Some ancient writers suppose that Egypt derived all the arts and sciences from Ethiopia; while others believe precisely the reverse. Diodorus supported the first opinion,—and asserts that the Ethiopian vulgar spoke the same language as the learned of Egypt.
It is well known that Egypt was the great school of knowledge in the ancient world. It was the birth-place of Astronomy; and we still mark the constellations as they were arranged by Egyptian shepherds. The wisest of the Grecian philosophers, among whom were Solon, Pythagoras and Plato, went there for instruction, as our young men now go to England and Germany. The Eleusinian mysteries were introduced from Egypt; and the important secret which they taught, is supposed to have been the existence of one, invisible God. A large portion of Grecian mythology was thence derived; but in passing from one country to the other, the form of these poetical fables was often preserved, while the original meaning was lost.
Herodotus, the earliest of the Greek historians, informs us that the Egyptians were negroes. This fact has been much doubted, and often contradicted. But Herodotus certainly had the best means of knowing the truth on this subject; for he travelled in Egypt, and obtained his knowledge of the country by personal observation. He declares that the Colchians must be a colony of Egyptians, because, "like them, they have a black skin and frizzled hair."
The statues of the Sphinx have the usual characteristics of the negro race. This opinion is confirmed by Blumenbach, the celebrated German naturalist, and by Volney, who carefully examined the architecture of Egypt.
Concerning the sublimity of the architecture in this ancient negro kingdom, some idea may be conceived from the description of Thebes given by Denon, who accompanied the French army into Egypt: "This city, renowned for numerous kings, who through their wisdom have been elevated to the rank of gods; for laws, which have been revered without being known; for sciences, which have been confided to proud and mysterious inscriptions; for wise and earliest monuments of the arts,
