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1044. Right arm-piece of a slashed suit, German, first quarter of the
XVIth century. It was apparently never finished. Collection: Lady
Zouche, Parham 263

1045. Suit of armour for fighting on foot, Italian (Milanese), School of
Missaglia, dated 1515. Probably made for Giuliano II or Lorenzo II
de' Medici. G 179, Musée d'Artillerie, Paris 264

1046. Armour made for fighting on foot, Italian (Milanese), School of
Negroli, first quarter of the XVIth century. G 178, Musée
d'Artillerie, Paris 266

1047A. Effigy of the Constable de Montmorenci. Preserved in the Louvre,
Paris 267

1047B. The armour of the Constable de Montmorenci in Wilton House.
Collection: The Earl of Pembroke and Montgomery 267

1047C. The armour of Louis de Bourbon, Duc de Montpensier, in Wilton
House. Collection: The Earl of Pembroke and Montgomery 267

1047D. The armour of the Constable de Montmorenci, with the helmet
worn by him at Dreux. Musée d'Artillerie, Paris 267

1047E. Portrait of the Constable de Montmorenci. From Jakob Shrenck von
Nozing's series published in 1601 271

1048. Suit of armour, said to have been made for Francis I of France,
probably the work of one of the Kolmans of Augsburg, about
1530-35. G 117, Musée d'Artillerie, Paris 274

1049. Suit of armour, with the mark on the breastplate of one of the
Kolmans of Augsburg, about 1540. Wallace Collection (Laking
Catalogue, No. 402) 274

1050. Suit of armour, made for Lazarus Schwendi, Freiherr von Hohenlandsberg,
probably produced at Augsburg, but decorated by
Peter Speier of Annaberg about 1550-60. Imperial Armoury,
Vienna 275

1051. Classically fashioned suit of armour, presented to Charles V
by Guidobaldo II, Duke of Urbino, in 1546. Made by Bartolommeo
Campi of Pesaro in 1546. A 188, Royal Armoury, Madrid 277

1052. From a picture attributed to Jacinto Geronimo de Espinosa, in which
one of the figures is depicted wearing the suit illustrated in
Fig. 1051. Collection: the late Sir Charles Robinson, C.B. 280

1053. Pair of stirrups made, in the opinion of the author, for the suit
illustrated in Fig. 1051. Salting Collection, Victoria and Albert
Museum 282