467a; Opera, ii. 499b; Orchestra, ii. 561b, etc.; Orpheoreon, ii. 612b; Rose, iii. 161a; Ruckers, iii. 194b; Scordatura, iii. 426a; Stops (Harpsichord), iii. 718a; Tablature, iv. 47a; Tallys, iv. 54b, note; Theorbo, iv. 100b; Violin, etc., iv. 269b, etc.; Virdung, iv. 303a; Zarlino, iv. 503a; Galilei (V.), iv. 644b; Hist. of Mus., iv. 676b; Psalter, iv. 761b, etc.
Lute, The; Mus. Periodicals, iv. 726b.
Luther, M., ii. 178a;
Bodenschatz, i. 253a;
Chorale, i. 351a;
Ein' feste Burg, i. 484a;
Hymn, i. 761a;
Part Mus., ii. 656b, etc.;
Specimens, Crotch's, iii. 649b;
Walther (J.), iv. 381a;
Burney, iv. 570b;
Chorale, iv. 588b;
Dance rhythm, iv. 606b;
Scheidemann, iv. 781b, note.
Luther's Hymn, ii. 179b; Psalter, iv. 757a.
Lutheran Chapel, ii. 180a; iv. 706b.
Lutz, W. M., ii. 180a.
Lutz; Sechter, iii. 455b.
Luyton; Bodenschatz, i. 253b.
Luzzaschi, L.; Franco (of Cologne), iv. 642b.
Lvoff. (See Lwoff.)
Lwoff, A., ii. 180a; iv. 706b; Part Mus., ii. 656b; Song, iii. 613b, etc.
Lyceum Theatre, ii. 180b; iv. 706b.
Lydian Mode, ii. 181a; Beethoven, i. 198a, etc.; F, i. 500a; Gregorian Tones, i. 626a; Major, ii. 200b.
Lynburgia, J. de; Motet, ii. 373a.
Lyons, C.; Irish Mus., ii. 19a.
Lyrachord; Cembale d'amore i. 330a.
Lyra-Viol; Tablature, iv. 50b.
Lyre, ii. 181b;
Cither, i. 359b;
Frets, i. 563b;
Harp, i. 685b;
Lute, ii. 175a;
Soundholes, iii. 641a;
Stradivari, iii. 729b;
Violin, etc., iv. 267b, etc.;
Virdung, iv. 303a.
Lyric, ii. 182b.
Lyrichord; Sostinente PF., iii. 639a; Swell, iv. 8b.
Lysberg, C. B. de; PF. Mus., ii. 733a.
Maas, J., iv. 706a; Philh. Soc., ii. 700b.
Maas, L.; Boston Mus. Soc., iv. 556a.
Maatschappij tot Bevordering der Toonkunst, iv. 225a; 707a.
Mabellini; Verdi, iv. 252b; Mancinelli, iv. 709a.
Macaferri; Strakosch, iii. 734a.
Macbeth, h. 183a; iv. 707a; Chelard, i. 341a; Verdi, iv. 254b.
Macbeth, A., iv. 707a.
Macbeth Music, ii. 183a; Lock ii. 157b; Eccles, iv. 625a.
Maccherini, G., iii. 185b.
Macdonald; Hist. of Mus., iv. 674b.
Macdonald, D.; Pibroch, ii. 747a.
Macdonald, P.; Pibroch, ii. 747a.
Macfarren, G. A., ii. 185b; iv. 707a;
Additional Accompaniments, i. 31b;
Analysis, i. 63a;
Bennett (Sterndale), i. 227b;
Charles the Second, i. 340b;
ii. 57b;
Day (A.), i. 438a;
Devil's Opera, i. 441b;
Don Quixote, i. 452b;
English Opera, i. 489b;
Erba, i. 491b;
Holmes (W. H.), i. 744b;
John the Baptist (St.), ii. 36a;
Joseph, ii. 40a;
King Charles Second, ii. 57b;
Lady of the Lake, ii. 83a;
Leit-Motif, ii. 118a;
Masque, ii. 226a;
Mendelssohn, ii. 286b;
Monk (E. G.), ii. 353b;
Mus. Antiquarian Soc., ii. 416b;
Mus. Periodicals, ii. 427b, etc.;
Mus. Soc. of London, ii. 431b;
Œdipus, ii. 493a;
Opera, ii. 524b;
Overture, ii. 623a;
Oxford, ii. 624b;
Parry (C. H. H.), ii. 651a;
Part Mus., ii. 656b;
Part Song, ii. 659a;
Philh. Soc., ii. 700b, etc.;
Popular Ancient English Mus., iii. 16a;
Professor, iii. 33a;
Purcell Soc., The, iii. 53a;
Robin Hood, iii. 139b;
Royal Academy of Mus., iii. 186b;
Schools of Comp., iii. 306b, etc.;
Scottish Mus., iii. 445a, etc.;
Soc. of British Mus., iii. 544a;
Soc. Mus. Artists, iii. 544b;
Song, iii. 608a;
Stirling, iii. 715a;
Stoops to Conquer, She, iii. 717b;
Talismano, Il, iv. 52b;
Te Deum, iv. 69a;
Vocal Scores, iv. 320a;
White (Maude V.), iv. 451a;
White (Meadows), iv. 451b;
Zimmermann (Agnes), iv. 507b;
Davenport (F. W.), iv. 608a;
Davison (J. W.), iv. 609a;
Greek Plays, iv. 655a;
Hist. of Mus., iv. 674b;
Nixon (H. C.), iv. 731b;
Prentice (R.), iv. 751a.
Macfarren, Natalia, ii. 186b.
Macfarren, W. C., ii. 186b;
Holmes (W. H.), i. 744b;
Part Song, ii. 659a;
Philh. Soc., ii. 700b, etc.;
PF. Mus., ii. 734a;
PF.-playing, ii. 745;
Purcell Soc., The, iii. 53a;
Royal Academy of Mus., iii. 186b;
Prentice (R.),iv. 751a.
Machault, G. de; Polyphonia, iii. 12b; Song, iii. 591a, etc.; Spinet, iv. 795b.
Machête; Guitar, i. 640b; Song, iii. 600a.
Macicotaticum, ii. 186b; Mediation, ii. 245a; Mus. Figurata, ii. 415b; Use, iv. 210b; Gregorian Tones, iv. 657b.
Macintosh; Royal Academy of Mus., iii. 185a.
MacIntyre, J.; Pibroch, ii. 747a.
Mackay; Pibroch, ii. 747a.