might erect for one night's lodging, or the cocoon spun for itself by an aged silkworm. It is not a hundredth part so commodious as the habitation of my middle-time. As my age declined with every year, at each remove my dwelling became smaller. This last one is no ordinary house. It is barely ten feet square, and only seven feet high. As it was not meant for a fixed abode, the ground about it was trodden hard and left uncultivated. The walls are of mud, and it is thatched with rushes. The joints are fastened with rings and staples, for the greater convenience of removal elsewhere if any subject of dissatisfaction should arise. How little trouble it would take to rebuild it in another place! It would barely make two cart-loads, and there would be no expense whatever beyond the cartage.
"Since I concealed my traces in the recesses of Mount Hino, I have put up a projecting roof of some three feet or more in width on the eastern side, as a place for breaking and burning brushwood. On the south I have set out a temporary shade and laid down a bamboo grating [by way of a mat]. On the west there is the domestic shrine. Within, against the north, and on the other side of a paper screen, I have installed a picture of Amida, and beside it have hung one of Fugen. Before them I have placed a copy of the Hokkekio.[1] Close to the eastern wall I have spread a quantity of fern, which serves me as a bed. On the south-west there is provided a hanging shelf of bamboo, on which are three or four black leather cases containing Japanese poetry, music, a Buddhist pious book, and such-like manuscripts. Besides there are a harp and a lute of the kinds known as Origoto and Tsugibiwa.
- ↑ Buddhist Scriptures.
