directing one of the lift boys to run after Il Conde with it. Perhaps he was the only Count staying in the hotel, or perhaps he had the distinction of being the Count par excellence, conferred upon him because of his tried fidelity to the house.
Having conversed at the Museo—(and by the by he had expressed his dislike of the busts and statues of Roman emperors in the gallery of marbles: their faces were too vigorous, too pronounced for him)—having conversed already in the morning I did not think I was intruding when in the evening, finding the dining-room very full, I proposed to share his little table. Judging by the quiet urbanity of his consent he did not think so either. His smile was very attractive.
He dined in an evening waistcoat and a "smoking" (he called it so) with a black tie. All this of very good cut, not new—just as these things should be. He was, morning or evening, very correct in his dress. I have no doubt that his whole existence had been correct, well ordered and conventional, undisturbed by startling events. His white hair brushed upwards off a lofty forehead gave him the air of an idealist, of an imaginative man. His white moustache, heavy but carefully trimmed and arranged, was not unpleasantly tinted a golden yellow in the middle. The faint scent of some very good perfume, and of good cigars (that last an odour quite remarkable to come upon in Italy) reached me across the table. It was in his eyes that his age showed most. They were a little weary with creased eyelids. He must have been sixty or a couple of years more. And he was communicative. I would not go so far as to call it garrulous—but distinctly communicative.
He had tried various climates, of Abbazia, of the Riviera, of other places, too, he told me, but the only
