race. But they touch me, often, in the whisper of the leaves and the odor of the mouldy soil and the blank eyes of the old statues. I can't bear to look the statues in the face. I seem to see other strange eyes in the empty sockets, and I hardly know what they say to me. I call the poor old statues ghosts. In conscience, we 've enough on the place already, lurking and peering in every shady nook. Don't dig up any more, or I won't answer for my wits!"
This account of Camillo's sensibilities was too fantastic not to seem to his wife almost a joke; and though I imagined there was more in it, he made a joke so seldom that I should have been sorry to cut short the poor girl's smile. With her smile she carried her point, and in a few days arrived a kind of archæological detective, with a dozen workmen armed with pickaxes and spades. For myself, I was secretly vexed at these energetic measures; for, though fond of disinterred statues, I disliked the disinterment, and deplored the profane sounds which were henceforth to jar upon the sleepy stillness of the gardens. I especially objected to the personage who conducted the operations; an ugly little dwarfish man who seemed altogether a subterranean genius, an earthy gnome of the underworld, and went prying about the grounds with a malicious smile which suggested more delight in the money the Signor Conte was going to bury than in the
