Page:A Dictionary of Music and Musicians vol 4.djvu/855

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BEATJSSERON, J. ; Sistine Chapel, iv. 794 a.

BEBUNG, i. 16005 ; Agrdmens, i. 42 b ; Cembal d'Amore, i. 33005; Clavichord, i. 368 a; Dot, i. 457 a; Tangent, iv. 570; Tie, iv. 1136.

BECARRE; Accidentals, i. 1905.

BECHE ; Solfeggio, iii. 547 b.

BECHER, A. J., i. i6ob.

BECHGAARD ; Song, iii. 6na.

BECHSTEIN, F. W. K., i. i6o&; Pianoforte, ii. 7136.

BECK, F., i. i6ia; Blanchard,i. 247 a ; Bochsa, i. 252 a ; Garat, 1.581 a; Gaveaux, i. 585 a.

BECK, J. N., iv. 533 a.

BECKER, i. i6ia; Wrestplank, iv. 4906.

BECKER, V.; Orpheus, ii. 6136.

BECKER, C. F., i. i6ia; Bach (J. S.),i. 1170; Bach-Gesell- schaft, i. 1180; Forkel, i. 540 & ; Leipzig, ii. 1156 ; Lute, ii. 1756; Mendelssohn, ii. 282 a; Programme-Mus., iii. 35 a; Biedel, iii. 1296; Song, iii. 631 a; Volkmann, iv. 336 a; Volkslied, iv. 3376; Hist, of Mus., iv. 67505.

BECKER, C.J., i. 161 a; iv. 533 a.

BECKER, D., i. 161 b.

BECKER, G. ; Mus. Lib., ii. 42505; Hist, of Mus., iv. 6 76 a.

BECKER, J., i. 1616; iv. 5336; Philh. Soc., ii. 700 a ; Violin- playing, iv. 289 ; iv. 8i2&.

BECK WITH, J. C., i. i6i&; iv. 533 & ; Norwich Festival, ii. 466 a ; Perry, ii. 693 a ; Taylor (Ed.), iv. 66 a ; Vaughan, iv. 233 a ; Voluntary, iv. 3396; Buck, iv. 568 a.

BECOURT ; Ca ira, i. 29705.

BECZWARZOWSKY ; Mus. Lib., ii. 4270; ; Pohl, iii. 50.

BEDOS DE CELLES, Dom. F., i. 16205; Adlung, J., i. 37 &; Organ, ii. 5 74 a, note, etc.

BEER, J. M. (See MEYER- BEER.)

BEER, Jos., i. 16205.

BEETHOVEN, L. van, i. 16205; i y - 533 &> Accademia, i. I2a; Accent, i. 130 ; Air, i. 4705; Albrechtsberger, i. 5ia; Allegretto, i. 55 a ; Allemande, i. 55 6; Alpenhorn, i. 566; Alsager, i. 57 & ; Anacker i. 62 05 ; Ancient Concerts, i. 646; Andante, i. 650; Anticipation, i. 73 b ; Appas- sionata, i. 75 a; Appoggiatura, i. 76 a, etc.; Appoggiatura, Double, i. 79 6 ; A quatre

��INDEX.

mains, i. 8005 ; Arrangement, i. 906, etc. ; Artaria, i. 95 b; Augarten, i. 1040:; Bagatelle, i. 1226; Ball, i. 12805; Ballet, i. 1326; Bar, i. I37&; Barcarole, i. 13905; Bassoon, i. 1536 ; Bastien et Bastienne, i. 1546; Battle Symphony, i. 156 b ; Battuta, 1.15705; Beklemmt, i. 2io& ; Benedict, i. 2226; Bigot, i. 2416; Birchall, i. 2436; Blahetka, i. 2470;; Booklet, i. 252 &; Bouche ferme'e A, i. 263 05 ; Bridgetower, i. 2756; Billow, i. 2800; Ca- denza, i. 2946 ; Canon, i. 30405; Cantabile, i. 426; Cantata, i. 305 05 ; Cavatina, i. 328 &; Chamber Music, i. 332 &; Cherubini, i. 3426; Choral Fantasia, i. 3516; Choral Symphony, i. 35205; Clarinet,i.363&; Clement (F.), i. 3720;, etc. ; Coda, i. 376 b ; Composition, i. 382 b ; Con brio, i. 383 b ; Concerto, i. 38705, etc.; Conductor, i. 3906; Consecutive, 1.3916; Contredanse, i. 396 6 ; Cor anglais, i. 40005; Cramer, i. 4136; Crescendo, i. 41605; Czerny, i. 4256; Dannreu- ther, i. 4306 ; Dash, i. 431 a ; Deux Journe'es, Lea, i. 441 b ; Development, i. 441 6 ; Dia- belli, i. 442 05 ; Double Bass, i. 4576, note; Double Bassoon, i. 459a; Dragonetti, i. 46205 ; Drum, i. 464 a, etc. ; Duport (J. L.), i. 47005; Duschek, i. 47305; Dussek (J. L.), i. 4766; Dwight's Journal of Mus., i. 4786; Eberl, i. 479 &; Eberwein, i. 4810; Egmont, i. 4836; Elegy, i. 485 b ; Emperor Concerto, the, i. 48805; Eroica, i. 4930;; Ertmann, i. 4936; Extem-

