Page:A Dictionary of Music and Musicians vol 4.djvu/886

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46

(J. S.), ii. 241 a; Mendels- sohn, ii. 268 a; Mus. Lib., ii. 420 a; Naples, ii. 446(1; Nourrit, ii. 4806; Opera, ii. 525 a ; Parisina, ii. 65005 ; Pat- ter-Song, ii. 6736 ; Persiani, ii. 693 b ; Poliuto, iii. 76; Pon- chielli, iii. 14 a ; Rata- plan, iii. 78 a; Roberto De- vereux, iii. is8b ; Romani, iii. 148(7; Rossi (Lauro), iii. 1630; Rubini, iii. 19005 ; S. Georges (Marquis de), iii. 2136; San Carlo, iii. 2236; Schools of Comp., iii. 301 a, etc.; Scribe, iii. 453 a; Tor- quato Tasso, iv. 151 a ; Unger (Caroline), iv. 202 a; Sistine Chapel, iv. 794?).

DONJON; Tulou, iv. 1866.

DONNA DEL LAGO, i. 4546 ; Rossini, iii. 1 69 a.

DONT, J.; Auer, i. 1036; Etudes, i. 497 a; Violin-playing, iv. 297 & ; Violin - playing, iv.

Sl2b.

DONZELLI, D., i. 454?) ; Laporte,

ii. 91 b; Mendelssohn, ii.

263 a; Singing, iii. 511 a;

Tamburini, iv. 5605; Tenor,

iv. 876 ; Fetis, iv. 636 a. DOPPELSCHLAG ; Agre"mens, i.

42 b, etc. DOPPELVORSCHLAG ; Appoggia-

tura, Double, i. 79 a. DOPPIO, i. 45 4 b. DOPPLEK, C. ; Magyar Mus., ii.

1986. DOB, J. ; Sistine Chapel, iv.

794 a.

DORATI ; Mus. Lib., iv. 72605. DORE, E. ; PF. Mus., ii. 736 a. DORIAN, i. 4546 ; JEol\a,n Mode,

i. 396, etc. ; Gregorian Modes,

i. 626 a; Modes Eccles., ii.

34 1

DORN, H. L. E., i. 455 a ; iv. 617 6 ; Eckert, i. 483 a ; Mendelssohn, ii. 257 a; Niederrheinische Musikfeste, ii. 457 a ; Or- pheus, ii. 613 b ; Schumann, iii. 388 b; Score, arranging from, iii. 43505; Song, iii. 6306; Spontini, iii. 6700, etc. ; Wagner, iv. 34805.

DORRELL, W. ; Bach Soc., i. 1 20 a.

DORSET GARDEN THEATRE, iv. 6i7&; Purcell, iv. 7660.

DORUS ; Conservatoire, i. 3926; Demeur (J.), iv. 6na, note.

DORUS-GRAS. (See GBAS, Mme., J. A. D., i. 61905.)

DOT, i. 455 b ; iv. 6i8a ; Dash, i. 431 a; Imperfect, i. 76705;

��INDEX.

Slur, iii. 53705; Staccato, iii. 685 & ; Triplet, iv. 173 b.

DOTTI, Anna, i. 45705. j DOTZAUER, J. J. F., i. 457 a ; iv. 61805; Bassoon, i. 1546; Drechsler (K.), i. 462'?) ; Kum- mer, ii. 77 a; Schuberth (C.), iii. 3830; Violoncello-playing, iv. 300 b.

DOUBLE BAR, i. 457 b; Bar, i. 1376; Notation, ii. 477 a.

DOUBLE BASS, i. 4576; iv. 6i8a; Acad. de Mus., i. 76; Addison, i. 3005; Back, i. 1 22 a; Basso di Camera, i. 151 b; Contrabasso, i. 3956; Doubles, i. 46005; Drago- netti, i. 4616; Howell, i. 7546; Instrument, ii. 6&; Onslow, ii. 497 b; Orchestra, ii. 5656; Orchestration, ii. 569^; Rowland, iii. 1840; Salo (G. di), iii. 22ob; Sor- dini, iii. 6376 ; Stradivari, iii. 731 & ; Violin, iv. 2700 ; Bot- tesini, iv. 556?;.

DOUBLE BASSOON, i. 45805; Contra-Fagotto, i. 395 b ; In- strument, ii. 6&; Orchestra, ii. 56405.

DOUBLE CHANT, i. 45905 ; Chant, i. 3366 ; Flintoft, i. 53305.

