Page:A Dictionary of Music and Musicians vol 4.djvu/943

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4646; Subject, iii. 752 a; Supertonic, iv. 3 6 ; Transition, iv. 1590; Part-writing, iv. 741 b ; Psalter, iv. 761 a; Val- lotti, iv. 806 b.

MODULATIONS, REGULAR AND CONCEDED, ii. 3516; Medial Cadence, ii. 2 44 a ; Mediant, ii. 2 44 a ; Modes Eccles., ii. 3426; Mus. Ficta, ii. 414 a; Participant, ii. 6556; Part- writing, iv. 74 ! &

MODUS LASCIVUS; Ionian Mode, ii. i8a; Song, iii. 6016.

MOESEB ; Violin - playing, iv. 289.

MOINE, H. le ; Adam, L., i. 290; PF. Mus., ii. 7276.

MOLINARA, LA, ii. 351 6; iv. 7196; Paisiello(G.), ii. 6336.

MOLIQUE, B., ii. 351 b ; iv. 7196; Carrodus, i. 3176; Clay, i. 3696; Gabriel, i. 571 6; Jul- lien, ii. 45 b; Mus. Soc. of Lond., ii. 4316; Orpheus, ii. 6136; Regondi, iii. 976; Ro- velli, iii. 183??; Shakespeare, iii. 4846; Soc. of British Mus., iii. 544; Violin-playing, iv. 2986; Violoncello-playing, iv. 301 a; Waley, iv. 376 a.

MOLL AND DUR, ii. 352 a.

MOLLE, H. ; Tudway, iv. 1986.

MOLLENHAUER, E. ; Strakosch, iii. 734.

MOLLOY; Irish Mus., ii. 22 a; Song, iii. 608 b.

MOMBELLI; Tamburini, iv. 56 a.

MOMIGNT; Diet, of Mus., i. 445 a ; Harmonics, i. 6640,.

MONACHUS, G.; Faux- Bourdon, i. 509 a.

MON AMI. (See CURTE, J. de.)

MONASTERIO; Violin-playing, iv. 2960.

MONBELLI; Philh. Soc., ii. 700 a.

MONCRIF, DE; Mus. Lib., ii. 42 7 a.

MONDAY, J., iv. 719?).

MONDAY POPULAR CONCERTS, The, 11.352 a; iv. 719?); Ana- lysis, i. 63 a; Benedict, i. 223a; Chappell&Co.,i. 3396; Concert, i. 38401 ; Joachim, ii. 35 a; St. James's Hall Concert Room, iii. 215 a ; Davison, iv. 609 a.

MONDONVILLE, J. J. C. De, ii. 352 b; Maitrise,ii. 200 a; Vio- lin-playing, iv. 2896.

MONFE; Galuppi, 1.5796.

MONFERRINA, ii. 353a.

MONFORT; Song, iii. 597 a.

MONGINI ; Singing, iii. 5 1 1 a ; Tenor, iv. 876.

��INDEX.

MONIUSZKO, S., ii. 353 a; iv. 7196; Song, iii. 61401; Cui, iv. 60 1 6.

MONK, E. G., ii. 3536; Joseph, ii. 4<Da; Ouseley, ii. 6i8a; Oxford, ii. 6246; Swinnerton Heap, iv. 96.

MONK, W. H., ii. 3536; iv. 8aoa; Hymn, i. 76401.

M ONNET, J. ; Harmonious Black- smith, iv. 6666.

MONOCHORD, ii. 354a ; ^olian Harp, i. 386; Clavichord, i. 3666, etc. ; Harpsichord, i. 6886; Hemiolia,i.7276; Jack, ii. 27 o&; Micrologus, ii. 327 ft; Musurgia Universalis,ii. 4386; Rameau, iii. 69 a; Scheibler, iii. 2436 ; Trasuntino (V.), iv. 1 62 a; Tromba Marina, iv. 1746; Violin, etc., iv. 2676, etc.

MONODIA, ii. 354 a ; Homophone, i. 746 a ; Notation, ii. 475 ; Opera, ii. 4986; Oratorio, ii. 534; Peri, ii. 6906; Poly- phonia, iii. 1 2 a ; Schools of Comp., iii. 2786, etc., note', Song, iii. 5876, etc.; Strict Counterpoint, iii. 740 a, note ; Schiitz (H.), iv. 46(1; Thor- ough-bass, iv. 1086; Viadana, iv. 2586; Part- writing, iv. 741 a.

