soothed—either Cecil or Miss Bartlett or a Being not visible to the mortal eye—a Being who whispered to her soul: "It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men." But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. The sun, though it had moved a little since the morning, would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck's 'Armide' that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: "Now play us the other garden—the one in 'Parsifal.'"
She closed the instrument.
"Not very dutiful," said her mother's voice.
Fearing that she had offended Cecil, she turned quickly round. There George was. He had crept in without interrupting her.
"Oh, I had no idea!" she exclaimed, getting very red; and then, without a word of greeting, she reopened the piano. Cecil should have the 'Parsifal,' and anything else that he liked.
