Architects, vol. i. (1894), pp. 93-115. P. 413: On the Çakas and Kushanas, see Rapson, Indian Coins, pp. 7 and 16, in Bühler's Encyclopædia, Strasburg, 1898. On the relation of Indian to Greek fables, cf. Weber in Indische Studien, vol. iii. p. 327 ff. Through the medium of Indian fables and fairy tales, which were so popular in the Middle Ages, the magic mirror and ointment, the seven-league boots, the invisible cap, and the purse of Fortunatus (cf. Burnell, Sāmavidhana Brāhmaṇa, preface, p. xxxv), found their way into Western literature. For possible Greek influence on Indian drama, cf. Windisch, in Trans. of the Fifth Oriental Congress, part ii., Berlin, 1882. On chess in Sanskrit literature, cf. Macdonell, Origin and Early History of Chess, in Journ. Roy. As. Soc., 1898. On Indian influence on Greek philosophy, cf. Garbe in Sānkhya und Yoga, p. 4. L. von Schroeder, Buddhismus und Christenthum, Reval, 2nd ed., 1898. P. 422-23: It seems quite possible to account for the ideas of the Neo-Platonists from purely Hellenic sources, without assuming Indian influence. On the relation of Çakuntalā to Schiller (Alpenjäger) and Goethe (Faust), cf. Sauer, in Korrespondenzblatt für die Gelehrten und Realschulen Württembergs, vol. xl. pp. 297-304; W. von Biedermann, Goetheforschungen, Frankfurt a/M., 1879, pp. 54 ff. (Çakuntalā and Faust). On Sanskrit literature and modern poets (Heine, Matthew Arnold), cf. Max Müller, Coincidences, in the Fortnightly Review, New Series, vol. lxiv. (July 1898), pp. 157-162.
