From a careful study of them I conclude they are of general application, and refer simply to the storms, clouds, &c., of the rainy season of the year, and not to any particular event.
As each of these plates is complete in itself, there is nothing in them, except the subject treated of, to indicate the order in which they are to be taken; but this is too uncertain a guide for us to base any confident opinion upon. All I can say on this point with confidence is that XXIV and XXV appear to relate to severe and destructive storms, and XXVI and XXVII to beneficial and fertilizing rains. The figures in the lower division of the first two I think indicate the formation or commencement of the storm. We see in both a young or small serpent, which, I think, is here the symbol of a cloud. That on Plate XXV is a rattlesnake, indicating its deadly character, as does also the death symbol near by. The apron of the great, robust female is cross-hatched—which here may signify Zih, "origin" or "birth"—and denote that the serpent, which is issuing from behind it, is in process of birth. The character held in the right hand is Ik, "breath," "wind," or "spirit"; the blue lines from the mouth, which strike against the falling figure with the dead eye, denote the fierce storm on its errand of destruction and death.
The beam shooting out from the eye may possibly denote lightning, though in the similar figure on Plate XXVII this appears to be indicated by the red dots in the bound serpent on the head. The intention appears to have been to indicate the Maya equivalent of the Mexican female deity, Chalchihuitlicue. This deity, according to Sahagun, was the sister of the Tlalocs. "She was honored because she had power over the waters of the sea and of the rivers to drown those that went down to them, to raise tempests and whirlwinds, and to cause boats to founder. They worshiped her, all those that dealt in water, that went about selling it from canoes or peddled jars of it in the market. They represented this goddess as a woman, painted her face yellow, save the forehead, which was often blue, and hung round her neck a collar of precious stones, from which depended a medal of gold. On her head was a crown of light-blue paper, with plumes of green feathers and tassels that fell to the nape of her neck. Her earrings were of turquiose, wrought in mosaic. Her clothing was a shirt
