Page:A Dictionary of Music and Musicians vol 4.djvu/958

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118

The, ii. 249 a; Mus. Periodi- cals, ii. 427 a; Roy. Soc. of

Musicians of Great Britain,

iii. 1876. PARKY, J., ii. 6516; Ranelagh

Honse and Gardens, iii. 746 ;

Welsh Mus., iv. 4430; Hist.

of Mus., iv. 674?). PARRY, Jos., ii. 652 a; Schools

of Comp., iii. 3080. PARSIFAL, ii. 6520; iv. 7390 ;

Wagner, iv. 3646, etc. PARSONS, J., ii. 6526. PARSONS, R., ii. 652 a ; Barnard,

i. 1400; Mus. lab., ii. 4186;

Schools of Comp.,iii. 2706, etc. ;

Tudway, iv. 1990 ; Virginal

Mus., iv. 3096; Burney, iv.

5706 ; Mus. Lib., iv. 7230. PARSONS, W. ; Hymn, i. 7620;

Psalter, iv. 7576. PARSONS, Sir W., ii. 6526;

King's Band of Mus., ii. 580 ;

Knyvett (C.), ii. 67?). PARS, QUINTA. (See QUINTUS,

iii. 6ia.) TARTANT POUR LA SYRIB, ii.

652 6 ; Drouet, i. 4636 ; Hor-

tense, i. 7540 ; Song, iii.

595 & -

PART-BOOKS, iv. 7390; Mus. Ficta, ii. 413 a; Schools of Comp., iii. 2730, etc.; Score, iii. 427 a ; Sextus, iii. 478 a; Sistine Choir, iii. 5 2 1 a ; Voices, iv. 334 a.

PART DU DIABLE, LA, ii. 65 3 a ; Auber, i. 101 b.

PARTENIO, D. ; Cesti, i. 3316.

PARTHENIA, ii. 6530 ; Fantasia, i 53& J Hawkins, i. 700?) ; Mus. Antiquarian Soc., ii. 4166; Mus. Lib., ii. 4226; Mus.-printing, ii. 4366; PF.- playing, i. 736 a, note; Suite, iii. 755 a ; Tr&ordes Pianistes, iv. i68a; Virginal, iv., 3046.

PARTIAL TONES, 6536 ; Har- monics, i. 6636; Overtones, ii. 6i8b ; Resultant Tones, iii. 1196; Temperament, iv. 770.

PARTICIPANT, ii. 6556; Modes Eccles., ii. 342 a, etc.

PARTIE, ii. 6560, ; Suite, iii. 756 a.

PARTIMENTI, ii. 656 a.

PARTITA. (See PARTIE, ii. 656 a.)

PARTITION, ii. 656 a; Score, iii. 426a.)

PARTITUR. (See PARTITION.)

PART-MUSIC, 11.656 a; Hullah, i. 7566.

PART-SONG, ii. 6576; Glee, i. 599a; Laudi Spiritual!, ii.

05 b ; Liedertafel, ii. 1 36 a ;

��INDEX.

Madrigal, ii. 1926; Mendels- sohn, ii. 3036; Noel, ii. 463 b ; Orpheus, ii. 61 3 a, etc. ; Robinson, iii. 1400 ; Schools of Comp., iii. 2786; Singer's Lib., iii. 496 a ; Hist of Mua., iv. 6770.

PART-WRITING, iv. 741 a ; Nota Cambiata, ii. 4666 ; Notation, ii. 4696; Octave, ii. 4916; Organum,ii. 6iob ; Quintoyer, iii. 6 1 o ; Schools of Comp., iii. 2806; Strict Counterpoint, iii. 740 a, etc.

PARVI, J. ; Sistine Chapel, iv. 794 a.

PASCAL BRUNO, ii. 6596 ; Hatton (J. L.), i. 6970.

PASCHE ; Mus. Lib., ii. 41 7 b.

PASDELOUP, J. E., ii. 6596; iv. 7440 ; Concert, i. 3846 ; Las- serre, ii. 93 a; Orphe'on, ii. 612 a ; Godard, iv. 650 a.

PASQUALATi,ii.66ob ; iv. 744^ ; Beethoven, i. 1726; Seyfried, iii. 4786.

PASQUALE; Saggio di Contrap- punto, iii. 21 3 a.

PASQUALI, N., iv. 7446.

PASQUALI; Sacchini, iii. 207 b.

PASQUALINI; Soprano, iii. 636 a.