DOUBLE CONCERTO, i. 459 a ; Concerto, i. 38905.

DOUBLE COUNTERPOINT, i. 45905 ; Counterpoint, i. 407 b, etc. ; Countersubject, i. 4090;; In- version, ii. 1 6 a.

DOUBLE DIAPASON; Organ, ii. 60 1 05, etc.

DOUBLE FLAT, i. 45905; Acci- dentals, i. 1905, etc.

DOUBLE FUGUE, i. 45905 ; Fu- gue, i. 56805.

DOUBLE LONG ; Notation, ii. 47 1 a.

DOUBLE OPEN DIAPASON; Organ, ii. 5806.

DOUBLE RELISH ; Agre'mens, i.

43 &

DOUBLE SHARP, i. 4596; Acci- dentals,!. 1 8 b, etc.

DOUBLE STOPPING, i. 459 b; Paganini, ii. 631 b; Positions, iii. 2ob ; Stopping, iii. 7i7b.

DOUBLE TONGUEING, i. 459 b; Drouet, i. 463 b.

DOUBLES, i. 459 b; Variations, iv. 21905.

DOUBLES, i. 46005.

DOUBLETTE ; Organ, ii. 601 a.

DOUEN, M. 0. ; Old looth Tune, ii. 495 b; Song, iii. 592 b; Bourgeois (L.), iv. 560 a ; Franc (G. le.), iv. 638 b.

��DOURLEN ; Gr. Prix de Rome, i. 6i8b; Vaucorbeil, iv. 23ob.

DOWLAND, J., i. 46005; iv. 6i8; Chappell & Co., i. 339&; Este (T.), i. 495 b; Hymn, i. 76 2 b ; Ionian Mode, ii. 1 8 a; Leighton, ii. 1140;; Madrigal, ii. 19105 ; Marenzio, ii. 21605; Micrologus, ii. 32805; Mus. Antiqua, ii. 41 1 a ; Mus. Antiquarian Soc., ii. 416 b; Mus. Lib., ii. 41 7 b, etc.; Ornithoparcus, ii. 6ub; Part Mus., ii. 656 b, etc.; Part- Song, ii. 658 05 ; Pa van, ii. 67705; Song, iii. 61005 ; Speci- mens, Crotch's, iii. 649 b; Strict Counterpoint, iii. 740 b ; Tablature, iv. 4805; Virginal Mus., iv. 30905; Vocal Scores, iv. 32005; Burney, iv. 57ob; Dance Rhythm, iv. 606 b ; Part-books, iv. 740 b ; Psal- ter, iv. 761 a.

DOWLAND.R., i. 460 b; Dowland (John), i. 460 b; Holborne, i. 74305; Mus. Lib., ii. 42305.

DOXOLOGY ; Response, iii. u8a.

DOYAGUE, M.; Eslava, i. 49505.

DBAESEKE, F., i. 460 b; Zu- kunftsmusik, iv. 51405.

DRAGHI, A.,i. 46105.

DRAGHI, C., i. 4610.

DRAGHI, G. B., i. 461 ; iv. 6i8a ; Cecilia, St., i. 329b; Division Violin, i. 45 1 05 ; English Opera, i. 48905; Haw- kins,!. 70005; Dorset Garden Theatre, iv. 61805.

DRAGONE, A.; Palestrina, ii. 638 b.

DRAGONETTI, D., i. 4610;; iv. 61805; Bach (J. S.), i. n8b; Double Bass, i. 45805; Haydn, i. 71205; Howell (Jas.), i. 754b ; Mus. Lib., ii. 41905 ; Onslow, ii. 497 b ; Pacchierotti, ii. 62605; Royal Academy of Mus., iii. 18505; Schools of Comp., iii. 3 Job ;Secco Reci- tative, iii. 45505; Sechter, iii. 455 05 ; Stradivari, iii. 731 b ; Trento, iv. i67b; Bofctesini, iv. 55 7 a.

DRAHANEK; Strauss (J.), iii.

��DRASDIL, Anna ; Rudersdorff

(H.), iii. 200 05.

DREAM OF ST. JEROME, iv. 6i8b. DRECHSLER, J., i. 462 b ; Song, iii.

6i4b; Strauss (Joh.), iii. 738 b;

Vaterlandische Kiinstlerver-

ein, iv. 807 b. DRECHSLER, K., i. 462 b; iv.

6i8b; Cossmann, i. 405 b;

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