itself in the person of Mr. Wendover, who more than any one she knew had it in his hand to transmute her detestable position. To-morrow he would know, and would think sufficiently little of a young person of that breed: therefore it could only be a question of his speaking on the spot. That was what she had come back into the box for—to give him his opportunity. It was open to her to think he had asked for it—adding everything together.
The poor girl added, added, deep in her heart, while she said nothing. The music was not there now, to keep them silent; yet he remained quiet, even as she did, and that for some minutes was a part of her addition. She felt as if she were running a race with failure and shame; she would get in first if she should get in before the degradation of the morrow. But this was not very far off, and every minute brought it nearer. It would be there in fact, virtually, that night, if Mr. Wendover should begin to realise the brutality of Selina's not turning up at all. The comfort had been, hitherto, that he didn't realise brutalities. There were certain violins that emitted tentative sounds in the orchestra; they shortened the time and made her uneasier—fixed her idea that he could lift her out of her mire if he would. It didn't appear to prove that he would, his also observing Lady Ringrose's empty box without making an encouraging comment upon it. Laura waited for him to remark that her sister obviously would turn up now; but no such words fell from his lips. He must either like Selina's being away or judge it damningly, and in either case why didn't he speak? If he had nothing to say, why had he said, why had he done, what did he mean———? But the
