Page:A Portrait of the Artist as a Young Man (Huebsch 1916).djvu/44

From Wikisource
Jump to navigation Jump to search
This page has been validated.

stared across the table over his joined hands. He liked to sit near him at the fire, looking up at his dark fierce face. But his dark eyes were never fierce and his slow voice was good to listen to. But why was he then against the priests? Because Dante must be right then. But he had heard his father say that she was a spoiled nun and that she had come out of the convent in the Alleghanies when her brother had got the money from the savages for the trinkets and the chainies. Perhaps that made her severe against Parnell. And she did not like him to play with Eileen because Eileen was a protestant and when she was young she knew children that used to play with protestants and the protestants used to make fun of the litany of the Blessed Virgin. Tower of Ivory, they used to say, House of Gold! How could a woman be a tower of ivory or a house of gold? Who was right then? And he remembered the evening in the infirmary in Clongowes, the dark waters, the light at the pierhead and the moan of sorrow from the people when they had heard.

Eileen had long white hands. One evening when playing tig she had put her hands over his eyes: long and white and thin and cold and soft. That was ivory: a cold white thing. That was the meaning of Tower of Ivory.

—The story is very short and sweet, Mr Casey said. It was one day down in Arklow, a cold bitter day, not long before the chief died. May God have mercy on him!

He closed his eyes wearily and paused. Mr Dedalus took a bone from his plate and tore some meat from it with his teeth, saying:

—Before he was killed, you mean.

[36]