Page:A Dictionary of Music and Musicians vol 4.djvu/962

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122

iii. 6850; Steibelt, Hi. 699!); Studies, iii. 7466; Tausig, iv. 646; Taylor (P.), iv. 66 6; Thalberg, iv. 956; Timanoff, iv. n6a; Touch, iv. 1526; Turk, iv. i86a; Weber, iv. 4250 ; Wieck (P.), iv. 4540 ; Wieck (M.), iv. 455 a ; Will- mers, iv. 4620; Woelfl, iv. 4775, etc.; Wrist-touch, iv. 4906; Zimmermann (A.), iv. 5076; Bache (W.), iv. 5296; Beringer (0.), iv. 5450; Brandes, iv. 5620; Brassin (L.), iv. 5626; Briill, iv. 5666; Davies (P.), iv. 6086; Dupont (A.), iv. 6210; Essi- poff,iv. 6296; Frickenhaus, iv. 6426; Fumagalli, iv. 643 &; Golinelli, iv. 6510; Hartvig- son (P.), iv. 669 a; Kuhe (W.), iv. 6936; Loeschhorn, iv. 705 a; Me're'aux, iv. 717?); Napoleon, iv. 7276; Nicode', iv. 7306; Pachmann (V. de), iv. 7370; Plants, iv. 749^; Samara, iv. 7800 ; Weitz- Biann, iv. 8166.

PIANO MECANIQUE, ii. 745 a.

PIANO- VIOLIN, ii. 7456 ; Hurdy Gurdy, i. 759&; Prsetorius, iii. 26 a; Sostinente Pianoforte, iii. 639 a.

PIANTANIDA; Mflan, ii. 3290.

PIATTI, A., ii. 746 a ; iv. 749 a ; Bergamasca, i. 230?) ; Holmes (A.), i. 743 b; Mendelssohn, ii. 2846; Monday Popular Concerts, ii. 352 b; Monfer- rina, ii. 3530 ; National Con- certs, ii. 447 &; Philh. Soc., ii. 6996 ; Schools of Comp., iii. 3106; Soc. British Mu- sicians, iii. 5440 ; Stradivari, iii. 7316; Straus (L.), iii. 737 a ; Violoncello-playing, iv. 3006, etc.; Wartel (A. T.), iv. 3836; Welsh (T.), iv. 444 b; Wilson (M. A.), iv. 4636; Golinelli, iv. 6510; Hausmann (R.) iv. 6700 ; Napoleon, iv. 7 28 a ; Quaren- ghi, iv. 766 a.

PIATTI, ii. 7466; Cymbals, i. 4250 ; Drum, i. 4666.

PIBROCH, ii. 746 b ; Bagpipe, i. 1236, etc.

PICANDEB; Passion Music, iv.

745

PICCINNI, G., ii. 7500. PICCINNI, L., ii. 749 b. PICCINNI, L. A., ii. 7500. PICCINNI (N).,ii. 747 a ; iv. 749 a ;

Academic de Mus., i. 8a;

Anfossi, 1.676; Bass, i.

��INDEX.

Bemetzrieder i. 2 21 a; Ber- ton, i. 237 a; Cimarosa, i.

M8a; Durante, i. 4710; nale,i. 5236; Pux, 1.5706;

Gazzaniga, i. 586 a; Gluck, i.

602 b, etc. ; Grand Opera, i.

6170, etc.; Iphige"nie en

Tauride, ii. l8b; Jommelli,

ii- 37 a Leo, ii. 121 a; Lo-

groscino.ii. 5i4a,no/e ; Mayer,

ii. 2406; Mozart, ii. 383 a, etc. ;

Naples, ii. 4456; Noverre,ii.

4830; Olimpiade, ii. 4966;

Opera, ii. 5146, etc. ; Oratorio,

ii. 552 a, etc. ; Pacchierotti, ii.

6256; Sacchini, iii. 2070;

Saint Huberty, iii. 214*1;

Schools of Comp., iii. 2876 ;

Siroe, re di Persia, iii. 5340 ;

Spontini, iii. 6650, etc. ;

Zenobia, iv. 506 a ; Metasta-

sio, iv. 71 8 a. PICCIOLI, G. A. ; Schools of

Comp., iii. 266 a. Picco, ii. 7500. Picco PIPE, ii. 7 50 a. PICCOLO, ii. 7506 ; Flute, i.

5366 ; Octave Flute, ii. 492 a ;

Orchestra, ii. 5656 ; Ottavino,

ii. 6156.