MONOTONE, ii. 355 a; Accents, i. I'ja.

MONPOU, F. L. H., ii. 355 a; Choron, i. 3 54 a ; Song, iii. 595 a, etc.

MONRO, H., ii. 3556.

MONS, P. de. (See MONTE, ii. 356b.)

MONSIGNY, P. A., ii. 3556; Con- servatoire, i. 392 a ; Deserteur, Le, i. 441 a; Duni, i. 4696; Gluck, i. 602 6 ; Navoigille, ii. 4496; Opera, ii. 5230:; Phi- lidor, ii. 7046; Piccinni, ii. 7496; Song, iii. 5946.

MONTAGNANA; Cremona, i. 4160.

MONTAGNANA, A.,ii. 3566; Sing- ing, iii. 506 a.

MONTAGNANA, R. da ; Sistine Chapel, iv. 794 a.

MONTANARI; Bini, i. 2436.

MONTANARI; Soriano, iii. 6386.

MONTE, L. de ; Tre'sor Mus., iv. 8026.

MONTE, P. de, ii. 3566; Del- motte, i. 440 a; Hawkins, i. 7006; Mus. Transalpina, ii. 4i6a; Schools of Comp., iii. 2616; Song, iii. 5926; Oriana, ii. 6116; Mus. Lib., iv. 7 26 a ; Part-books, iv. 7406, note ;

��103

Sistine Chapel, iv. 7940; Tre'sor Mus., iv. 802 6.

MONTECLAIR; Acad dime de Mus., i. 76; Maitrise, ii. 200 a.

MONTEMAYOR, F. de ; Eslava, i. 495 a.

MONTEMONT, A. ; C14 du Caveau, iv. 594 a.

MONTESINOS,A.; Eslava, i. 495 a; Gr. Prix de Rome, i. 6186.

MONTEVERDE, C., ii. 357 a; Air, i. 47 a; Ambros, i. 59 a; Ar- tusi (G. M.), i. 966; Cavalli, 1.328 a; Ferrari (B.),i. 513(1; Figured Bass, i. 522 a; Flo- rence, i. 5336; Hawkins, i. 7006; License, ii. 131 a; Mass, ii. 231 a; Milan, ii. 32901; Monodia, ii. 3546 ; Mus. Lib., ii. 4226 ; Opera, ii. 501 6, etc. ; Overture, ii. 6186; Polypho- nia, iii. 136; Saggio di Contrap- punto, iii. 279 a, etc.; Score, iii. 4296; Song, iii. 593 a; Suspension, iv. 5 a; Symphony, iv. ii a; Violin-playing, iv. 2876 ; Zacconi, iv. 4976 ; Zar- lino, iv. 503 a ; Dance Rhythm, iv. 6066 ; Mus. Lib., iv. 726 a ; Part- writing, iv. 741 a ; Rome, iv. 7 74 a; Sistine Chapel, iv. 794 a.

MONTFORT; Gr. Prix de Rome, i.6i86; Mendelssohn, ii. 2 68 a.

MONTGEROULT, Mme.de; Reicha, iii. 986.

MONTICELLI, A. M., ii. 360 a.

MONTIGNY-REMAURY, C., ii. 3600$; Philh. Soc., ii. 7006 ; Vinning, iv. 267 .

MONTPELIER; Mus. Lib., ii. 4266.

MONTRE; Organ, ii. 60 r a.

MONTU; Attaignant, i. 1006.

MONZI; Ifigenia, i. 7656.

MOONLIGHT SONATA, ii. 3606; Beethoven, i. i8ia, etc.

MOORE, J. W. ; Diet, of Mus., i. 4466.

MOORE, T., ii. 3606; Irish Music, ii. 196, etc. ; Lochaber no more, ii. 1566; Macfarren (G.), ii. 1866; Paganini, ii. 6310; Stevenson (Sir J.), iii. ^13 a; Thomson (G.),iv. 1070; Tis the last rose, etc., iv. 1 29 a.

MOOREHEAD, J., ii. 3620.

MOOSER, A., ii. 362 a; Organ, ii. 603 a.

MORA ; Milanollo (Teresa), ii. 3296.

MORALES, C., ii. 362 a; Es- lava, i. 4946; Guerrero, i. 6376; Josquin Despres, ii.

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