'Sun' do. When you come down to hard tacks you will find that there are no questionable proceedings whatever, just an exchange of babies, as in the old-time operas, Troubadour and the rest. The Editor will have no kick coming."
"The Editor," of course, was Mrs. Clemens, who as a rule censored Mark's manuscript—"tooth-combed it," as he called it, cutting out such gems as "the affairs of the Cat who had a family in every Port."
Mark told me that when he got through with "Joan of Arc" he would tackle "this here Elizabeth proposition"—"a person full of placid egotism and obsessed with self-importance," he called her. "If I do Elizabeth half as well as I intend to do 'Joan' and did 'The Prince and Pauper,' I will have three serious books to my credit, and after that I will be damned—'thrice damned,' Elizabeth would have said—if I allow anybody to take me for a mere funmaker."
He gave me some more instructions, talking at random mostly, and paid me in advance for the work I was to do. Twenty-four hours later I landed at Victoria Station, London, for, having business in Antwerp, I had travelled via Holland.
A foreign correspondent (that was my trade then) is shifted merrily from one place to another; so it happened that I went back to France after a fortnight in England, or even
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