completed his task, for the short horizontal lines across the dexter side of the shield indicate his intention of cutting away the surface of the field.
Sir Robert de Setvans (formerly Septvans), whose beautiful brass may be seen at Chartham, Kent, is habited in a surcoat whereon, together with the shield and ailettes, are seven winnowing fans—another instance of canting arms (Fig. 25). This one belongs to a somewhat later date, 1307.
Our next example is a mural effigy to Sir William de Aldeburgh, c. 1360, from the north aisle of Aldborough Church, near Boroughbridge, Yorkshire (Fig. 26). He is attired like the "veray parfite gentil knight" of Chaucer, in a bascinet or steel cap, to which is laced the camail or tippet of chain mail, and a hauberk almost concealed by a jupon, whereon are emblazoned his arms: "Azure, a fess indented argent, between three crosslets botony, or." The first crosslet is charged with an annulet, probably as a mark of cadency. The engraver has omitted the indenture upon the fess, which, however, appears upon the shield. The knight's arms are protected by epaulières, brassarts, coutes, and vambraces; his hands, holding a heart, by gauntlets of steel. An elaborate baldric passes round his waist, from which are suspended, on the left, a cross-hilted sword, in a slightly ornamented scabbard; on the right, a misericorde, or dagger of mercy. The thighs are covered by cuisses—steel plates, here deftly concealed probably by satin or velvet secured by metal studs—the knees by genouillères, the lower leg by jambes, which reveal chausses of mail at the interstices. Sollerets, or long, pointed shoes, whereto are attached rowel spurs, complete his outfit. The figure stands upon a bracket bearing the name "Will's de Aldeburgh."
The parish church of Eastington, Gloucestershire, contains a brass to Elizabeth Knevet, which is illustrated and described by Mr. Cecil T. Davis at p. 117 of his excellent work on the "Monumental Brasses of Gloucestershire."[1] The block (Fig. 27), which presents a good example of the heraldic mantle, has been very kindly placed at my disposal by Mr. Davis. To confine our description to the heraldic portion of the brass, we find the following arms upon the mantle:—
"Quarterly, 1. argent, a bend sable, within a bordure engrailed azure (Knevet); 2. argent, a bend azure, and chief, gules (Cromwell); 3. chequy or and gules, a chief ermine (Tatshall); 4. chequy or and gules, a bend ermine (De Cailly or Clifton); 5. paly of six within a bordure bezanté.... 6. bendy of six, a canton...."[2]
A coat of arms occurs also at each corner of the slab: "Nos. 1 and 4 are on ordinary shields, and 2 and 3 on lozenges. Nos. 1 and
