since you are pleased I should undertake this province, I will do it, though with all imaginable respect and deference, both to that person n from whom you have borrowed your strongest arguments, and to whose judgment, when I have said all, I finally submit. But before I proceed to answer your objections, I must first remember you, that I exclude all comedy from my defence; and next that I deny not but blank verse may be also used; and content myself only to assert, that in serious plays where the subject and characters are great, and the plot unmixed with mirth, which might allay or divert these concernments which are produced, rhyme is there as natural and more effectual than blank verse.
'And now having laid down this as a foundation,—to begin with Crites,—I must crave leave to tell him, that some of his arguments against rhyme reach no farther than, from the faults or defects of ill rhyme, to conclude against the use of it in general. May not I conclude against blank verse by the same reason? If the words of some poets who write in it, are either ill chosen, or ill placed, which makes not only rhyme, but all kind of verse in any language unnatural, shall I, for their vicious affectation, condemn those excellent lines of Fletcher, which are written in that kind? Is there any thing in rhyme more constrained than this line in blank verse?—I heaven invoke, and strong resistance make; where you see both the clauses are placed unnaturally, that is, contrary to the common way of speaking, and that without the excuse of a rhyme to cause it: yet you would think me very ridiculous, if I should accuse the stubbornness of
