Page:A History of Wood-Engraving.djvu/104

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102
A HISTORY OF WOOD-ENGRAVING

Hungary, Guelders, Naples, Milan, Venice, an unending list—the symbols of military power, artillery, treasure, the statues of the great rulers who were allied by blood to Maximilian or had ruled his dominions before him, prisoners of war in chains, the Imperial Standard, the Sword of the Empire,

Fig. 44.—The Herald. From "The Triumph of Maximilian."
Fig. 44.—The Herald. From "The Triumph of Maximilian."

Fig. 46.—The Car of the Musicians. From "The Triumph of Maximilian."

the counts, lords, and knights who owned the Emperor’s sovereignty—a splendid display of the pomp and pride of mediæval life. Maximilian himself is the central thought of the whole; he is never lost sight of in any smaller figure; his servants are there, as their devices relate, because they served him; his provinces, because he ruled them; his victories, because he won them; his ancestors, because they