r playing, i. 4986, etc.; i. 500 a; Fantasia, i. 5030; Fasch, i. 5086; Fidelio, i. 51905; Figure, i. 5216, etc. ; Finale, i. 5236; Fischer (G.), i. 5290: ; Fisch- hoff, i. 5296; Flute, i. 5376 ; Forster, i. 5 39 a; Form, i. 541 a, etc. ; Gansbacher, i. 575 a; Galitzin, i. 57605, etc.; Gallenberg, i. 577 a; Gar- diner (W.), i. 582 b ; Gebauer, i. 5866; Gelinek, i. 5870;; GesellschaftderMusikfreunde, i. 591 a ; God save the King, i. 6070;; Gretry, i. 628 5;

��15

Guicciardi, i. 6386 ; Gyro- wetz, i. 6426; H., i. 64305; Habeneck, i. 6430; Ham- merklavier, i. 647 b ; Har- monica, i. 663 a; Harmony, i. 68 2 a, etc.; Haslinger, i. 6936 ; Haydn, i. 71 1&, etc. ; Killer (Ferd.), i. 73705; Him- mel, i. 7406 ; Hoffmann (E. T. W.), i. 7416; Hoffmeis- ter, i. 742 6 ; Holz, i. 744 b ; Horn, i. 7506, etc.; Hiit- tenbrenner, i. 75505; Imita- tion, i. 766 a ; Improvisation, ii. 2 05 ; Innig, ii. 36; In questa Tomba, ii. 40; Inter- mezzo, ii. 9&; Introduction, ii. 146, etc. ; Irish Music, ii. 22 a; Jahn, ii. 30 a; Jahr- biicher, etc., ii. 306; Joa- chim, ii. 346 ; Jullien, ii. 456 ; Kalkbrenner, ii. 46 a, note ; Kauka, ii. 480;; Key, ii. 526; Kinsky, ii. 58*, etc. ; Knecht, ii. 66 a; Kraft, ii. 69 b; Krenn, ii. 71 &; Kreutzer, ii. 726; Kreutzer Sonata, ii. 73 a; Krumpholz (W.), ii. 746; Kuhlau, ii. 75 b ; Kyrie, ii. 786; Lablache,ii. 8105; Land- ler, ii. 836; Lang (R.), ii. 9005; Leipzig, ii. 114 &; Lenz, ii. 1206; Leonore, ii. 1226; Leonore Prohaska, ii. 1226; License,ii. 131 a; Lichnowsky, ii. 132 a; Liederkreis, ii. 1356; Lincke, ii. 1396; Liszt, ii. 14505; Lobkowitz, ii. 1550;; Lorenz, ii. 1666 ; Louis Ferdinand, Prince, ii. i6Sfr, etc.; Macbeth, ii. 18305; Maelzel, ii. 1946 ; Malbrough, ii. 201 a ; Malinconia, La, ii. 2036; Mandoline, ii. 2056; March, ii. 213 a; Marschner, ii. 2190;; Marx, ii. 2230;; Mass, ii. 23405; Mayseder, ii. 241?); MeeresstilleundG liick- liche Fahrt, ii. 245 a; Melo- drama, ii. 2496; Mendelssohn, ii. 25705, etc.; Metronome, ii. 31905 ; Milder-Hauptmann, ii. 330 b ; Minacciando, ii. 331 b; Minuet, ii. 335 a ; Modu- lation, ii. 347 a, etc. ; Moli- nara, La, 3516; Moonlight Sonata, ii. 3606; Mortier de Fontaine, ii. 3690 ; Moscheles, ii. 3 70 a; Mount of Olives, ii. 378 a; Mozart, ii. 39705, etc.; Muller (The Brothers), ii. 40805; Mus. Lib., ii. 4196, etc. ; Mus. Periodicals, ii. 42705; Mute, ii. 4396; Na- geli, ii. 44 2 a ; Neate, ii. 450 a ;

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