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The, ii. 249 a; Mus. Periodi- cals, ii. 427 a; Roy. Soc. of
Musicians of Great Britain,
iii. 1876. PARKY, J., ii. 6516; Ranelagh
Honse and Gardens, iii. 746 ;
Welsh Mus., iv. 4430; Hist.
of Mus., iv. 674?). PARRY, Jos., ii. 652 a; Schools
of Comp., iii. 3080. PARSIFAL, ii. 6520; iv. 7390 ;
Wagner, iv. 3646, etc. PARSONS, J., ii. 6526. PARSONS, R., ii. 652 a ; Barnard,
i. 1400; Mus. lab., ii. 4186;
Schools of Comp.,iii. 2706, etc. ;
Tudway, iv. 1990 ; Virginal
Mus., iv. 3096; Burney, iv.
5706 ; Mus. Lib., iv. 7230. PARSONS, W. ; Hymn, i. 7620;
Psalter, iv. 7576. PARSONS, Sir W., ii. 6526;
King's Band of Mus., ii. 580 ;
Knyvett (C.), ii. 67?). PARS, QUINTA. (See QUINTUS,
iii. 6ia.) TARTANT POUR LA SYRIB, ii.
652 6 ; Drouet, i. 4636 ; Hor-
tense, i. 7540 ; Song, iii.
595 & -
PART-BOOKS, iv. 7390; Mus. Ficta, ii. 413 a; Schools of Comp., iii. 2730, etc.; Score, iii. 427 a ; Sextus, iii. 478 a; Sistine Choir, iii. 5 2 1 a ; Voices, iv. 334 a.
PART DU DIABLE, LA, ii. 65 3 a ; Auber, i. 101 b.
PARTENIO, D. ; Cesti, i. 3316.
PARTHENIA, ii. 6530 ; Fantasia, i 53& J Hawkins, i. 700?) ; Mus. Antiquarian Soc., ii. 4166; Mus. Lib., ii. 4226; Mus.-printing, ii. 4366; PF.- playing, i. 736 a, note; Suite, iii. 755 a ; Tr&ordes Pianistes, iv. i68a; Virginal, iv., 3046.
PARTIAL TONES, 6536 ; Har- monics, i. 6636; Overtones, ii. 6i8b ; Resultant Tones, iii. 1196; Temperament, iv. 770.
PARTICIPANT, ii. 6556; Modes Eccles., ii. 342 a, etc.
PARTIE, ii. 6560, ; Suite, iii. 756 a.
PARTIMENTI, ii. 656 a.
PARTITA. (See PARTIE, ii. 656 a.)
PARTITION, ii. 656 a; Score, iii. 426a.)
PARTITUR. (See PARTITION.)
PART-MUSIC, 11.656 a; Hullah, i. 7566.
PART-SONG, ii. 6576; Glee, i. 599a; Laudi Spiritual!, ii.
- 05 b ; Liedertafel, ii. 1 36 a ;
��INDEX.
Madrigal, ii. 1926; Mendels- sohn, ii. 3036; Noel, ii. 463 b ; Orpheus, ii. 61 3 a, etc. ; Robinson, iii. 1400 ; Schools of Comp., iii. 2786; Singer's Lib., iii. 496 a ; Hist of Mua., iv. 6770.
PART-WRITING, iv. 741 a ; Nota Cambiata, ii. 4666 ; Notation, ii. 4696; Octave, ii. 4916; Organum,ii. 6iob ; Quintoyer, iii. 6 1 o ; Schools of Comp., iii. 2806; Strict Counterpoint, iii. 740 a, etc.
PARVI, J. ; Sistine Chapel, iv. 794 a.
PASCAL BRUNO, ii. 6596 ; Hatton (J. L.), i. 6970.
PASCHE ; Mus. Lib., ii. 41 7 b.
PASDELOUP, J. E., ii. 6596; iv. 7440 ; Concert, i. 3846 ; Las- serre, ii. 93 a; Orphe'on, ii. 612 a ; Godard, iv. 650 a.
PASQUALATi,ii.66ob ; iv. 744^ ; Beethoven, i. 1726; Seyfried, iii. 4786.
PASQUALE; Saggio di Contrap- punto, iii. 21 3 a.
PASQUALI, N., iv. 7446.
PASQUALI; Sacchini, iii. 207 b.
PASQUALINI; Soprano, iii. 636 a.
PASQUIN; Sistine Chapel, iv. 794.
