soft clinging green. In her shower of bright hair a few green leaves and white blossoms clung, and they fell over her robe down to her feet. Her white throat and arms were bare, she leaned forward a little and swayed with the melody, her eyes fast on the clouds above her, her lips parted, a pink tinge of exercise in her cheeks as she drew her bow. She played as only a peculiar chain of circumstances puts it in the power of a very few to play. All nature had grown still, the violin sobbed, sang, danced, and quavered on alone, no voice in particular, just the soul of the melody of all nature combined in one great outpouring.
At the doorway, a white-faced woman bore it as long as she could and then fell senseless. The men nearest carried her down the hall to the fountain, revived her, and then placed her in the carriage to which she directed them. The girl played on and never knew. When she finished, the uproar of applause sounded a block down the street, but the half-senseless woman scarcely realized what it meant. Then the girl came to the front of the stage, bowed, and, lifting the violin, she played her conception of an invitation to dance. Every living soul within sound of her notes strained their nerves to sit still and let only their hearts dance with her. When that began the woman ran toward the country. She never stopped until the carriage overtook her half way to her cabin. She only said she had grown tired of sitting, and walked on ahead. That night she asked Billy to remain with her and sleep on Elnora's bed. Then she pitched head-
