Page:A Dictionary of Music and Musicians vol 4.djvu/908

From Wikisource
Jump to: navigation, search
This page needs to be proofread.


68

HAMMIG ; Violin, iv. 2840.

HAMPEL, H. ; PF. Mus., ii. 736 a.

HAMPL; Horn, i. 7490; Stich, iii. 7140.

HANBOYS J. (See HAMBOTS, i. 6470.)

HANCKB ; Dvorak, iv. 6216.

HANCOCK. (See CBANG, i 4150.)

HANCOCK ; Philh. Soc., ii 6996.

HAND BELLS, i. 647 &.

HANDEL, G. F., i. 6476; iv. 664 a ; A cad. of Ancient Mus., i. 10 &; Accent, i. 136, etc.; Accidentals, i. 20 a; Act, i. 26 a ; Acis and Galatea, i. 26 a ; Additional Accompaniments, i. 306, etc. ; Agricola (J. F.), i. 44 &; Alexander Balus, i. 52 b ; Alexander's Feast, i-52 &; Amen, i. 606; Ancient Con- certs, i. 646; Andreoni, i. 67a; Annibali, i. 696; Ap- poggiatura, i. 786; Ariosti, i. 83 a ; Arne (T. A.), i. 84?) ; Arnold, i. 86 a ; Arrange- ment, i. 94 a ; Arrigoni, i. 95 a ; Ashley, i. 98 a ; Athalia, i. iooa ; Auswahl, etc., i. 105 a ; Avison, i. io6a; Avoglio, i. io6a ; Bach (C. P. E.), 1136 ; Baldassarri, i. 1 26 a; Baldi, i. ia6Z> ; Bass, i. 148(1 ; Bassoon, i. 1 53 a ; Beard, i. 158 a ; Bee- thoven, i. iggb ', Belshazzar, i. 221 a; Bernacchi, i. 2346; Bertolli (F.), i. 2366 ; Boschi, i. 2616; Britton, i. 2776; Broadwood and Sons, i. 2780 ; Billow, i. 2806 ; Caecilian Soc., i. 295 a; Cantata, i. 305 a; Capriccio, i. 307 a ; Carestini, i. 309 a ; C.vrissimi, i. 31 5 a ; Cas trucci, i. 3196 ; Cecilia (St.) i. 3296; Chaconne, i. 332a; Choice of Hercules, i. 3490; Chrysander, i. 356 a; Gibber, L357&; Clark (R.),i. 3 6 Clarke- Whitfeld, i 3656; Clive, i. 375 a; Cluer, i. 375 a ; Concerto, i. 3876, etc. ; Corelli, i. 401 a ; Cristofori, i. 4176; Deborah, i. 4386; Dettingen Te Deum, i. 441 a ; Doc. of Mus., i. 4516; Dotti, 1.457 a; Double Bassoon, i. 459a; Dubourg (M.),i. 467*1 ; Duet, i. 468 a ; Durastanti, i. 471 b; Elegy, i. 4856; Ely Cathedral, i. 488 a ; Esther, i. 496 a ; Felton, i. 511 a ; Festi- vals, i. 5166 ; Field, i. 5 20 a ; Firework Mus., i. 5286 ; Fitz- williaiu Collection, i. 5306;

��INDEX.