PICCOLO PIANO, ii. 751 a; Cot- tage Piano, i. 4076. PICCOLOMINI, Maria, ii. 751 a;

iv. 749 a ; Lumley, ii. 1740 ;

Singing, iii. 508 a ; Campana,

iv. 5 76 a. PICHEL, W., ii. 7516 ; Baryton,

i. 1470 ; Violin-playing, iv.

289. PICHI, G. ; Virginal Mus., iv.

309

PICKHAVEE ; Mus. Lib., ii. 418 b.

PIECE, ii. 75 1 b.

PIECZONKA, A. ; PF.-playing, ii. 736a.

PIENO, 11. 75 2 a.

PIERANZOVINI ; Drum, iv. 6i8b.

PIERRE, DE LA; Vingt-Quatre Violons, iv. 2666.

PIERRE DE LA HUE. (See ROE, iv. 7780.)

PIERSON, H. H., ii. 752 a ; Edin- burgh Prof, of Mus., i. 4830; Jerusalem, ii. 34 a; Parry (C. H.H.), ii. 651 a; Profes- sor, iii. 330 ; Reid, iii. loia ; Schools of Comp., iii. 3080.

PIETEREZ, A., iv. 749 a.

PIETON, L. ; Compere, i. 3826 ; Sistine Chapel, iv. 7940.

PIETOSO, iv. 7490.

PIETRO IL GRANDE, ii. 7530; Jullien, ii. 45?).

PIFFARO; Organ, ii. 6030.

PIFFERO, ii. 753 a; Pastoral

��Symphony, ii. 6706 ; Shawm,

iii. 4856.

PIGGOTT, F., ii. 7530. PIGGOTT, F., jun., ii. 7530. PIGNOTTA ; Opera, ii. 5040. Pns ; Cl< du Caveau, iv. 5936. PLLET, A. ; Lamoureux, iv. 696 a.

PlLGRIME VON MEKKA, DlE, ii.

753&J iv. 749 a Gluck, i.

6016. PILKINGTON, P., ii. 7536; Este

(T.), i. 496 a; Leighton, ii.

1146; Mus. Antiqua, ii. 4 1 1 a ;

Oriana, ii. 61 1 a ; Part Music,

ii. 6570; Virginal Mus., iv.

308 a, note ; Vocal Scores, iv.

32oa. PILLANT, L., Hist, of Mus., iv.

6;6a. PILLS TO PURGE MELANCHOLY;

D'Urfey, i. 47 2 a. PILOTTI ; Belletti, i. 2iib; Mat-

tei, ii. 2390. PINAFORE, H.M. S., ii. 7536;

Sullivan, iii. 7626. PINCB ; Acciaccatura, i. i8b ;

Mordent, ii. 3626, etc. PINELLI ; Rome, iv. 775 a. PINELLO, J. B. ; Bodenschatz,

i. 2536; Mus. Transalpina, ii.

41 6 a.

PINO ; Pisaroni.ii. 7560. PINOTTI, Teresa; Lablache, ii.

80 a. PINSUTI, C., ii. 75 3 & ; iv. 749 a;

Part-song, ii. 6590; Patey

(Janet), ii. 672 a; Wynne

(Edith), iv. 8i8a. PINTELLI; Sistine Chapel, iv.

794- PINTO, G. P., ii. 754; Dussek,

i. 476 b; PF. Mus., ii. 7276;

Salomon, iii. 2216; Violin- playing, iv. 2986. PINTO, MRS. (See BRENT, iv.

5630.) PINTO, T., ii. 7540 ; Fisher, i.

530 a ; Violin-playing, iv.

2986; Brent (Charlotte), iv.

5630-

PINTO; Tosti, iv. 15 ib. PIOCCHI ; Saggio de Contrap-

punto, iii. 21 2 a. PIOZZI, G., ii. 7546 ; Banti, i.

135 & ; Pacchierotti, ii. 6256. PIPELARE, M. ; L'Homme Anne",

ii. 1 27 a; Schools of Comp.,

iii. 2606 ; Sistine Chapel, iv.

7940 ; Tre'sor Mus., iv. 8030. PIPE AND TABOR,!. 754?) ; Tabor,

iv. 51 a; Vidal(F.), iv.26ib. PIPES, VIBRATION OF AIR IN,

ii. 754 & ; Barrel Organ, i.

1440; Node, ii.46i a; Stopped

Pipe, iii. 71 7 b.

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