Page:A Dictionary of Music and Musicians vol 4.djvu/992

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152

SOUBBE ; Orphan, ii. 6i2b.

SOULA ; Song, iii. 5850.

SOULIEB. (See SOLIE, iii. 5490.)

SOUND; Acuteness, i. 266; Beats, i. 159 a; Comma, i. 3806; Harmonics, i. 6636; Helmholtz, i. 7 26 a; Instru- ments, ii. 56; Interval, ii. 1 1 a ; Partial Tones, ii. 6536 ; Pipes, Vibration of Air in, ii. 755 6 ; Pitch, ii. 757 a ; Resul- tant Tones, iii. 1190; Scale, iii. 2356; Timbre, iv. Ii6b; Tone, iv. 1416, etc. ; Tyndall, iv. 1976; Volume, iv. 3390.

SOUNDBOARD, iii. 6400 ; ^Eolian Harp, i. 38 & ; Belly, i. 2206 ; Clavichord, i. 369 a ; Harp, i. 6850, etc.; Pianoforte, ii. 7170; Savart, iii. 2310; String, iii. 7450.

SOUNDHOLES, iii. 640 a ; Belly, i. 22ob; Bridge,!. 2756; Stradi- vari, iii. 7260; Viol, iv. 267; Violin, iv. 2710, etc.

SOUNDING BOARD; Back, i.

I2lb.

SOUNDING STOPS; Stops (Organ), iii. 7190.

SOUND-POST, iii. 6420; Bridge, i. 2756; Violin, iv. 2710.

SOUNDS, MILITARY, iii. 642?); iv. 7950; Bugle, i. 2800; Fanfare, i. 503 a; Reveille, iii. 1216; Roll-call, iii. 1 47 b ; Side-drum, iii. 491 b ; Signals, iii. 4926; Tattoo, iv. 63 b; Tucket, iv. 1850,

SOUPIR, iii. 647 b; Crotchet, i. 421 a; Rest, iii. 1190.

SOURDINE ; Kit, ii. 62 b.

SOUTER LIEDEKENS ; Clemens non Papa, i. 3710 ; Old Hun- dredth Tune, ii. 495 b, etc. ; Tylman Susato, iv. 1976; Volkslied, iv. 3370.

SOUTHARD, L. H. ; United States, iv. 203 a.

SOUTHERTON, N. ; Psalter, iv.

757 & - SOWINSKI, A., iii. 6476 ; Song,

iv. 795 a. SPACE, iii. 6476. SPAETH, A.; Mus. Lib., ii. 4266;

Part Music, ii. 657 a ; Farmer

(J.),iv.6 33 . SPAGNOLETTI; Alsager, i. 57 b;

Blagrove (H.),i. 2470; Philh.

Soc., ii. 698 b ; Royal Acad. of

Mus., iii. i8 5 a; Willy, iv.

4620. SPANISH Music ; Song, iii. 598 a ;

Soriano-Fuertes, iii. 638 6 ;

Hiat. of Mus., iv. 6760. SPARK, W., iii. 6476.

��INDEX.

SPATARO ; Bologna, i. 2590 ;

Gafori, i. 5756; Milan, ii.

3286. SPAUN, J. Freiherr von, iii.

6480; Schubert, iii. 3200,

etc. ; Witteczek, iv. 477 a. SPECIMENS, CROTCH'S, iii. 6486;

Crotch, i. 421 a ; Welsh Mus.,

iv. 4366. SPECTACLES COUPES; Campra,iv.

577-

SPEECHLET, H., iii. 6500. SPEIDEL, K., iii. 6500. SPEIDEL, L., iii. 6516. SPEIDEL, W., iii. 6500; PF.

Mus., ii. 734a ; PF.-playing,

ii. 745 ; Stark, iii. 6906. SPEIER, W. (See SPETER, iii.

6506.)

SPERANZA ; Zingarelli, iv. 508 b. SPERATI; Lindley (R.), ii.

1 43

SPERONTES ; Song, iii. 6216. SPEYER, W., iii. 6506. SPIANATO, iii. 6506. SPICATO, iii. 650 b ; Bowing, i.

266 & ; Springing-Bow, iii.

682 a.

SPIESS ; Erk, i. 492 a. SPINA, C. A. , iii. 650 b ; Diabelli,

i. 442 a.

SriNAR, L. ; Dussek, i. 4736. SPINDLER, F., iii. 6510; PF.

Mus., ii. 73 2 a. SPINET, iii. 651 a; iv. 7950;

Action, i. 266; Clavichord, i.

