Page:A Dictionary of Music and Musicians vol 4.djvu/990

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150

Haydn, i. 712 a; Melodists' Club, ii. 2 49 a; Mendelssohn, ii. 2650; Mount of Olives, ii. 378 a; Norwich Festival, ii. 4660; Philh. Soc., ii. 698 a; Phillips (H.), ii. 7056 ; Pyne (L.), iii. 54 a; Romer, iii. 1546; Royal Academy of Mus., iii. 185 a ; Shaw (Mrs.) iii. 485 a; Weber, iv. 409 a Weiss (W. H.), iv. 433 a Winn (W.), iv. 475 &; Birch (Charlotte), iv. 5470.

SMART, H., iii. 5376.

SMART, H., iii. 538 a ; Bach Soc., i. 1 20 a ; Berta, i. 2 36 a ; Bride of Dunkerron, i. 275 a ; Hymn, i. 7640 ; Mus. Soc. of London, ii. 431 b ; Nachspiel, ii. 442 a ; Part-Song, ii. 659 a ; Purcell Soc., iii. 53 a ; Royal Academy of Mus., iii. 1 85 a ; Schools of Comp., iii. 306 a; Service, iii. 4740 ; Song, iii. 608 a ; Spark, iii. 648 a ; Voluntary, iv.339&; Lambeth (H.), iv. 6960 ; Nix- on (H. C.), iv. 731 b.

SMART, Mrs. H. ; Masson (Eliz.), iv. 7146.

SMETANA, P., iii. 5386; iv. 7946; PF. Mus., ii. 733 6; Song, iii. 6146 ; Dvorak (A.), iv. 622 a; Humorous Mus., iv. 683 a; PF. Mus., iv. 7486.

SMETHERGELL, W., iii. 5386.

SMETHERGILL, W. ; Caesar, i. 295 &

SMITH ; London Violin Makers, ii. 1636, etc.

SMITH, A. M. (See WHITE MEA- DOWS, iv. 451 6.)

SMITH, Boyton; PF. Mus., ii. 376 a.

SMITH, C., iii. 538 6 ; Ashley (J.), i. 98 6.

SMITH, Father, iii. 539 a; Ac- companiment, i. 21 & ; Bellows, i. 2150; Composition Pedals, i. 383 a ; Gemshorn, i. 5880 ; Harris (R.), i. 692 a; Mus. School, Oxford, ii. 437 a; Or- gan, ii. 5 88 a, etc. ; Tempera- ment, iv. 73 a, etc.

SMITH, G., iii. 539 a.

SMITH, G. T., iii. 5396; North (Roger), ii. 4660.

SMITH, H. ; Chest of Viols, iv. 585 a.

SMITH, Hermann; Tone, iv. 1440.

SMITH, J., iii. 5400; iv. 7946; Irish Mus., ii. 22 a; Professor, iii. 33 ; Trinity Coll., Dublin, iv. 1706.

��INDEX.

SMITH, John. (See VOWLES, iv

8136.) SMITH, J. C., iii. 540 a; iv,

7946 ; Foundling Hospital, i.

557 a; God save the King, i.

605 b ; Handel, i. 653 a ; Harp- sichord, i. 689 b ; Humphreys, i. 758 a; Langshaw (F.), ii. 906 ; Royal Soc. of Musicians iii. 1870; Stanley, iii. 6900, Tremor des Pianistes, iv. i68i; Handel-Gesellschaft, iv. 665 a,

SMITH, J. S., iii. 540 1 ; Attwood, i. 101 a ; Catch Club, i. 3226 ; Harris (J. J.), i. 691 b ; Mar- shall (W.), ii. 221 a; Musica Antiqua, ii. 4106 ; Part Mus., ii. 656*; Smith (C.), iii. 5390; Song, iii. 60 1 a, note ; Urio, iv. 209 b ; Vocal Scores, iv. 3 20 a; Dance Rhythm, iv.

606 a.

SMITH, M., iii. 5396.

SMITH, R. ; Beats, i. 1596.

SMITH, R. A., iii. 541 a.

SMITH, S., iii. 5396.

SMITH, S., iii. 5416; iv. 794?) ;

PF.Mus.,ii. 735 b. SMITH, W. & E. ; Mus. Lib., iv.

7236.

SMORZANDO, iii. 5420. SNETZLER, J., iii. 542 a ; Hill, i.