PASQUINI, B., ii. 660 b ; Casini, i. 3186; Gasparini, i. 583?); Opera, ii. 504 a ; Scarlatti (D.), iii. 2390.
PASSACAGLIA, ii. 66 1 a ; iv. 7446 ; Chaconne, i. 3316; Grouhd- bass, i. 6346 ; Seguidilla, iii. 45 7 b, note.
PASSAGE, ii. 6616.
PASSAGIO, ii. 66 16.
PASSAMEZZO, ii. 6620; Polon- aise, iii. ioa; Virginal Mus., iv. 308 6, etc.
PASSECAILLE. (See PASSACAG- LIA, ii. 661 a.)
PASSEPIED, ii. 6626 ; Specimens, Crotch, iii. 649 a; Suite, iii. 759 & etc.
PASSEREAU ; Attaignant, i.
1006.
PASSERINI ; Kelly, ii. 496.
PASSING NOTES, ii. 6626 ; Har- mony, i. 678 a, etc ; Melody, ii. 2510, etc; Nota Cambiata, ii. 466 a; Root, iii. 1586; Thoroughbass, iv. no&, etc. ; Wechselnote,Die Fux'sche,iv. 430 b.
PASSION Music, ii. 6636; iv. 7446; Bach (J. S.), i. ii7a ; Bach Society, The, i. 120 a; Bennett (Sterndale), i. 2256;
��Handel, i. 649?), etc. ; Lassus,
ii. 986; Mendelssohn, ii.
2560, etc. ; Motet, ii. 373 a ;
Oratorio, ii. 5336, etc ; Sing-
spiel, iii. 516 a; Song, iii.
619 a ; Schiitz, iv. 460 ; Zelter,
iv. 5056. PASTA, G., ii. 6676; Albertazzi,
i. 496 ; Bellini, i. 2126; Doni-
zetti, i.453a ; Herold,i. 731 b ;
Lamperti, ii. 890; Mendels-
sohn, ii. 2796; Otello, ii.
6i5&; Paisiello, ii. 6346;
Philh. Soc., ii. 6990 ; Singing,
iii. 5076; Soprano, iii. 6356;
Veiled Voice, iv. 2356 ; Borghi
(A.), iv. 5546; Masson(E.),
iv. 7146. PASTERWITZ ; Auswahl, i. 105 a ;
Rochlitz, iii. 142 a. PASTICCIO, ii. 6686; Opera, ii.
50 2 a, etc. PASTORALE, ii. 6700; iv. 745 a;
Opera, ii. 5066; Peri, ii.
691 a ; Siciliana, iii. 491 b. PASTORALE, SONATA, ii. 6706 ;
iv. 745 a ; Beethoven, i. iSobj PASTORAL SYMPHONY (Messiah),
ii. 6706; Handel, i. 657 a;
Piffero, ii. 75301. PASTORAL SYMPHONY, The, ii.
6716; Beethoven, i. iS6b,
etc. ; Knecht, ii. 66 a ; Pro-
gramme Mus., iii. 38 a ; Pro-
metheus, iii. 41 a. PASTOURELLE ; Pastorale, ii.
670 a; Song, iii. 585 a. PATARTUS, A. ; Bodenschatz, i.
��PATAVINI, A. ; Spinet, iii. 6520. PATER NOSTER ; Plain Song, ii.
7676. PATEY, Janet M., ii. 672 a;
Philh. Soc., ii. 700 a ; Sing-
ing, iii. 5126. PATEY, J. G., ii. 672 a. PATHETIQUE, ii. 6726; Beet-
hoven, i. 1786, etc. PATINO, C. ; Eslava, i. 4946 ;
Yriarte, iv. 4966. PATON, Mary A., ii. 672 b; iv.
745 a; Philh. Soc., ii. 699 a;
Singing, iii. 512 a; Soprano,
iii. 6356; Weber, iv. 4096;
Wood (Mrs.), iv. 4860:. PATRICK, R., ii. 6736 ; iv. 745 a ;
Arnold, i. 866; Tudway, iv.
1986. PATROCINIUM MUSICES, ii. 6736 ;
Berg (Adam), i. 230*1. PATTER-SONG, ii. 6736. PATTI, A., ii. 6736; iv. 745 a;
Covent Garden Theatre, i.
4130; Donizetti, i. 4536;
Nicolini (E.), ii. 45401 ; Pin-
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