3666; Harpsichord, i. 688a,

etc.; Instrument, ii. 66;

Jack, ii. 27 a; Key, ii. 536;

Mus. Lib., ii. 421 a, etc.;

PF.-playing, ii. 736 a, etc. ;

Regibo, iii. 940; Rose, iii.

i6ia; Ruckers, iii. 1940;

Taskin, iv. 626; Virdung, iv.

303 a; Virginal, iv. 3036, N etc. ; Couched Harp, iv. 6oob;

Harpsichord, iv. 668 a; Key- board, iv. 6900. SPIRITOSO, iii. 6560. SPIRITUEL CONCERTE ; Holz, i.

744&; Reichardt (J. F.), iii.

99 b; Titze, iv. 1296. SPITTA, J. A. P., iii. 656 a ; iv.

796 a; Arrangement, i. 896;

Bach (J. S.), i. n8a; Buxte-

hude,i. 2860; Kroll, ii. 73&;

Vivaldi, iv. 318 a, note ; Gio-

vannini, iv. 647 b. SPITZFLOTE, iii. 6566; Organ, ii.

5840?, etc. SPOFFORTH, R., iii. 6566; iv.

796 a; Catch Club, i. 3226;

Concentores Sodales, i. 3836;

Glee, i. 599 a; Hawes, i. 699 a ;

Madrigal Soc. , ii. 1 94 a ; Vocal

��Concerts, iv. 31 90; Vocal Scores, iv. 3200.

SPOFFORTH, S., iii. 6570.

SPOHR, L., iii. 6s7a; iv. 7960; Accent, i. 156; Alchymist, Der, i. 516; Alsager, i. 576; Argyll Rooms, i. 826; Aus- wahl, i. 1050; Azor and Zemira, i. 107 b ; Bach-Gesell- schaft,i. Ii8b; Bartholomew, i. 1460; Baton, i. 1556; Beethoven, i. 1700, note; Berggeist, Der, i. 231 a; Bla- grove, i. 2470; Boucher, i. 2 63 a; Bowing, i. 2 66 a; Burg- miiller, i. 2836; Calvary, i. 2 99 a; Canon, i. 304 b; Cecilia, St., i. 329^; Chiroplast, i. 3466 ; Clarinet, i. 363 b, etc. ; Clement, i. 37 1 b ; Col Legno, i. 377b; Conductor, i. 3900; Curschmann, i. 4240 ; David, i. 433 a ; Dussek, i. 4746, etc. ; Eck (Franz), i. 482 a ; Etudes, i. 497 a; Faust, i. 5090; Field (J.), i. 5200; Filtsch, i. 523 a ; Fingerboard, i. 524b; Fiorillo, i. 5286; Fiori- ture, i. 528 b ; Flute, i. 537b; Fodor, i. 5380; Franzl, i. 557b; Gade,i. 574<i; Gevaert, i. 591 b; Grossvater-Tanz, i. 634 a; Hauptmann, 1.6980; Hesse, i. 733 b ; Killer (Ferd.), i. 737b; Jessonda, ii. 3401; Jiingste Gericht, Das, ii. 46 b; Klotz, ii. 65 b; Kompel, ii. 68 a; Lafont, ii. 840; Last Judgment, The, ii. 102 a; Letzten Dinge, Die, ii. 126 a; Louis Ferdinand, Prince, ii. 1690; Lupot, ii. 1750; Mac- beth, ii. 1830; March, ii. 2130; Marschner, ii. 2i9b; Maurer, ii. 239b ; Mendels- sohn, ii. 2570; Molique, ii. 35 1 b, etc.; Mounsey (Ann

��42 1 a, etc. ; New Philh. Soc., ii. 452 b; Niederrheinische Musikfeste, ii. 457; Nonet, ii. 4640 ; Norwich Festival, ii. 4660 ; Opera, ii. 52ob, etc. ; Oratorio, ii. 553 b, etc.; Or- chestration, ii. 572 a; Orpheus, ii. 6 1 3 a ; Overture, ii. 6230; Paganini, ii. 631 a, etc. ; Part Mus., ii. 656 b; Philh. Soc., ii. 698 b; Pierson (H. H.), ii. 752 a; Piffero, ii. 753a; Pott, iii. 22b; Programme Mus., iii. 390, etc.; Quartet, iii.

58 a; Quartet, Double, iii.

59 a; Recitative, iii. 85 b; Ries (Ferd.), iii. I3ib; Ries

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