736 b; Organ, ii. 5976, etc. ;

Shudi, iii. 4896, note; Wain-

wright(R.), iv. 375a. SNOW, V., iii. 5420; Sergeant

Trumpeter, iii. 469 a. SNUFF-BOX, MUSICAL, iii. 542 a;

Musical Box, ii. 41 7 a.

SOCIEDADE DE QUARTETOS DO

PORTO, iii. 543 a.

SOCIETA ARMONICA, iii. 543 a.

SOCI&TE DE MUSIQUE DE CHAM- BRE, iii. 543 a.

SOCIETE DES CONCERTS DU CON- SERVATOIRE, LA, iii. 543 5; iv. 7946; Concert, i. 3846; Concert-Spirituel, i. 3860; Deldevez, i. 4400; Habeneck, i. 6430; Hainl, i. 644 a ; Altes, iv. 5216; Garcin, iv.

645 SOCIETY OF BRITISH MUSICIANS,

iii. 543 b. SOCIETY OF BRITISH AND

FOREIGN MUSICIANS, iii.

544 *> SOCIETY, THE MUSICAL ARTISTS,

iii. 5446.

SODERBERG, T. ; Song, iii. 6106. SODERMAN, J. A., iii. 545 a;

Song, iii. 6io&. SORENSON; Song, iii. 6na. SOGGETTO, iii. 5456; iv. 794&;

��Subject, iii. 7486; Anda- mento, iv. 5220.

SOGNO DI SCIPIONE, IL ; Mo-

zart, ii. 3840. SOL, iii. 5456; G, 1.571 a. SOLD AT, M. ; Philh. Soc., iv.

747 a.

SOLDATENLIEBSCHAFT, iii. 5456;

Mendelssohn, ii. 2650.

SOLE, F. DI. (See SALE, F. DT.)

SOLENNIS, iii. 545 6; Bach (J. S.), i. 1170; Beethoven, i. 1950; Mass, ii. 2330; Ru- dolph (Archduke), iii. 201 a.

SOLER, F. A.; Eslava, i. 4950.

SOL-FA, iii. 5456; Do, i. 4516; Sistine Choir, iii. 5226; Sol- misation, iii. 550!), etc.

SOLFEGGIO, iii. 546 a; Aprile, i. 796; Benelli, i. 2236; Care- sana, i. 308 & ; Conservatoire de Mus., i. 3930 ; Gorgheggi, i. 6106 ; Nava, ii. 449 b Pan- seron, ii. 645 a ; Porpora, iii. i8a.

SOLIIS, C., iii. 549 b.

SOLIE, E., iii. 549&.

SOLIE, J. P., iii. 549 a ; Song, iii. 594 b.

SOLITAIRE, Le, iii. 5496 ; Carafa, i. 3086.

SOLIVA ; Eisner, i. 487 a.

SOLMISATION, iii. 549& ; Do, i. 45 1 b ; Fa, i. 500 a ; Hexa- chord, i. 734& > In nomine, ii. 4a; La, ii. 79a; Mi contra Fa, ii. 3266; Micrologus, ii. 3276; Mutation, ii. 439 a ; Notation, ii. 467 a, etc. ; Pa- lotta, ii. 6430; Pepusch, ii. 684 &; Re, iii. 790; Real Fugue, iii. 80 a ; Si, iii. 490 a ; Sol, iii. 545 a; Solfeggio, iii. 546 a ; Subject, iii. 7486; Ut, re, mi, iv. 211 a, etc.; Voces Aretinae, iv. 3226 ; Voces Bel- gicae, iv. 322 b ; Voces Ham- merianae, iv. 3 23 a ; Waelrant, iv. 3446 ; Wilhem, iv. 4586 ; Zacconi, iv. 4976; Guido d'Arezzo, iv. 660 a.

SOLO, iii. 5526 ; Tutti, iv. 1960; Verse, iv. 25705.

SOLO ORGAN, iii. 5526; Organ, ii. 6oob.

SOLO STOP, iii. 5536.

SOLOMON, iii. 5536 ; Handel, i. 6516.

SOLOWIEFF ; Seroff, iii. 4696.

SOMBREE, iii. 5536.

SOMIS, G. B., iii. 5536; Chia- bran, i. 3446 ; Corelli, i. 401 a ; Giardini, i. 593 b ; Ldclair, ii. no a; Pugnani, iii. 45 6; Vio- lin-playing, iv. 289, etc.

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