Italian Hours/The Saint's Afternood and Others, part III

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152117Italian Hours — The Saint's Afternood and Others, part IIIHenry James


The church-feast of its saint is of course for Anacapri, as for any self-respecting Italian town, the great day of the year, and the smaller the small "country," in native parlance, as well as the simpler, accordingly, the life, the less the chance for leakage, on other pretexts, of the stored wine of loyalty. This pure fluid, it was easy to feel overnight, had not sensibly lowered its level; so that nothing indeed, when the hour came, could well exceed the outpouring. All up and down the Sorrentine promontory the early summer happens to be the time of the saints, and I had just been witness there of a week on every day of which one might have travelled, through kicked-up clouds and other demonstrations, to a different hot holiday. There had been no bland evening that, somewhere or other, in the hills or by the sea, the white dust and the red glow didn't rise to the dim stars. Dust, perspiration, illumination, conversation--these were the regular elements. "They're very civilised," a friend who knows them as well as they can be known had said to me of the people in general; "plenty of fireworks and plenty of talk-- that's all they ever want." That they were "civilised"--on the side on which they were most to show--was therefore to be the word of the whole business, and nothing could have, in fact, had more interest than the meaning that for the thirty-six hours I read into it.

Seen from below and diminished by distance, Anacapri makes scarce a sign, and the road that leads to it is not traceable over the rock; but it sits at its ease on its high, wide table, of which it covers--and with picturesque southern culture as well--as much as it finds convenient. As much of it as possible was squeezed all the morning, for St. Antony, into the piazzetta before the church, and as much more into that edifice as the robust odour mainly prevailing there allowed room for. It was the odour that was in prime occupation, and one could only wonder how so many men, women and children could cram themselves into so much smell. It was surely the smell, thick and resisting, that was least successfully to be elbowed. Meanwhile the good saint, before he could move into the air, had, among the tapers and the tinsel, the opera-music and the pulpit poundings, bravely to snuff it up. The shade outside was hot, and the sun was hot; but we waited as densely for him to come out, or rather to come "on," as the pit at the opera waits for the great tenor. There were people from below and people from the mainland and people from Pomerania and a brass band from Naples. There were other figures at the end of longer strings--strings that, some of them indeed, had pretty well given way and were now but little snippets trailing in the dust. Oh, the queer sense of the good old Capri of artistic legend, of which the name itself was, in the more benighted years--years of the contadina and the pifferaro--a bright evocation! Oh, the echo, on the spot, of each romantic tale! Oh, the loafing painters, so bad and so happy, the conscious models, the vague personalities! The "beautiful Capri girl" was of course not missed, though not perhaps so beautiful as in her ancient glamour, which none the less didn't at all exclude the probable presence--with his legendary light quite undimmed--of the English lord in disguise who will at no distant date marry her. The whole thing was there; one held it in one's hand.

The saint comes out at last, borne aloft in long procession and under a high canopy: a rejoicing, staring, smiling saint, openly delighted with the one happy hour in the year on which he may take his own walk. Frocked and tonsured, but not at all macerated, he holds in his hand a small wax puppet of an infant Jesus and shows him to all their friends, to whom he nods and bows: to whom, in the dazzle of the sun he literally seems to grin and wink, while his litter sways and his banners flap and every one gaily greets him. The ribbons and draperies flutter, and the white veils of the marching maidens, the music blares and the guns go off and the chants resound, and it is all as holy and merry and noisy as possible. The procession--down to the delightful little tinselled and bare-bodied babies, miniature St. Antonys irrespective of sex, led or carried by proud papas or brown grandsires--includes so much of the population that you marvel there is such a muster to look on--like the charades given in a family in which every one wants to act. But it is all indeed in a manner one house, the little high-niched island community, and nobody therefore, even in the presence of the head of it, puts on an air of solemnity. Singular and suggestive before everything else is the absence of any approach to our notion of the posture of respect, and this among people whose manners in general struck one as so good and, in particular, as so cultivated. The office of the saint--of which the festa is but the annual reaffirmation--involves not the faintest attribute of remoteness or mystery.

While, with my friend, I waited for him, we went for coolness into the second church of the place, a considerable and bedizened structure, with the rare curiosity of a wondrous pictured pavement of majolica, the garden of Eden done in large coloured tiles or squares, with every beast, bird and river, and a brave diminuendo, in especial, from portal to altar, of perspective, so that the animals and objects of the foreground are big and those of the successive distances differ with much propriety. Here in the sacred shade the old women were knitting, gossipping, yawning, shuffling about; here the children were romping and "larking"; here, in a manner, were the open parlour, the nursery, the kindergarten and the conversazione of the poor. This is everywhere the case by the southern sea. I remember near Sorrento a wayside chapel that seemed the scene of every function of domestic life, including cookery and others. The odd thing is that it all appears to interfere so little with that special civilised note--the note of manners--which is so constantly touched. It is barbarous to expectorate in the temple of your faith, but that doubtless is an extreme case. Is civilisation really measured by the number of things people do respect? There would seem to be much evidence against it. The oldest societies, the societies with most traditions, are naturally not the least ironic, the least blasees, and the African tribes who take so many things into account that they fear to quit their huts at night are not the fine flower.