Author:William Watkiss Lloyd

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For authors with similar names, see Author:William Lloyd.
William Watkiss Lloyd
(1813–1893)

English classical and Shakespearean scholar

Works[edit]

The following list is derived from In Memoriam: William Watkiss Lloyd by Sophia Beale, in "Elijah Fenton, his poetry and friends" cited below.

  • Xanthian Marbles: The Nereid Monument: an Historical and Mythological Essay (1845) external link
  • Critical Essays upon Shakespeare's Plays (1845) external link
  • The Homeric Design of the Shield of Achilles (1854)
  • Pindar and Themistocles; Ægina and Athens (1862)
  • On the general theory of proportion in architectural design., and its exemplification in detail in the Parthenon (1863) external link
  • The Moses of Michael Angelo: a study of Art (1864)
  • Christianity in the cartoons: referred to artistic treatment and historic fact (1867) external link
  • Philosophy and Piety in the Age of Raphael (1867)
  • Panics and their Panaceas, The theory of money; metallic or paper in relation to healthy and disturbed interchange (1869) external link
  • The history of Sicily to the Athenian war with elucidations of the Sicilian odes of Pindar (1872) external link
  • The age of Pericles, a history of the politics and arts of Greece from the Persian to the Peloponnesian War (1875), in 2 vols. vol. 1, vol. 2
  • Elijah Fenton: his poetry and friends (1894), edited by George Livingstone Fenton external link

Papers[edit]

  • "Explanation of the groups in the Western Pediment of the Parthenon", The Classical Museum, (London) V. (xviii.): 396-442, 1848. 
  • "The Portland Vase", The Classical Museum, (London) VI. (xxi.): 253-278, 1849. 
  • "Homer, his Art and his Age", The Classical Museum, (London) VI. (xxii.): 387-431, 1849. 
  • "Triptolemus and the Dioscuri", Transactions of the Royal Society of Literature (new series), (London) IV.: 261-288, 1853. 

As editor[edit]

Works about Lloyd[edit]

Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.

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