Flute, i. 5376 ; Forstemann, i. 5 39 a; Form, i. 5436, etc.; Foundling Hospital, i. 5566; Francesina, i. 5 58 a; Franz (B.), i. 5606 ; Frasi, i. 5610 ; Fugue, i. 5696; Gallus, i. 5 79 a; Gates, i. 584(1 ; Gemi- niani, i. 5876 ; Gesellschaft der Musikfreunde, i. 5916; Gigue, i. 595 fc; Girardeau, i. 5966; Gismondi, i. 597 a; Gizziello, i. 5976; Gluck, i. 60 1 a ; Glyn & Parker, i. 6046; Greene (M.), i. 6246; Grosso, i. 6340 ; Ground Bass, i. 6346; Guadagni (G.), i- 6350; Gunn (B.), i. 641 a; Hallelujah, i. 6470; Handl, i. 66ia; Harmony, i. 6786, etc.; Harpsichord, i. 688 a, etc. ; Hasse, i. 6946 ; Haym, i. 7236; Heidegger, i. 7246; Hiller (J. A.), i. 739 a, etc. ; Horn, i. 748 6, etc. ; Hornpipe, i. 753a; Humphreys (S.), i. 758a; Intonation, ii. 130; Introit, ii. 156; Israel in Egypt, ii. 250, etc. ; Jephthah, ii. 336; Joseph, ii. 40 a; Joshua, ii. 4Oa; Judas Mac- cabeus, ii. 44 a; Kelway, ii. 50 a; Kerl, ii. 51 &; King's Theatre, The, ii. 586; Lampe (J. F.), ii. 886; Lassus, ii. 99 & ; Leading Note, ii. 10901 ; Legrenzi, ii. 114 a; Lesson, ii. 1240 ; Libretto, ii. 1306; Lin- coln's Inn Fields Theatre, ii. I4oa; Lowe (T.), ii. 1700; Maestro, ii. 1956 ; Magnificat, ii. 197 a; March, ii. 2116, etc. ; Mass, ii. 227a ; Mathe- son, ii. 2370 ; Meister, Alte, ii. 247 6 ; Mendelssohn, ii. 257,etc; Merighi, ii. 3136; Messiah, ii. 315 a; Metasta- sio, ii. 316 a; Minuet, ii. 333 &; Mizler, ii. 3396; Mo- dulation, ii. 348 a, etc. ; Montagnana, ii. 3566; Mosel, ii. 371 a; Motet, ii. 3760; Mountier, ii. 3776; Mozart, ii. 392 a; Muffat (A. G. T.), ii. 4o8a; Musard, ii. 4100; Musette, ii. 4106 ; Mus. Lib., ii. 4196, etc. ; Mus. Periodi- cals, ii. 430 a ; Mus. Printing, ii. 4366; Mus. School, Ox- ford, ii. 437 a; Negri (M. and B.), ii. 4510; Nieder- rheinische Musikfeste, 11.456 a ; Non Nobis Domine, ii. 4640 ; Nottebohm, ii. 4790 ; Oboe, ii. 4876, etc. ; Ode, ii. 492 a ; Opera, ii. 5080, etc. ; Oratorio,

��fi. 5386, etc. ; Orchestra, ii. 5636 ; Orchestration, ii. 5670, etc.; Organ, ii. 586 &, etc.; Otthoboni (Cardinal), ii. 61 5 6 ; Overture, ii.6 1 8 6, etc. ; Page, ii. 6326; Paradies, ^.6476, note; Parry (John, of Bhuabon), ii. 651 b; Part Song, ii. 6580; Passacaglia, ii. 66ia; Passion Mus., ii. 666 a; Pasticcio, ii. 6690 ; Pastoral Symphony, ii. 6706 ; Pause, ii. 6 76 a ; Pedal Point, ii. 6796; Piccolo, ii. 750 & ; Polonaise, iii. io& ; Porpora, iii. i6b, etc. ; Pos- tilions, iii. 22 a; Pract. Har- mony, iii. 24 a; Prince de la Moskowa, iii. 316; Pro- gramme Mus., iii. 366; Quantz, iii. 56 a; Bandall (J.), iii. 73 a; Bandall (B.), iii. 73 a; Banelagh House, etc.,iii. 746; Beal Fugue, iii. Sob; Becitative, iii. 856 ; Beinhold, iii. 103 a ; Bietz (J.), iii. 1 336} ; Binaldo, iii. 1356; Bochlitz, iii. 1420 ; Boyal Acad. of Mus., iii. 1846; Boyal Soc. of Musicians of Gt. Britain, iii. 1 87 a, etc. ; Buckers (An- dries), iii. 1966 ; Bule, Bri- tannia, iii. 2036; Samson, iii. 2 23 a; Saraband, iii. 2276; Saul, iii. 2 30 a; Scena, iii. 2406 ; Schools of Comp., iii. 2906, etc. ; Schubert, iii. 353 a ; Score, iii. 43001 ; Scotch Snap, iii. 4376; See, the Con- quering Hero, iii. 4566 ; Sene- sino, iii. 4616, etc. ; Serenata, iii. 4676; Sergeant Trumpeter, iii. 469 a ; Shore (John), iii. 4886, note; Siciliana, iii. 491 b; Signature, iii. 4936; Singakademie, iii. 5160 ; Sketches, iii. 527 a; Siroe, Be di Persia, iii. 5 34 a ; Smart (Sir G.), iii. 5376; Smith (J. C.), iii. 540 a; Snow, iii. 542a; Solomon, iii. 5536; Sonata, iii. 5586; Song, iii. 6076, etc. ; Sons of the Clergy, iii. 6336 ; Specimens, Crotch's, iii. 6486; Steffani, iii. 6960; Strada del P6, iii. 72 1 b ; Sub- ject, iii. 7496, etc. ; Suite, iii. 758 a, etc. ; Susanna, iv. 46 ; Tamerlano, iv. 566; Te Deum, iv. 6ga ; Telemann, iv. 696 ; Temperament, iv. 736 ; Tenor- Violin, iv. 90 a ; Tesi-Tramon- tini, iv. 936; Theorbo, iv. I o i a ; Thoroughbass, i v . 1086 ; Tonal Fugue, iv. 137 a, etc. ; Tower Drums, iv. 1566 ;

�� �