chicken that kitmutgars[1] bring
Men at dâk-bungalows—old as the Hills.
Ahasuerus Jenkins of the "Operatic Own,"
Was dowered with a tenor voice of super-Santley tone.
His views on equitation were, perhaps, a trifle queer.
He had no seat worth mentioning, but oh! he had an ear.
He clubbed his wretched company a dozen times a day;
He used to quit his charger in a parabolic way;
His method of saluting was the joy of all beholders,
But Ahasuerus Jenkins had a head upon his shoulders.
He took two months to Simla when the year was at the spring,
And underneath the deodars eternally did sing.
He warbled like a bulbul[2], but particularly at
Cornelia Agrippina, who was musical and fat.
She controlled a humble husband, who, in turn, controlled a Dept.
Where Cornelia Agrippina's human singing-birds were kept
From April to October on a plump retaining-fee,
Supplied, of course, per mensem, by the Indian Treasury.
He praised unblushingly her notes, for he was false as they;
So when the winds of April turned the budding roses brown,
Cornelia told her husband:—"Tom, you mustn't send him down."
They haled him from his regiment, which didn't much regret him;
They found for him an office-stool, and on that stool they set him
To play with maps and catalogues three idle hours a day,
And draw his plump retaining-fee—which means his double pay.
Now, ever after dinner, when the coffee-cups are brought,
Ahasuerus waileth o'er the grand pianoforte;
And, thanks to fair Cornelia, his fame hath waxen great,
| This work is in the public domain in the United States because it was published before January 1, 1923.
The author died in 1936, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works. |