PASQUIN; Sistine Chapel, iv. 794.

PASQUINI, B., ii. 660 b ; Casini, i. 3186; Gasparini, i. 583?); Opera, ii. 504 a ; Scarlatti (D.), iii. 2390.

PASSACAGLIA, ii. 66 1 a ; iv. 7446 ; Chaconne, i. 3316; Grouhd- bass, i. 6346 ; Seguidilla, iii. 45 7 b, note.

PASSAGE, ii. 6616.

PASSAGIO, ii. 66 16.

PASSAMEZZO, ii. 6620; Polon- aise, iii. ioa; Virginal Mus., iv. 308 6, etc.

PASSECAILLE. (See PASSACAG- LIA, ii. 661 a.)

PASSEPIED, ii. 6626 ; Specimens, Crotch, iii. 649 a; Suite, iii. 759 & etc.

PASSEREAU ; Attaignant, i.

1006.

PASSERINI ; Kelly, ii. 496.

PASSING NOTES, ii. 6626 ; Har- mony, i. 678 a, etc ; Melody, ii. 2510, etc; Nota Cambiata, ii. 466 a; Root, iii. 1586; Thoroughbass, iv. no&, etc. ; Wechselnote,Die Fux'sche,iv. 430 b.

PASSION Music, ii. 6636; iv. 7446; Bach (J. S.), i. ii7a ; Bach Society, The, i. 120 a; Bennett (Sterndale), i. 2256;

��Handel, i. 649?), etc. ; Lassus,

ii. 986; Mendelssohn, ii.

2560, etc. ; Motet, ii. 373 a ;

Oratorio, ii. 5336, etc ; Sing-

spiel, iii. 516 a; Song, iii.

619 a ; Schiitz, iv. 460 ; Zelter,

iv. 5056. PASTA, G., ii. 6676; Albertazzi,

i. 496 ; Bellini, i. 2126; Doni-

zetti, i.453a ; Herold,i. 731 b ;

Lamperti, ii. 890; Mendels-

sohn, ii. 2796; Otello, ii.

6i5&; Paisiello, ii. 6346;

Philh. Soc., ii. 6990 ; Singing,

iii. 5076; Soprano, iii. 6356;

Veiled Voice, iv. 2356 ; Borghi

(A.), iv. 5546; Masson(E.),

iv. 7146. PASTERWITZ ; Auswahl, i. 105 a ;

Rochlitz, iii. 142 a. PASTICCIO, ii. 6686; Opera, ii.

50 2 a, etc. PASTORALE, ii. 6700; iv. 745 a;

Opera, ii. 5066; Peri, ii.

691 a ; Siciliana, iii. 491 b. PASTORALE, SONATA, ii. 6706 ;

iv. 745 a ; Beethoven, i. iSobj PASTORAL SYMPHONY (Messiah),

ii. 6706; Handel, i. 657 a;

Piffero, ii. 75301. PASTORAL SYMPHONY, The, ii.

6716; Beethoven, i. iS6b,

etc. ; Knecht, ii. 66 a ; Pro-

gramme Mus., iii. 38 a ; Pro-

metheus, iii. 41 a. PASTOURELLE ; Pastorale, ii.

670 a; Song, iii. 585 a. PATARTUS, A. ; Bodenschatz, i.

��PATAVINI, A. ; Spinet, iii. 6520. PATER NOSTER ; Plain Song, ii.

7676. PATEY, Janet M., ii. 672 a;

Philh. Soc., ii. 700 a ; Sing-

ing, iii. 5126. PATEY, J. G., ii. 672 a. PATHETIQUE, ii. 6726; Beet-

hoven, i. 1786, etc. PATINO, C. ; Eslava, i. 4946 ;

Yriarte, iv. 4966. PATON, Mary A., ii. 672 b; iv.

745 a; Philh. Soc., ii. 699 a;

Singing, iii. 512 a; Soprano,

iii. 6356; Weber, iv. 4096;

Wood (Mrs.), iv. 4860:. PATRICK, R., ii. 6736 ; iv. 745 a ;

Arnold, i. 866; Tudway, iv.

1986. PATROCINIUM MUSICES, ii. 6736 ;

Berg (Adam), i. 230*1. PATTER-SONG, ii. 6736. PATTI, A., ii. 6736; iv. 745 a;

Covent Garden Theatre, i.

4130; Donizetti, i. 4536;

Nicolini (E.), ii. 45401 ; Pin-

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