Page:A Dictionary of Music and Musicians vol 4.djvu/877

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Mariani, iv. 71 1 a; Mottl, iv.

7206.

CONDUCTOR'S PART, i. 3906. CONFORTI, G. L., i. 3906 ; Pug-

nani (G.), iii. 456. CONJUNCT ; Motion, ii. 377 a. CONRADI, A., i. 3906; iv. 597 a. CONRADI, J. G., i. 391 a ; Opera,

ii. 508 a. CONRAN, M. ; Hist, of Mus., iv.

6 74 &. CONSECUTIVE, i. 391 a ; iv. 596 a,

Hidden Fifths and Octaves,

  • 735 &

CONSERVATOIRE DE MUSIQUE, i.

3916; iv. <i97#; Academic

<le Mus., i. 86; Adam (A.

C.), i. 276; Adam (L.), i.

2905 ; Baillot, i. 1256 ; Catel,

i. 3 2 3#; Cherubini, i. 34205;

Fetis, i. 5 1 7 a ; Habeneck,

i. 643 a; Lesueur, ii. 125 a;

Mus. Lib., ii. 42605; Soc. des

Concerts, iii. 543 6 ; Thomas

(C. A.), iv. 1040. CONSERVATORY, i. 3946; iv.

59705; Accademia, i. 1105;

Milan, ii. 3 29 a; Naples, ii.

4446. CONSILIUM, J. ; Attaignant, i.

1006; Sistine Chapel, iv. 7940. CONSONANCE, i. 3946 ; Beats, i.

1 59 a, etc. CONSORTI; Shake, iii. 480 a,

note.

CON SPIRITO, i. 3946. CONSTANTINI, F. ; Mus. Divina,

ii. 4116. CONSTANTINI, A. ; Mus. Divina,

ii. 4116. CONSTANTIN, L. ; Roi desViolons,

iii. 146 a; Vingtquatre Vio-

lons, iv. 2666. CONSTRUCTION, i. 3946. CONTE ; Gr. Prix de Home, i.

6186.

CONTI. (See GIZZIELLO, i. 5976.) CONTI ; Olimpiade, ii. 496 & ;

Rolla, iii. 1 47 a. CONTI, C. ; Naples, ii. 4460;. CONTI, F. B., i. 395 a ; iv. 597 a ;

Fitzwilliam Coll., i. 531 a ;

Metastasio, ii. 31605. CONTINI, G. ; Marenzio,ii. 156. CONTINUO. (See BASSO CON-

TINUO, i. 1516.) CONTRABASSO, i. 395 & ; Bass, i.

1486; Double Bass, i. 457 6;

Instruments, ii. 66 ; Notation,

ii. 4776. CONTRABASS POSAUNE. (See

TROMBONE, iv. 176 a.) CONTRABASS TUBA. (See BOM- BARDON, i. 2596.) CONTRA FAGOTTO, i. 395 6 ; Baa-

��INDEX.

soon, i. 1536; Double Bassoon, i. 458 a; Instrument, ii. 66; Keys, ii. 560;; Serpent, iii. 470 &; Symphony, iv. 26 a; Wind-band, iv. 4676.

CONTRALTO, i. 395 ;6; Alto, i. 580;; Singing, iii. 5046, etc.; Voice, iv. 3326.

CONTRAPUNTAL, i. 396 a; Con- trary Motion, i. 3960; ; Coun- terpoint, i. 407 6 ; Imitation, i. 7656.

CONTRARY MOTION, i. 3960; ; Direct Motion, 1.4486; Mo- tion, ii. 377 a.

CONTREDANSE, i. 396 6 ; Alle- mande, i. 55 6 ; Anglaise, i. 68 a ; Country Dance, i. 409 6 ; Ecossaise, i, 483 a ; Eroica, i. 4936 ; Perigourdine, ii. 692 a ; Quadrille, iii. 55 a; Redoute, iii. 89 a; Saraband, iii. 2 27 a.

CONTUMACCI. (See COTUMACCI, i. 4076.)

CONVERSI, G., i. 3966; Mus. Transalpina, ii. 416(2 ; Vocal Scores, iv. 320 a.

CONVICT, i. 3966; iv. 597 a; Schubert, iii. 320 a, etc.

COOKE, B., i. 396 a; iv. 597 a; Amen, i. 606 ; Augmentation, i. 1046; Bartleman, i. 14605; Bellamy, i. 21 1 a ; Callcott, i. 2980; ; Canon, i. 3046 ; Catch Club, i. 3226; Concentores Sodales, i. 3836 ; Crosdill, i. 4196 ;Galliard(J.E.), i. 5786; Glee, i. 599 a; Glee Club, i. 5 99 a ; Greatorex, i. 6226; Madrigal Soc., ii. 1936 ; Mus. Lib., ii. 4206 ; Parsons (Sir | W.), ii. 652 /> ; Part Mus., ii. ! 6566, etc.; Pepusch, ii. 6850; ; j Roy. Soc. of Musicians, Great | Britain, iii. 187 a; Schools of Comp., iii. 2786; Service, iii. 474 a; Spofforth, iii. 6566; Tallys, iv. 536 ; Vocal Scores, iv. 3200.

COOKE, Grattan, i. 398 a ; Oboe, ii. 487 6 ; Mendelssohn, iv. 717*.

COOKE, H., i. 39705; iv. 5970 ; Blow, i. 2496 ; English Opera, i. 4886 ; Estwick,i.496b ; Hum- f'rey, i. 75705; Lawes (H.), ii. 107 a; Purcell (H.), iii. 466 ; Schools of Comp., iii. 282 a ; Turner (W.), iv. 1950;; Wise, iv. 4766.

COOKE, M. ; Jacob (B.), ii. 280;.

COOKE, N., i. 3976.

COOKE, R., i. 3976; iv. 597 a; Beale, i. 1580;; Catch Club, i. 3226; Harris (J. M.), i.

��37

692 a; Madrigal Soc., ii. 194 a;

Philh. Soc.,ii. 698 a. COOKE, T. S., i. 3976; iv. 597 a;

Ancient Concerts, i. 646;

Balfe, i. 1266; Glover (C. W.),

i. 600 a ; Lachnith, ii. 826;

Melodists* Club, ii. 2490;;

Rainforth (Eliz.), iii. 676;

Reeves (Sims), iii. 926 ; Song,

iii. 607 a; Templeton, iv. 8ib;

Vauxhall Gardens, iv. 23405;

Vocal Soc., iv. 3206 ; Williams

(Sisters), iv. 459 6 ; Tree, iv.

8006.

COOMBE, W. F., i. 3980;. COOMBS, J. M., i. 3986; Field

(H.),i. 5196.

COOPER ; Tudway, iv. 1996. COOPER, G., i. 3986; iv. 5970;;

Bach Soc., i. 120 a ; Madrigal

Soc.,ii. I94a; Stainer (J.), iii.

688 a ; Parratt (W.), iv. 7386. COOPER, H. C. ; Philh. Soc., ii.

6996. COPE ; Mus. Periodicals, iv.

7266. COPERARIO, J., i. 3986 ; iv. 597 a ;

Campion, i. 301 a ; Eng. Opera,

i. 4886; Lawes (H.), ii. 10605 ;

Leighton (Sir W.), ii. 114 a;

Mus. Lib., ii. 4180;, etc.;

Tablature, iv. 50 a. COPIN DU BREQUIN ; Roi des

Violons, iii. 14605. COPPOLA, G., i. 39905. COPPOLA, P. A., i. 399 a; iv.

59705.

COPYRIGHT, i. 39905 ; iv. 5976. COR ANGLAIS, i. 40005; iv.

59705; Basset-Horn, i. 15105;

Boehm (T.), i. 2546 ; Eng.

Horn, i. 4886; Instrument,

ii. 66; Notation, ii. 478 a ;

Oboe di Caccia, ii. 489 a ;

Organ, ii. 601 6. CORANTO. (See COUBANTE, i.

4106.) CORBET, F., i. 40005; Ballet, i.

1306.

CORBETT, W., i. 400 a ; iv. 5976. CORDER, F., iv. 59805; Nordisa,

iv. 732 a.

CORDIER, J., i. 4006.

CORDIER, Mile. ; Strakosch, iii.

��CORELLI ; Pacini (G.),ii. 62705.

CORELLI, A., i. 4006; Ancient Concerts, i. 646; Anglebert, i. 68 a; Archlute, i. 816; Baptiste, i. 13605; Bassani, i. 1506 ; Bow, i. 2646 ; Bowing, 1.2656; Cartier, i. 31805; Castrucci, i. 3196; Concerto, i. 387 a; Deane, i. 4386; Division Violin, The, i. 451 a ;

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